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y from the supposedly constricting rules of modernism such as form follows function purity of form and truth to materials citation needed libeskind s imperial war museum north in trafford greater manchester 2002 an archetype of deconstructivist architecture it comprises three fragmented intersecting curved volumes symbolizing the destruction of war the main channel from deconstructivist philosophy to architectural theory was through the philosopher jacques derrida s influence with peter eisenman eisenman drew some philosophical bases from the literary movement deconstruction and collaborated directly with derrida on projects including an entry for the parc de la villette competition documented in chora l works both derrida and eisenman as well as daniel libeskind 8 were concerned with the metaphysics of presence and this is the main subject of deconstructivist philosophy in architecture theory the presupposition is that architecture is a language capable of communicating meaning and of receiving treatments by methods of linguistic philosophy 9 the dialectic of presence and absence or solid and void occurs in much of eisenman s projects both built and unbuilt both derrida and eisenman believe that the locus or place of presence is architecture and the same dialectic of presence and absence is found in construction and deconstructivism 10 according to derrida readings of texts are best carried out when working with classical narrative structures any architectural deconstructivism requires the existence of a particular archetypal con struction a strongly established conventional expectation to play flexibly against 11 the design of frank gehry s own santa monica residence from 1978 has been cited as a prototypical deconstructivist building his starting point was a prototypical suburban house embodied with a typical set of intended social meanings gehry altered its massing spatial envelopes planes and other expectations in a playful subversion an act of de construction 12 in addition to derrida s concepts of the metaphysics of presence and deconstructivism his notions of trace and erasure embodied in his philosophy of writing and arche writing 13 found their way into deconstructivist memorials daniel libeskind envisioned many of his early projects as a form of writing or discourse on writing and often works with a form of concrete poetry he made architectural sculptures out of books and often coated the models in texts openly making his architecture refer to writing the notions of trace and erasure were taken up by libeskind in essays and in his project for the jewish museum berlin the museum is conceived as a trace of the erasure of the holocaust intended to make its subject legible and poignant memorials such as maya lin s vietnam veterans memorial and peter eisenman s memorial to the murdered jews of europe are also said to reflect themes of trace and erasure constructivism and russian futurism edit another major current in deconstructivist architecture takes inspiration from the constructivist and russian futurist movements of the early twentieth century both in their graphics and in their visionary architecture little of which was actually constructed artists naum gabo el lissitzky kazimir malevich and alexander rodchenko have influenced the graphic sense of geometric forms of deconstructivist architects such as zaha hadid and coop himmelb l au both deconstructivism and constructivism have been concerned with the tectonics of making an abstract assemblage both were concerned with the radical simplicity of geometric forms as the primary artistic content expressed in graphics sculpture and architecture the constructivist tendency toward purism though is absent in deconstructivism form is often deformed when construction is deconstructed also lessened or absent is the advocacy of socialist and collectivist causes the primary graphic motifs of constructivism were the rectangular bar and the triangular wedge others were the more basic geometries of the square and the circle in his series prouns el lissitzky assembled collections of geometries at various angles floating free in space they evoke basic structural units such as bars of steel or sawn lumber loosely attached piled or scattered they were also often drafted and share aspects with technical drawing and engineering drawing similar in composition is the deconstructivist series micromegas by daniel libeskind the symbolic breakdown of the wall effected by introducing the constructivist motifs of tilted and crossed bars sets up a subversion of the walls that define the bar itself this apparent chaos actually constructs the walls that define the bar it is the structure the internal disorder produces the bar while splitting it even as gashes open up along its length phillip johnson and mark wigley deconstructive architecture p 34 contemporary art edit 8 spruce street in manhattan with rippling stainless steel on three of its elevations including