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description= 10 posts published by jenvaughn, Robyn Chapman, lionshead, sturmreader, Chuck, and srbissette during June 2009;
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the, archives, world, one, about, blog, monthly, june, 2009, caught, up, in, capes, cartoon, libraries, unite, ed, emberley, drawing, book, make, mamet, video, tour, steve, ditko, konga, lonely, percent, man, dada, little, magazines, precursor, to, zines, what, cartoonists, 24, hour, comics, across, favorite, places, contact, stats, meta,
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Text of the page (random words):
ly a story worth reading as it is not just a story about struggle for power and balance but a detective story redressed john hawksmoor is the king of cities he can feel the energy running through the power grids and command the concrete of the sidewalks to do his bidding terrifying if you think about urban jungles we live in but he uses his powers for good like telling dumpsters to break muggers legs all the while trying to figure out the why he is so city friendly mike costa and staples work well together in this short series by wildstorm dc hawksmoor s costume is a black suit an everyman outfit and one of the few stark darks in the entire book where a less accomplished artist would use retina burning gradients to splash e fy their pages staples employs the grace of more muted color palettes and produces a cohesive book to be thoroughly enjoyed jen vaughn leave a comment posted in new book super heroes tagged fiona staples hawksmoor mike costa superheroes the authority cartoon libraries unite posted on 06 22 2009 by robyn chapman 4 comments here at the schulz library we are big fans of the schulz foundation and the ohio state university cartoon research library both have been generous donors over the years the schulz foundation helped fund our first steps as a library back when were nothing more than empty room the schulz library back in the summer of 2005 and the osu cartoon research library has donated boxes and boxes of quality books to ccs we have them to thank for our near complete run of wash tubbs and captain easy we re only missing volume 18 of the nbm collection now jean schulz and and the cartoon research library have joined forces to create a new home for osu s collection you yes you can help make it happen mrs schulz is offering a matching fund of up to 2 5 million dollars for this project go here to learn more about the schulz challenge and donate robyn chapman 4 comments posted in uncategorized ed emberley s drawing book make a world posted on 06 17 2009 by lionshead 3 comments ed emberley s drawing book make a world was first published in 1972 if you can draw basic shapes and a few letters and numbers you can draw almost anything the ed emberley way make a world is packed with drawing instructions on how to create over 400 different things from airplanes to sea serpents all using a handful of basic shapes and lines looking at this newer edition it s hard to believe make a world was created 37 years ago the objects are iconic and the design of the page and book is timeless a real classic ed emberley s drawing books for children teach aspiring artists to draw by combining a series and sequence of simple shapes lines and dots to create countless objects and pictures he s created many books that apply this method to a variety of subject and themes this past semester i invited ed to the center for cartoon studies to talk to students about his work and process he lectured talked shop with students and gave his famous chalk talk workshop it was pretty amazing to see it in person something we didn t expect ed announced it would be his last ever although i m still not convinced the retired chalk hang proudly on my office wall ready for you to use next time ed ollie about ed emberley emberley is an award winning children book author artist and instructor he has illustrated over 80 books over 80 books his books are praised by many the wing on a flea 1961 was a new york times best illustrated book of the year and many of books have been selected by the american library association ala notable book list he is the recipient of the prestigious ala caldecott medal for drummer hoff written by his wife barbara ed emberley s drawing book make a world has maintained 1 on amazon s bestseller list for children s drawing books his latest work there was an old monster scholastic produced with his daughter rebecca emberley is due out fall 2009 ed lives with his wife barbara in massachusetts in a historic 1690 saltbox house you can buy ed emberley s books on amazon 3 comments posted in children literature education how to teaching mamet posted on 06 16 2009 by sturmreader leave a comment this is one of books i ve used to teach comics over the years published in 1991 on directing film is based on a series of classes that mamet taught at columbia mamet believes that the heart of visual story telling is a succession of images juxtaposed so that the contrast between these images moves the story forward in the mind of the reader this thin volume is loaded with mamet s unequivocal takes a piece is moving in