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larisa movie script login stands4 network abbreviations com anagrams net biographies net calculators net convert net definitions net grammar com literature com lyrics com phrases com poetry com quotes net references net rhymes com scripts com symbols com synonyms com uszip com by title in scripts by writer a b c d e f g h i j k l m n o p q r s t u v w x y z random new scripts by title in scripts by writer larisa synopsis a loving film tribute to russian filmmaker larisa shepitko who died tragically in a car accident in 1979 at the age of 40 this documentary by her husband elem klimov includes excerpts genre biography short director s elem klimov actors elem klimov valentin rasputin stefaniya stanyuta mayya bulgakova imdb 7 9 larisa movie quotes collection edit watch pdf buy year 1980 25 min 138 views next mosfilm larissa the film director larissa shepitko died at the 187th kilometer of the leningradsky highway in a car accident she died together with her colleagues the cinematographer volodya chukhnov the production designer yura fomenko and three more members of the filming crew they just began shooting a film based on valentin rasputin s book farewell to matyora larissa had been dreaming of this work as though preparing herself for it all her life and that film was going to become the climax of her creative career larissa yefimovna had chosen me to play the part of darya in her last film matyora to me meeting her was like a miracle and i m certainly happy to have been so close to that miracle camera darya what s the matter what will happen to us what where am i going from you why i pity yegor so much rolling panorama stop action stop guilt without guilt is guilt too that s why it s hard for me to speak about larissa work on my novella farewell to matyora proved as you know for larissa and her friends to be their last work i remember the first time larissa called me during one of my visits to moscow and tentatively told me that she would like to film matyora i went to meet her having two goals in mind first to have a look at the film director larissa shepitko who had just amazed me with her film ascent and second to try not to give matyora to be filmed i wanted to keep my novella in its generic genre of prose but larissa managed to convince me pretty soon she began telling me how she saw her future film she spoke so enthusiastically she seemed so interested that i forgot about not wanting to give matyora away it was her ardor enthusiasm and selflessness even at the starting stage of work on the film that amazed me then i was persuaded by our spiritual affinity which i had never doubted since i was persuaded by her creative not formal artistic reading of the book that s how we reached our agreement and then the work on the film began that s how the spirit of the flooded matyora had been raised if we use the language of mysticism the spirit of matyora which not understanding why for what purpose it had been disturbed then took from us a too great and irreplaceable sacrifice mitya are you all right mitya mitya wings is a film about people scorched by the war about the never to be healed wounds of memory about the insufferableness of wingless existence i want to make a declaration of love love is the only thing that never dies as there is no death perhaps for the first time in my life i realized that that if a person is talented that person is immortal and to my last day i ll be proud of the fact that i acted in larissa shepitko s films remember how it was in the great waltz i m giving you my word that there s nothing there s no frame in my film not a single one that doesn t come from me as a woman i ve never engaged in copycatting never tried to imitate men because i know very well that all the efforts of my girlfriends both older and younger than me to imitate men s cinema were just nonsensical because all this is secondary but i make a distinction between ladies and men s cinema there s no women s and men s cinema there s ladies cinema and there s men s cinema men too can do perfectly well the ladies sentimental needlework but a woman as one half of the humankind origin can tell the world reveal to the world some amazing things no man can so intuitively discern some phenomena in human psyche in nature as a woman can after wings larissa made you and i to a script by gennady shpalikov katya in that film larissa came close to the central theme of her creative work the theme of merciless judgment of yourself the high responsibility each of us has for everything we ve done in life i was 16 when we held a family counsel i was finishing school it turned out that larissa could write a little compose poems draw and sing could do a bit of everything and none of those abilities was so definite for me to have the nerve to apply to an art school or a literature institute and a friend of ours said that there s a profession in which all those little bits might be very useful what s this profession film directing i was a typical embryo it seems that dovzhenko our master decided to trace by me the evolution of mankind unfortunately my universities under his guidance were very short lived he died 18 months later in his person we came across the greatest humanist i guess such people lived in the age of renaissance but most important he was an absolutely uncompromising person you know to have lived all his 60 years in accord with his conscience not to waive in anything never to go against any of his moral postulates always to tell people the truth straight to the face it was extremely difficult it goes without saying that there was no place for any falsity compromise mercenariness or hackwork i don t know how i could look him in the eye now when i myself became an independent person i came to know how difficult it is to follow his behests in life to declare them is one thing but how can one live so each day every day every second prompts us to a practical necessity to make a compromise to maneuver keep silent sometimes make a concession in the hope of making up for it later it seems to be what s called life flexibility it demands it forces us it s not only us who do it actually but it turns out that if we think we can be cunning just for 5 seconds but make up for it later in art it brings punishment a most cruel and irreversible punishment you can t make a film today just for money well i ll make this passing movie i ll give in here i ll say what they want there i ll try to please them here and avoid saying it there here i ll tell only a half truth there i ll hush it up altogether but in my next film i ll make up for it i ll tell everything i want in full measure as a creative person should as an artist as a citizen i ll tell it all it s a lie it s impossible it s hopeless to deceive yourself by this illusion if you stumbled once you ll never get back on the path of truth you ll forget the way there you can t step twice into the same river larissa was born just before the war and with her family had gone through all the hardships of the time air raids hunger work unfit for a child those impressions can never be forgotten they re burning you and remain with you forever i think it was then that an invisible bud sprouted the bud of the future work that came many years later the ultimate achievement of the director larissa shepitko rate this script 0 0 0 votes next elem klimov elem germanovich klimov russian эле́м ге́рманович кли́мов 9 july 1933 26 october 2003 was a soviet russian film director he studied at vgik and was married to film director larisa shepitko klimov is best known in the west for his final film 1985 s come and see иди и смотри which follows a teenage boy in german occupied belarus during the german soviet war and is often considered one of the greatest war films ever made he also directed dark comedies children s movies and historical pictures more all elem klimov scripts elem klimov scripts follow 0 fans submitted on august 05 2018 discuss this 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