the east elevation facing brooklyn but a more typical flat surface on its south elevation facing wall street and the financial district 14 two strains of modern art minimalism and cubism have had an influence on deconstructivism analytical cubism had a sure effect on deconstructivism as forms and content are dissected and viewed from different perspectives simultaneously a synchronicity of disjoined space is evident in many of the works of frank gehry and bernard tschumi synthetic cubism with its application of found object art is not as great an influence on deconstructivism as analytical cubism but is still found in the earlier and more vernacular works of frank gehry deconstructivism also shares with minimalism a disconnection from cultural references with its tendency toward deformation and dislocation there is also an aspect of expressionism and expressionist architecture associated with deconstructivism at times deconstructivism mirrors varieties of expressionism neo expressionism and abstract expressionism as well the angular forms of the ufa cinema center by coop himmelb l au recall the abstract geometries of the numbered paintings of franz kline in their unadorned masses the ufa cinema center also would make a likely setting for the angular figures depicted in urban german street scenes by ernst ludwig kirchner the work of wassily kandinsky also bears similarities to deconstructivist architecture his movement into abstract expressionism and away from figurative work 15 is in the same spirit as the deconstructivist rejection of ornament for geometries several artists in the 1980s and 1990s contributed work that influenced or took part in deconstructivism maya lin and rachel whiteread are two examples lin s 1982 project for the vietnam veterans memorial with its granite slabs severing the ground plane is one its shard like form and reduction of content to a minimalist text influenced deconstructivism with its sense of fragmentation and emphasis on reading the monument lin also contributed work for eisenman s wexner center rachel whiteread s cast architectural spaces are another instance where contemporary art is confluent with architecture ghost 1990 an entire living space cast in plaster solidifying the void alludes to derrida s notion of architectural presence gordon matta clark s building cuts were deconstructed sections of buildings exhibited in art galleries 1988 moma exhibition edit mark wigley and philip johnson curated the 1988 museum of modern art exhibition deconstructivist architecture which crystallized the movement and brought fame and notoriety to its key practitioners the architects presented at the exhibition were peter eisenman frank gehry zaha hadid coop himmelblau rem koolhaas daniel libeskind and bernard tschumi mark wigley wrote the accompanying essay and tried to show a common thread among the various architects whose work was usually more noted for their differences the projects in this exhibition mark a different sensibility one in which the dream of pure form has been disturbed it is the ability to disturb our thinking about form that makes these projects deconstructive the show examines an episode a point of intersection between several architects where each constructs an unsettling building by exploiting the hidden potential of modernism phillip johnson and mark wigley excerpt from the moma deconstructivist architecture catalog computer aided design edit computer aided design is now an essential tool in most aspects of contemporary architecture but the particular nature of deconstructivism makes the use of computers especially pertinent three dimensional modelling and animation virtual and physical assists in the conception of very complicated spaces while the ability to link computer models to manufacturing jigs cam computer aided manufacturing allows the mass production of subtly different modular elements to be achieved at affordable costs also gehry is noted for producing many physical models as well as computer models as part of his design process though the computer has made the designing of complex shapes much easier not everything that looks odd is deconstructivist critical theory edit since the publication of kenneth frampton s modern architecture a critical history first edition 1980 there has been awareness of the role of criticism within architectural theory whilst referencing derrida as a philosophical influence deconstructivism can also be seen as having as much a basis in critical theory as the other major offshoot of postmodernism critical regionalism the two aspects of critical theory urgency and analysis are found in deconstructivism there is a tendency to re examine and critique other works or precedents in deconstructivism and also a tendency to set aesthetic issues in the foreground citation needed the difference between criticality in deconstructivism and criticality in critical regionalism is that critical regionalism reduces the overall level of complexity involved and maintains a