proportion to how much the author can leave out and the audience is only going to look at the most overriding thing in the frame you must take charge and direct their attention that s basically what film is it is design students have strong reactions to this book and it is a great way to get a conversation started about cartooning james sturm leave a comment posted in uncategorized video tour posted on 06 14 2009 by chuck 1 comment music swamp dog chuck 1 comment posted in uncategorized steve ditko s konga the lonely one posted on 06 14 2009 by srbissette 6 comments it s amazing what the ongoing romance between academia and comics continues to offer case in point this week saw the publication of writer christopher hayton s in depth ode to a group of comicbooks i dearly loved as a kid but never ever thought i ve see get their due hayton s excellent fantastic giants charlton comics monster movie adaptations was four years in the writing and was just published in the online arts journal scan click this link and give it a read now or later it s a terrific piece the title for christopher s essay is lovingly lifted from one of the great charlton specials fantastic giants 1968 an all steve ditko one shot that reprinted the joe gill steve ditko first issue adaptations of the venerable early 1960s monster movies gorgo and konga along with two original ditko stories hayton spotlights this fascinating chapter in 60s comics history and ditko s career with an eye toward providing a proper context for these curious creature comics the history of comic books views the early 1960s largely in terms of the superhero revival which certainly eclipsed charlton s monster movie adaptations then and in the minds of historians today but while superhero comics continue to be a mainstay of the mainstream comic book industry an important corner of the modern market owes its origins to charlton s experiment with creature features a number of comic book industry greats worked at charlton early in their careers and the monster movie books showcase pencil work and inking by artists recognized today for their distinctive styles moreover the extensive body of work of the books writer joe gill offers a rich field for analysis as this article s look at his monster movie adaptations will illustrate the present article then seeks to draw the readers attention to gill s work as a source of natural social commentary and also to the illustrative work of charlton artists particularly steve ditko to be found in the monster movie books in addition to the innovation that the books themselves accomplish in terms of genre founding one major oversight in hayton s otherwise comprehensive overview of movie comics that predate the charlton monster comics of the 60s must be noted dick briefer s long running frankenstein comics debuting in prize comics in the 1940s and landing it own title two series through to the mid 1950s which certainly owed a debt to the ongoing popularity of the bastardized mary shelley frankenstein cinematic adaptations spin offs and endless procession of family members bride of son of etc briefer s frankenstein began as a straightforward horror series then metamorphosed into a bizarre humor comic returning to action horror during the pre code horror comics boom of the early 50s in this briefer s series also anticipated the charlton monster comics though the charlton s never became out and out cartoony joe gill s scripts did shift from sf horror to absurdist humor including an interspecies romance for reptisaurus successor to reptilicus steve ditko gleefully embraced the humor elements gill introduced to the pages of konga in particular including a running gag in one issue featured in the lonely one see below involving a photograph of an attractive couple seen reacting to the action of the story it s a bit like gyro gearloose s lightbulb headed robotic assistant in the carl barks donald duck uncle scrooge comics particularly the gyro gearloose comics themselves you can follow their comedic interaction like a little mini movie hidden inside the panels konga was among ditko s most playful comics work ever a stark contrast to the somber nature of ditko s most popular spider man dr strange and most controversial mr a comics creations for the first time anywhere hayton analyzes the sales figures for the charlton monster comics and tallies their relative longevity in the marketplace by comparing charlton s annual sales figures for their three monster comics with sales figures from other major comics publishers including those key titles ditko made his mark in the numbers reported are quite impressive for konga the figures quoted were 187 778 march 1963 average copies per issue in previous year 112 700 march 1964 average circulation per issue in previous year and 234 331 april 1965 average print run in previous year for gorgo it was 143 818 february 1963 issues sold to paid subscribers in previous year 231 676 february 1964 average print run in previous year and 184 778 september 1965 average per copy distribution in the previous year while interpretation of these figures is not necessarily straightforward some comparisons can be made with other publishers from the same time period