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n a lasting manner the blue color used in these pieces reference both air and water and is a starting point in all the images i am also considering the terrestrial carbon cycle new growth in spring bright green takes up carbon in autumn leaves drop to the forest floor and decay returning carbon to the atmosphere orange yellow red brown this is the natural cycle to this we add anthropogenic carbon dioxide through processes probably most visible as smoke from combustion either factory diesel or wildfires shades of gray the work is made up of cyanotype in concert with encaustic paint cyanotype suggests both water and atmosphere and makes a strong ground for further layers of material cyanotype is one of the earliest forms of photography an early photo process that was invented by sir john herschel in england in 1842 cyanotype solution is made from ferric ammonium citrate and potassium ferricyanide mixed with distilled water it is brushed directly onto paper and is contact printed with exposure to uv light encaustic painting is a form of painting that combines pigment with beeswax and damar resin encaustic is an ancient form of painting on panels dating back to the greeks and egyptians from about 100 300 ad using these ancient techniques provides a link to the past thinking about these historical connections with the past the eternity of the earth and the anthropocene links these common elements and ideas our dependance on a habitable planet as a recent concept combined with the wisdom of the past and the possibility of new solutions may suggest a way forward by making small changes that can ripple and make an impact on our environment we can find a path to the future that is sustainable and secure durran article washingtonpost recent exhibitions fibonacci footprint at bellevue college feb 5 april 11 2024 ten northwest artists explore global warming through paintings sculpture installation and video each focusing on varying topics of climate concern rising water food systems colonization environmental pollution and microplastics surge mapping transition displacement and agency in times of climate change an exhibition drawing attention to climate change and its tangible effects on the northwest s coastal communities at the museum of northwest art la conner wa 2023 2024 almost forever at geheim gallery 2023 bellingham wa this work focuses on our world in the era of global climate change and widespread plastic pollution we live in a time when our world is changing rapidly and many people do not know what they can do to address the many environmental challenges we have to face this work seeks to investigate these problems and scenarios being played out by human impact on the natural environment witnessing these events in person and in the media brings with it a sense of individual guilt and culpability women alternative photography group interview 2023 women alternative photo group online interview at women alternative photography group https womenaltphotogroup com i remember everything at geheim gallery 2021 pictured on left wall you are drinking plastic cyanotype and monotype on paper 30 x 220 i remember everything at geheim i remember everything king tide in i remember everything optera at geheim gallery optera at geheim gallery featured the most comprehensive selection of i nsect collection works to date optera was the featured solo exhibition at geheim gallery during february 2021 flat bug flat bug embroidery and blood on silver gelatin print 12 x 12 2021 scapelands at uw madison scapelands at uw madison viewers looking at under water monoprint and graphite on paper viewers at scapelands exhibition spring 2019 university of wisconsin at madison viewers at scapelands 2019 uw madison bellingham artist cara jaye hangs her installation water on the mountain at the museum of northwest art on wednesday afternoon as she and other artists prepare for an exhibit called surge the exhibit looks at how oceans rivers forests wildlife and people of the region might be affected by climate change during the next 35 years brandy shreve skagit valley herald image from article museum exhibit explores climate change by kimberly cauvel sept 17 2016 http www goskagit com news museum exhibit explores climate change article_b46bd587 00e9 5690 92d6 ec1c7c612ecf html this elongated landscape shows a shifting view from the mountains through the agricultural lands of the skagit valley to the salish sea the theme of the image is the snow rain balance with reduced snow pack in the mountains water is not stored and released slowly over time but instead a greater and faster release of water flows immediately into the river the stronger likelihood of flooding and other dramatic weather occurrences are the big events we will notice as part of global climate change water on the mountain 2016 magic marker brain pop at gallery gowoon in south korea 2016 insect collection silver gelatin prints embroidered and painted with blood on