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ical artifacts with the late shah of iran there are allegations of the tomb being in danger of damage from the construction of the sivand dam on river polvar located in the province of pars and water related damage but there is no official acknowledgement of this claim united nations recognizes the tomb of cyrus the great and pasargadae as a unesco world heritage site 11 shah of iran s 2 500 years celebrations an animated picture of the mausoleum tomb of cyrus under repair four winged guardian edit the four winged guardian figure of cyrus with four wings a two horned crown and royal elamite clothing perhaps one of the most memorable remaining architectural and artistic works is the bas relief of cyrus the great in pasargadae this is a bas relief cut upon a stone slab depicting a figure or a guardian man most likely a resemblance of cyrus himself possessing four wings shown in an assyrian style dressed in elamite traditional clothing assuming a pose and figure of an egyptian god and wearing a crown that has two horns in what resembles an ovis longipes palaeoaegyptiacus the structure originally had an upper stone slab that in three different languages old persian elamite babylonian declared i am cyrus the king an achaemenid 21 this carved in limestone writing was in place when sir robert ker poter described the piece in 1818 but at some point has been lost david stronach has suggested that there were originally four such figures set against doorways to the palace of cyrus in pasargadae 21 that this bas relief has such an eclectic styling with elements of egyptian elamite and assyrian reflects the oecumenical attitude of the achaemenian kings who from the time of cyrus onward adopted a liberal policy of tolerance and conciliation toward the various religions embraced within their empire 21 it would therefore depict the eclectic nature of achaemenid life from policies of the kings to their choice of architecture herodotus recounts that cyrus saw in his sleep the oldest son of hystaspes darius the great with wings upon his shoulders shadowing with the one wing asia and with the other wing europe 21 noted iranologist ilya gershevitch explains this statement by herodotus and its connection with the four winged figure in the following way 21 herodotus therefore as i surmise may have known of the close connection between this type of winged figure and the image of the iranian majesty which he associated with a dream prognosticating the king s death before his last fatal campaign across the oxus this relief sculpture in a sense depicts the eclectic inclusion of various art forms by the achaemenids yet their ability to create a new synthetic form that is uniquely persian in style and heavily dependent on the contributions of their subject states after all that is what distinguishes achaemenid architecture from those of other kingdoms it is its originality in context of fusion and inclusion of existing styles in such a way as to create awe inspiring structures a recreation of the details of the four winged figure in olympic park sydney note the details of the two horned crown ruins of the private palace of cyrus the great in pasargadae where this winged figure could have served as decoration an erect column found in the ruin complex of cyrus s private palace unlike apadana columns no fluting is used a so called swallow tail or dovetail staple this is an early huge example of staple used in architecture in order to fasten stones together persepolis edit panorama of persepolis an incomplete schematic blueprint of persepolis note c apadana hall g talar i takht or hall of 100 column n tachar or palace of darius h hadish or palace of xerxes the great b darvazeh i mellal or gate of all nations f trypilon 8 not shown behind the reference text khazaneh treasury a well preserved persian column showing the details of the capital of the columns in persepolis persepolis is the latinized version of the old persian name parsa literally meaning the city of persians another spectacular achievement of the achaemenids persepolis became one of the four capitals of the empire initiated by darius the great around 518 b c it would grow to become a center for ceremonial and cultural festivities a center for dignitaries and visitors to pay homage to the king a private residence for the persian kings a place for satraps to bring gifts for the king in the spring during the festival of nowruz as well as a place of governance and ordinance 18 persepolis s prestige and grand riches were well known in the ancient world and it was best described by the greek historian diodorus siculus as the richest city under the sun 10 structural details edit today the archaeological remnants of this once opulent city are about 70 kilometers northeast of the modern iranian city of shiraz in the pars province in southwestern iran persepolis is a wide elevated complex 40 feet high 100 feet wide and a third of a mile long 8 composed of multiple halls corridors a wide terrace and a special double symmetrical stairway that would provide access to the top of the terrace 18 the stairway would delineate relief scenes of various motifs of daily life or nature including some that were literal as well as metaphorical some scenes would show natural acts such as a lion attacking its prey but bear symbolism of spring and the nowruz festival other scenes would depict subjects from all states of the empire presenting gifts to the king as well as scenes depicting royal guards or scenes of social interactions between the guards or the dignitaries 18 this stairway is sometimes referred to as all countries 9 the structure was constructed from various halls and complexes that included hall of apadana the largest hall with 36 columns tachar the private chamber of darius the great hadish added later on as a private chamber for king xerxes the great the talar i takht also known as the 100 columned hall serving as the throne hall for general meeting with the king darvazeh i mellal the gate of all nations the khazaneh the royal treasury a hall palace complex later on developed by artaxerxes iii tripylon council hall and the rock cut tombs of the kings or naqsh e rostam 18 the most impressive hall in the complex is the apadana hall occupying an area of about 109 square meters with 36 persian columns each more than 19 m tall each column is fluted with a square base except a few in the porticos and an elaborate capital with two animals supporting the roof the structure was originally closed off from the elements by mud brick walls over 5 meters thick and over 20 meters tall 22 the columns have a composite capital depicting addorsed bulls or creatures the columns in the porticoes have circular bases and are capped by ornate capitals after the end of the fluting themselves topped by detailed addorsed bulls supporting the roof 22 apadana s relief is also unique in that it delineates the presence and power of the king known as treasure reliefs the depicted scenes on apadana stress the continuity of the kingdom through darius the great and stress his presence throughout the empire as well as depict his army of persian immortals perhaps this was darius s attempt to create a symbol of the assured continuity of his line apadana hall and the adjacent structures in the complex are believed to have been designed to host large number of people in fact the halls of persepolis could at any one time host some ten thousand visitors easily with the king and the