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markets can create monopolies while they may drive up costs at first by paying artists more this may be followed by a sudden drop or adjustment in prices later the report explains although there are challenges like keeping creative diversity strategic consolidation could still promote competition scalability and sustainable growth in the music industry says hoopr s ceo gaurav dagaonkar ️ how will this move impact india s music industry share your take in the comments section source mint https lnkd in gxpga_vm dipal desai getty images musiclabels more no more previous content no more next content 58 6 comments like comment share copy linkedin facebook x achille de rauglaudre achille de rauglaudre is an influencer finance special projects blueco chelsea fc rc strasbourg operating pe owned sports assets ex mckinsey private equity 27 798 followers 1y report this post yes i write a lot about sports and yes our firm is called sportsinvest advisory but let s be honest sports media entertainmentinvest advisory sounded a bit too long however our focus spans the entire 𝐒𝐩𝐨𝐫𝐭𝐬 𝐌𝐞𝐝𝐢𝐚 𝐄𝐧𝐭𝐞𝐫𝐭𝐚𝐢𝐧𝐦𝐞𝐧𝐭 𝐞𝐜𝐨𝐬𝐲𝐬𝐭𝐞𝐦 why because each of these segments is worth looking into from an investment standpoint just the other day i was talking about content series cinema as an investment opportunity with louis ladreyt from logical content ventures a fund deploying capital in films and series and several years ago we also started exploring 𝐦𝐮𝐬𝐢𝐜 𝐫𝐢𝐠𝐡𝐭𝐬 as a new asset class one that has now captured the attention of leading pe investors blackrock backed alignment artist capital to deploy 5m 20m deals for artists and songwriters 2015 blackstone committed 1bn to hipgnosis songs now recognition music group to acquire music catalogues 2021 apollo global management inc committed 1bn to harbourview equity partners led by sherrese clarke 2021 providence equity partners launched tempo music in 2019 with warner music group later exiting to wmg for 450m kkr acquired kobalt music s catalogue for 1 1bn 2021 what sparked private equity s interest in music rights market growth check out goldman sachs music in the air report link in comments low correlation to macroeconomic trends financial assets stable recurring royalties revenues 5 10 yield but also and that s even more interesting value creation opportunities through ip expansion licensing events entertainment one of my favorite investment teams in this space pophouse entertainment why first because it boasts an outstanding founding team including abba s björn ulvaeus and eqt group founder conni jonsson led by ceo per sundin and chaired by lennart blecher eqt s head of real assets second because i had the opportunity to first connect with pophouse entertainment back in 2022 shahriar shokofan parham benisi joakim andersson and i was impressed by their visionary approach in ip expansion investment focus music catalogs and ip covering three key rights publishing recording and brand rights nil artists name image likeness value creation an artist centric approach that goes beyond passive catalog ownership expanding and monetizing ip across the entire entertainment ecosystem they launched abba voyage a concert featuring digital avatars of the swedish pop icons and the avicii experience a tribute to the late swedish dj on monday they announced a 𝟏 𝟐𝐁𝐍 𝐟𝐢𝐫𝐬𝐭 𝐭𝐢𝐦𝐞 𝐟𝐮𝐧𝐝 one of the largest debut private equity funds raised in europe in the past decade they have already deployed about 30 of the fund acquiring rights to kiss cyndi lauper avicii and swedish house mafia huge congratulations to the entire pophouse team for this fantastic achievement more 55 3 comments like comment share copy linkedin facebook x luke hodgson tech strategy commercethinking com 7 026 followers 1y report this post a simple daily rec would solve 90 of the order issues we see brand side here s the reality last week ten orders just disappeared no errors no warnings no red flags they simply never made it into the erp or warehouse no one noticed for five days and the only reason they did someone ran a manual reconciliation the integration didn t fail it just never tried this is the part no one talks about the blind spots between your platforms where your erp isn t broken but your data is quietly invisibly wrong where automation accuracy we see this all the time brands assume that once their orders are flowing from website to erp or refunds syncing from the returns portal back to website the job s done but integrations fail silently more often than you think it s not the errors that get you it s the absence of errors manual reconciliation is still the default someone often a junior system admin on 25k spending hours cross checking spreadsheets because there s no dashboard no monitoring tool just two tabs open and hope so what should it look like instead daily delta reports one view of what your webstore says happened one view of what erp received one view of what the wms 3pl receipt a simple reconciliation of the three if something s missing flag it if it failed retry it if it still fails escalate it that alone would prevent 90 of the issues we see because when no one s checking the checkers things don t fail they just disappear we wrote about this in more detail here worth a read if you want to avoid these blind spots in your own stack https lnkd in ehawsujp more 12 3 comments like comment share copy linkedin facebook x heiner kuhlmann director marketing spotify advisory board member i managing marketing director i commercial brand growth 5 067 followers 1y report this post a record 10 billion payout like in the previous year we share data and numbers like no other player in the music industry in our annual loud clear report for another year spotify was the highest paying retailer globally paying the music industry over 10 billion in 2024 this brings total lifetime payouts to nearly 60 billion spotify paid out more than any other retailer or streaming service in 2024 but that s not all our 10 billion payout is the largest in music industry history