canvas 2000 present each piece in this collection is made up of a photographic silver gelatin print that has been embroidered then painted with blood and finally mounted onto canvas in each of the pieces i have chosen to embroider the body of an insect on top of the nude female figure in all of the images i act as both artist and model the embroidered medium is usually associated with craft or handiwork and is traditionally considered women s art the insects and their latin names allude to the rigor associated with medicine and the classification of natural phenomena blood symbolizes intimacy and the vehicle of life it can also speak of inheritance and identity violence birth and death the combination of blood and stitches are reminiscent of reconstructive surgery and further emphasize the idea of perfecting body parts of changing the grotesque into the beautiful the beautiful into the grotesque and the whole into scrutinized fragmented parts the insects and their latin names are realized in a paint of blood and so allude to the rigor associated with medicine and the classification of natural phenomena insects are emblematic of collecting a cataloging of types and body parts insects are strange and beautiful tiny and seem fragile and yet they are immensely strong comparatively pile it on my young daughter s drawings motivational charts and diagrams have been the inspiration for this artwork i am instrigued by the child s marks and choices when constructing an image as well as the visuals found abundantly in children s toys and playthings being a parent has opened me up to an entire new world of visuals from the toys we choose and offer to our children to the kinds of images they draw and select for themselves i am interested in the child s approach to constructing an image along with the attempt to master or control something be it a skill or a situation the work also alludes to my own feelings of inundation a general sense of being overwhelmed and the tricky power play between parent and child the resultant images both subscribe to the idea of childhood as sweet and innocent but also acknowledge that it is messy overwrought and sometimes scary map to good hygiene 2014 relief print on digital pigment print 19 x 15 pink tea party 2014 gouache and graphite on paper 36 5 x 36 5 cake with graphic splatters 2015 gouache ink and graphite on digital pigment print 20 x 16 yellow tea party 2014 gouache and graphite on paper 36 5 x 36 5 from me to you 2015 gouache and graphite and ink on paper 120 x 36 pink pile 2010 serigraph on digital pigment print 22 x 26 pink fall 2012 gouache graphite and paint on paper 36 5 x 36 5 pile it on with eyes and purple confetti 2011 gouache ink and graphite on digital pigment print 22 x 26 gold with orange non pareils 2014 gouache ink and graphite on digital pigment print 20 x 16 yellow fairy with toast 2012 gouache graphite and paint on paper 36 5 x 36 5 pile it on with blue background and carriage 2011 gouache paint and ink on digital pigment print 22 x 26 blue crush 2015 gouache and graphite on paper 36 5 x 36 5 badges 2014 gouache ink and graphite on digital pigment print 22 x 17 have your cake 2015 gouache graphite and ink on digital pigment print 22 x 17 pile it on with multicolored sprinkles 2011 gouache ink and graphite on digital pigment print 20 x 16 pile it on silver with red polka dots 2011 ink and paint on digital pigment print 22 x 26 play house 2015 gouache and graphite on paper 36 5 x 36 5 pink with yellow spots 2011 gouache graphite and ink on digital pigment print 22 x 26 crossover crossover cruce de vías created by cara jaye washington and miguel rivera mexico in 2004 as a spontaneous collaboration that has now expanded to include the taking and trading of artworks by more than 30 artists from over ten countries crossover cruce de vías addresses issues of exchange borders authorship travel and the interplay within collaboration the diverse body of more than 150 works incorporate drawing collage photography painting and printmaking techniques as artists use layers and multiple viewpoints to form an active and ongoing dialogue on crossing borders and nationalities bridging differences and expressing commonalities while sending work across actual borders 2015 crossover cruce de vias western gallery western washington university bellingham wa 2013 crossover kc bsas projecto ace buenos aires argentina 2012 crossover kc kansas city artists coalition kansas city mo 2006 crossover cruce de vias shift gallery seattle wa and galleria jesus garcia guanajuato mexico falling in this work i have depicted figures in a state of free fall that brief period of flight before an imminent crash the work originated from studies of drawings and prints in the archives of the louvre museum in 2012 i spent six weeks in paris france where i studied a diverse group of artists depicting falling figures in classical prints and drawings the resultant images are a reinterpretation of the classic drawings created in a variety of media