royal staff seated appropriately 22 the grandeur of persepolis is in its architectural details its impressive tall and upright columns in its skilfully crafted reliefs depicting people from all walks of life and from all corners of the empire and most importantly in its historical importance as both a political and a social center of achaemenid royal life engineering edit persepolis fortifications pf tablets dating to between 509 and 494 are ancient persian documents that describe many aspects of construction and maintenance of the persepolis 23 the tablets are important because they highlight two important aspects of the achaemenid life and the construction of persepolis firstly that the structure was created by workers who were paid rations or wages and secondly the structure had an intricate system of engineering involving weight bearing and architectural elements and most notably an irrigation system composed of a system of closed pipes and open aqueducts the following text from pf 1224 delineates both points 32 ban 9 7 litres of grain the high priest at persepolis received and gave it as bonus to post partum greek women at persepolis irrigation workers whose apportionment are set 23 water technologies edit the runoff and sewer network of persepolis are among the most complex in the ancient world persepolis is constructed on the foot of a mountain rahmat mountain with an elevated terrace that is partially man made and partially part of the mountain complex as persepolis was in essence an important cultural center often used by the beginning of the spring during the festival of nowruz it enjoyed great precipitation and water runoffs from the molten ice and snow the sewer network assumed great importance at this critical time as it was meant to both handle the water flow downward from higher areas as well as manage the inhabitant s sewage runoffs and their water needs 24 in order to prevent flooding the achaemenids used two engineering techniques to divert snowmelt and mountain runoff the first strategy was to collect the runoff in a well with a square opening 4 2 m wide and a depth of 60 m allowing a volume of 554 cubic meters or 554 000 liters 60 x 4 2 x 4 2 of runoff to be collected the water would be diverted toward the reservoir via multiple masonry gutters strategically located around the structure the second strategy was to divert water away from the structure should the reservoirs be filled to capacity this system used a 180 meter long conduit 7 m wide and 2 6 m deep located just west of the site 24 the water system was far more complex than just the reservoirs and the water conduits and involved a very sophisticated system of closed pipes and irrigation the irrigation system was divided into five zones two serving the north part of the structure and three the southern part the irrigation system was designed to be harmonious with the structure drainage canals were built in the center of the columns and small draining holes and conduits were included on each floor which would carry water off of the floors the roof and the sewage portals into an underground sewage network and away from the structure 24 the five zones i v all possessed a runoff capacity of 260 l s liters second more than sufficient for handling mountain runoff indicating that the system was also used for water supply to the inhabitants sewage management and even irrigation of the gardens around the structure 24 a schematic diagram of the reservoir a photo of the reservoir as it exists today irrigation zones i ii in north and iii iv v in south 24 structural technologies edit in order for such a massive structure to have functioned properly it meant that the weight of the roof columns and indeed the terrace had to be distributed evenly construction at the base of the mountain offered some structural support the ceiling material was a composite application of wood and stone decreasing its overall weight extensive use of stone in persepolis not only guaranteed its structural integrity for the duration of its use but also meant that its remains lasted longer than the mud bricks of susa palaces the remaining structural columns doorways another view of the columns the columns and the door frames history edit scholars agree that it was darius the great who initiated the construction and expansion of the persepolis project however german archaeologist ernst e herzfeld believed that it was cyrus the great who chose the site for the construction although it ultimately came down to darius the great to finish the construction and create its impressive buildings excavations on behalf of the oriental institute of chicago university headed by herzfeld in 1931 and later cooperation by eric f schmidt in 1933 led to some of the most impressive uncovering of achaemenid artifacts palaces and structures herzfeld felt that the site of persepolis was made for special ceremonies and was meant to convey the power of the achaemenid empire to its subject nations 18 on some accounts persepolis was never officially finished as its existence was cut short by alexander the great who in a fit of anger ordered the burning of the city in 330 b c started originally by darius the great a century earlier the structure was constantly changing receiving upgrades from subsequent persian monarchs and undergoing renovation to maintain its impressive façade after the burning of the city persepolis was deserted and it was relatively lost to history until the excavations of herzfeld schmidt and the chicago team uncovered it in the 1930s this great historical artifact is unfortunately at serious risk of irreparable damage 8 from neglect the elements and vandalism persepolis was by no means the only large scale achaemenid project as susa also hosted a similar structure initiated by darius for similar ceremonial purposes however that history is able to enjoy the remains of persepolis as opposed to meager remnants of susa owes partly to selection of stone in construction of persepolis over mud brick in susa and the fact that it had been relatively uninhabited protecting it from wear and tear of inhabitants politically persepolis also was a significant find because nearby discovery of naqsh e rostam the persian necropolis home to darius the great shed light on the significance it has had as one of the major capitals of the empire 10 naqsh e rostam would not only house darius the great but also his son xerxes the great artaxerxes i and darius ii as well the necropolis complex was looted following invasion of alexander and possibly in the sassanid period and during the arab invasion during the pahlavi era the structure enjoyed protection and coverage as mohammad reza shah appeased to its royal and national symbolism during this era many western politicians poets artists and writers were gravitated to iran and persepolis either as a function of the political relations with the iranian monarchy or to report on or visit the ruins such figures include the procession of international dignitaries attending the 2 500 year celebration of the persian empire held by shah as well as individual visits by such figures as heinrich lübke of germany and ralph graves of life magazine in an article in life in 1971 graves describes his experience at persepolis in the following way when you see persepolis for the first time as i did facing marvdasht you are likely to be disappointed but once inside the ruins themselves you are overwhelmed by the still pr...
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