more than any single retailer has ever paid in a year and over 10x the contribution of the largest record store at the height of the cd era artists deserve clarity about the economics of music streaming the report aims to increase transparency by sharing new data on spotify s royalty payments and breaking down the global streaming economy the players and the process explore the site for our top 10 takeaways from recent data https lnkd in e7a9ye37 more loud and clear by spotify https loudandclear byspotify com 27 like comment share copy linkedin facebook x mariana maia pereira marketing strategist fundació festival de cinema de girona executive mba 5 625 followers 1y report this post how netflix hbo and prime are changing the music industry for real but can a song featured in a film or series generate income yes and sometimes more than once but only if your rights are properly managed and metadata is solid here s what it takes a you must own or control part of the rights b your work must include all key metadata isrc ipi etc c you must have sync licenses and be registered with a pro or cmo what revenue streams are involved 1 sync fee one time negotiated payment with studios 2 performance royalties from public airing of the film show 3 mechanical royalties if the content is downloaded or sold 4 streaming royalties if the film series is watched online but how do songs get into a film or series there are three main paths 1 custom made score or commissioned music a music supervisor sends a creative and technical brief a composer writes to the scene s emotion and timing 2 music libraries or indie catalogs platforms like artlist epidemic sound or even indie distributors allow licensed tracks to be used directly especially when metadata is solid 3 curated by music supervisors or editors these professionals hunt for that perfect emotional match keeping your data updated with pros and distributors increases your chances why this matters and why now in today s streaming world sync is not just exposure it s business according to deloitte 2024 82 of gen z discovers music through ugc and video platforms only 23 of people find new music through streaming recommendations spanish and latin american series on netflix and prime are helping revive indie catalogs real life examples stranger things sent running up that hill by kate bush back to the charts 37 years later euphoria made alternative tracks mainstream overnight latin and spanish language series from netflix and prime helped revive indie artist catalogs with global impact sync is not just visibility it s revenue but to make it work your author rights and technical setup must be flawless ana tijoux 1977 her song was featured in breaking bad boosting global streams and awareness originally a niche latin hip hop track it reached audiences worldwide thanks to perfect sync placement the exposure led to tour opportunities playlist additions and licensing deals all from a single tv scene if you re an artist composer or music manager sync licensing might be your most overlooked revenue stream ask yourself d is your music properly registered e are you visible in sync ready platforms and libraries f do you treat your song like an audiovisual product in today s entertainment ecosystem understanding sync understanding strategy let s talk about that musicsync artistdevelopment audiovisualstrategy musicformedia digitaldistribution songwritercommunity musiccreators more no more previous content no more next content 376 38 comments like comment share copy linkedin facebook x drew thurlow producer at light box podcast 12 335 followers 1y report this post more than 90 of people in music don t understand how copyrights royalties work here are all the royalties a song earns in order of when they began if you can learn this you have a real advantage 𝗣𝘂𝗯𝗹𝗶𝘀𝗵𝗶𝗻𝗴 𝗠𝗲𝗰𝗵𝗮𝗻𝗶𝗰𝗮𝗹𝘀 began in 1909 it s called that because music was played reproduced mechanically like player pianos sheet music it s a publishing royalty on the reproduction of a song in the us it is collected by the the mechanical licensing collective outside the us by each country s collective mgmt organization cmo 𝗣𝘂𝗯𝗹𝗶𝗰 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 memorialized in 1897 but not enforced until ascap was founded in 1914 it s a publishing royalty on the performance broadcast of a song in bars retail a sports arena or on dsps collected in the us intl by pros cmos 𝗥𝗲𝗰𝗼𝗿𝗱𝗶𝗻𝗴 𝗠𝗮𝘀𝘁𝗲𝗿 𝗥𝗼𝘆𝗮𝗹𝘁𝘆 evolved from the early 1900s called master because the first recording devices had two reels a master reel that collected the recorded audio and a slave reel that feed the blank tape this is what record labels buy up collect 𝗗𝗶𝗴𝗶𝘁𝗮𝗹 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 also called neighboring rights because they are neighbors to public performance royalties record labels made dumb deals with radio in the 1940s to forgo any master royalty in exchange for influencing what was played when digital radio was invented they didn t make that same mistake most of this is pandora siriusxm webcasts collected by soundexchange essentially worldwide drop any questions below musicindustry musicbusiness musicroyalties musiccopyright more view c2pa information no more previous content view c2pa information no more next content 615 94 comments like comment share copy linkedin facebook x more in music royalty management preventing royalty loss from song registration mistakes managing music rights and royalty income music royalty accounting for catalog acquisition music royalty tracking for artists and managers more finance topics impact investing guide alternative investment strategies ipo preparation steps asset valuation techniques capital budgeting techniques financial reporting standards explained understanding interest rates impact debt restructuring plans fintech integration challenges financial technology innovations business valuation approaches treasury management roles tax dispute resolution investment risk management building 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