clearer analysis while attempting to reconcile modernist architecture with local differences in effect this leads to a modernist vernacular critical regionalism displays a lack of self criticism and a utopianism of place deconstructivism meanwhile maintains a level of self criticism and a dystopianism of place as well as external criticism and tends towards maintaining a level of complexity some architects identified with the movement notably frank gehry have actively rejected the classification of their work as deconstructivist 16 gallery edit jewish museum berlin germany alpine deconstructivism in kitzbühel austria by christine horst lechner günter domenig s steinhaus at lake ossiach austria vitra design museum by frank gehry weil am rhein germany dancing house by vlado milunić and frank gehry prague czech republic city of capitals in moscow ibc russia ufa palast in dresden dresden germany by coop himmelb l au walt disney concert hall by frank gehry los angeles california the guggenheim museum bilbao by frank gehry in bilbao spain paseo de gracia station barcelona 1991 by daniel navas neus solé arch the gymnasium by josef kiszka and barbara potysz in orlová czech republic hotel porta fira left in barcelona spain by toyo ito the mccormick tribune campus center at chicago s iit campus by rem koolhaas puente de la mujer argentina by santiago calatrava new synagogue in mainz by manuel herz telewizja polska headquarters criticism edit kenneth frampton finds deconstructivism elitist and detached 17 nikos salingaros calls deconstructivism a viral expression that invades design thinking in order to build destroyed forms while curiously similar to both derrida s and philip johnson s descriptions this is meant as a harsh condemnation of the entire movement 18 other criticisms are similar to those of deconstructivist philosophy that since the act of deconstructivism is not an empirical process it can result in whatever an architect wishes and it thus suffers from a lack of consistency today there is a sense that the philosophical underpinnings of the beginning of the movement have been lost and all that is left is the aesthetic of deconstructivism 19 other criticisms reject the premise that architecture is a language capable of being the subject of linguistic philosophy or if it was a language in the past critics claim it is no longer 9 others question the wisdom and impact on future generations of an architecture that rejects the past and presents no clear values as replacements and which often pursues strategies that are intentionally aggressive to human senses 9 see also edit architecture portal günter behnisch constructivism art deconstruction fashion futurism art khôra thom mayne novelty architecture reconstruction architecture rooftop remodeling falkestrasse structuralism architecture vorticism citations edit 1 2 taschen taschen 2016 p 148 what is deconstructivism archdaily 2018 08 12 retrieved 2020 07 19 jacques derrida and peter eisenman chora l works new york monacelli press 1997 rem koolhaas and bernard tschumi in conversation 18 may 2001 eth zürich wotruba sixpackfilm vienna austria 2014 https www sixpackfilm com de catalogue 2118 tschumi architecture and disjunction venturi 1977 learning from las vegas libeskind daniel imperial war museum north earth time archived 2007 10 21 at the wayback machine quote this project develops the realm of the in between the inter est pointing to that which is absent retrieved april 2006 1 2 3 curl james stevens 2006 a dictionary of architecture and landscape architecture paperback second ed oxford university press isbn 0 19 860678 8 eisenman and derrida choral works derrida of grammatology holloway robert 1994 mattaclarking archived 2007 05 17 at the wayback machine dissertation exploring the work of gordon matta clark retrieved april 2006 derrida of grammatology 1967 larsen keith november 1 2020 occupancy at the new york by gehry falls by more than 20 the real deal new york retrieved february 25 2024 frank gehry designed the rippling stainless steel tower at 8 spruce street which architecture critics marveled at for its unique deconstructivism style kandinsky point and line to plane said frank gehry of eisenman s aronoff center the best thing about peter s buildings is the insane spaces he ends up with all that other stuff the philosophy and all is just bullshit as far as i m concerned quoted in peter eisenman peter eisenman 1990 1997 ed richard c levene and fernando márquez cecilia madrid el croquis editorial 1997 46 frampton kenneth modern architecture a critical history thames hudson 3rd edition 1992 p 313 salingaros nikos anti architecture and deconstruction umbau verlag 3rd edition 2008 chakraborty judhajit deconstruction from philosophy to design arizona state university retrieved june 2006 today in the mid 90s the term deconstructivism is used casually to label any work that favours complexity over simplicity and dramatises the formal possibiliti...
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