on paper including gouache graphite and pastel with heightened colors and vibrant spaces artists works explored included delacroix blondel subleyras lebrun and many anonymous artists as well as other artists copies the scenes often contained many figures or an array of flying carts and horses surrounding a falling man the fall of phaëton was a prominent theme the son of apollo who stole the sun chariot and tried unsuccessfully to drive it across the sky another common scene is the fall of man multiple figures tumbling in heaps through a dense space in this work i have taken the figures out of their constricted spaces and opened up the compositions to reveal more openness with patterns colors and ambiguous spaces none of the original images were in color they were mostly monochrome works in ink graphite or conté i found it was both inspiring and intense to draw from such a diverse source of artists many of the figures were drawn in a way that was very foreign to my hand they might use a line that is unlike my touch or really emphasize bulging musculature still holding these master works in my own hand was magical and intense there is so much to learn from drawing from other artists works i love drawing for its immediacy and intimacy of marks placed directly on the page everything is apparent and obvious in a drawing the clumsiness skill delicate line work and little hatch marks i find drawing so immediate and expressive and telling the emotion of drawing is right there on the page it is much less hidden in process or technique the way it can be in other media lofty aspirations a collaborative work by cara jaye and seiko a purdue western washington university viking union 2010 abaca fiber indigo dye wire cloth plaster fabric paper clay methyl cellulose and readymade plastic toys photo david scherrer lofty aspirations is a large cast paper piece that examines ideas of personal goals and aspirations within a cloudscape formation the work consists of 26 hand cast and dyed paper cloud formations that float up the tall narrow space in the viking union extending from the 5th floor to the 7th floor it includes over 1000 written and drawn goals and aspirations collected from small children to retirees reflecting what their future goals dreams and aspirations are additionally small figurines and toys are embedded in the clouds this piece invokes themes of future possibility and what one can accomplish with vision goals and a bit of dreaming it involved students of all ages and stages in life and encourages dreaming pondering individual potential and looking for images in the clouds for more information about the making of this work see seiko a purdue s website ht tp www seikopurdue com lofty aspirations besos 16 minute digital video 2005 besos was shot in guanajuato mexico city and queretaro mexico and is displayed in a typical street food vendors cart beso s means kisses in spanish and as its name implies the video shows captured footage of people kissing in public celebrity lips 2006 celebrity lips consists of over 70 small gouache paintings on paper each representing the mouth of a different living celebrity the piece can be installed in different configurations and distant pieces may be viewed through binoculars meryl saints and heroes pigmented digital prints and mixed media work on paper 2004 2006 the saints and heroes series was begun in mexico where i was a visiting artist at the university of guanjuato during the spring of 2004 inspired by the proliferation of religious and popular iconography in mexico and the occasional intermingling of the two the images were created using a simple pinhole camera the resulting photographs were scanned into digital format and subtly altered these have been inspired by hand painted ex votos both antique and contemporary as well as the numerous hand made crafts toys and items sold in mexico for religious holidays and special occasions other works are created using gouache vandyke brownprint and collage methods in various combinations illusion unravelling fabric digital video projection and wooden stand 2002 penelope chaste wife of odysseus wove her husband s supposed burial shroud by day and unraveled it at night in secret she used this as a means of stalling her suitors until odysseus returned from his innumerable adventures like penelope weaving and picking apart the fabric unraveling depicts an exploration of themes of process of making the apparent ambiguous and the invisible visible in unraveling there is no distinction between the process of making and un making in this piece i ve tried to make a space where meaning decision and definition are created at the same time as that very notion is being carefully undermined 108 x 42 x 60 accumulations soiled veil object of home roadside shrines prev next back to work 10 particles 50 recent exhibitions 0 you are drinking plastic 13 insect collection 19 pile it on 25 crossover 12 falling 15 lofty aspiratio...
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