average paid distribution for issues of superman dc in 1962 was 740 000 and for issues of amazing spider man marvel in 1966 was 340 215 miller 2009 however a more realistic comparison would be with titles from similar genres mystery in space dc 1962 averaged 190 000 copies unknown worlds acg 1963 143 468 turok son of stone gold key 1963 276 550 and strange tales atlas marvel 1963 189 305 copies per issue miller 2009 while distribution of the charlton monster movie books did not reach the levels of the popular superhero books their print runs compare well with comics of similar genre from the time period this kind of scholarly work is welcome particularly for such previously ignored and indeed reviled eddies in comics history growing up in vermont i was geographically close to charlton s base of operations connecticut and charlton titles had solid distribution even in the northern green mountain hinterlands hayton provides evidence of the wider popularity of the charlton titles and goes the extra mile to connect the charlton 1960s monster movie comics with the contemporary industry standards where their successors are popular fixtures of the comics market primary among those successors to konga and gorgo are the dark horse aliens predator and aliens vs predator which indeed played a vital role in how the parent studio 20th century fox rebooted the film franchises themselves the three charlton movie monster adaptations appear to have been the first substantial examples of comic book series grounded in a sci fi movie plot but then taken off in their own directions in this case by prolific comic book writer joe gill who admitted to having enjoyed working on gorgo and the other movie comics these titles set a successful precedent for later attempts by marvel and other companies who also created series based on sci fi movies such as logan s run planet of the apes star wars godzilla 2001 a space odyssey alien predator etc above right dick giordano cover art for the original charlton konga 1 interior art by steve ditko left one of ditko s own charlton konga covers finding konga typically taking on a communist country s weapons of mass destruction alas the 1960s comics hayton writes about have long been collector s items and it s almost impossible to find affordable individual issues much less complete sets of these vintage four color fantasies fortunately we have in the schulz library a collection of the gill ditko konga comics stories compliments of publisher robin snyder by way of yours truly beginning in 1989 robin snyder and steve ditko launched an ambitious series of modestly formatted black and white volumes composed of vintage ditko reprint and an abundance of brand new original material from ditko s drawing board we have a number of these collections in the schulz library including an invaluable binder of robin snyder s the comics newsletter that offer the entire multi chapter book by steve ditko detailing his years of freelance activity at marvel comics the joe gill steve ditko konga collection robin snyder published in 1989 was the lonely one and it s an excellent introduction to this oddball genre the lonely one reprints four issues of the charlton title konga 8 and 11 13 and it remains the only in print collection of any title from this body of charlton work in the context of its era and of today the lonely one is unabashedly goofy reading but given the john stanley revival we re enjoying i honestly rank the gill ditko konga right up there with stanley s melvin the monster though there s a serious side to the gill ditko work that sets it apart from stanley s satire like melvin the monster these were most definitely children s comics and i was just the kind of kid they were targetting but ditko s artwork never condescended or ridiculed the narratives in fact the speed with which much of this was obviously executed fuels its primal immediacy and crude appeal gill and dikto had their fun but they were doing a monster comic and when konga was supposed to look formidable he was as outsized and magnificent as any jack kirby monster springboarding directly from three iconic 1960s big screen creature features these were the true successors to the beloved atlas marvel monster comics ditko and kirby labored over in the late 50s and early 60s working with stan the man lee and fellow pros dick ayers don heck and others as already noted konga and the lonely one also showcases some of ditko s most inventive and playful comics work to see print there s some truly antic work here which always made konga consistently the most fun read in the entire charlton stable though gill and ditko were always working against tight deadlines they clearly full tilt boogied through some of these issues which sometimes determined how the stories and art would be executed among my favorites an entire issue of konga in which the great ape spent most of the panels buried up to his neck in snow ditko always gave 100 and some of the pen brush and ink work in the lonely one is still mighty sharp it s a treat to see it in black and white evidently shot from the original art it looks better than it did in the original...
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