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sm has a very simple plastic design it has a volume adjuster which also doubles as an on off switch a loop selector button and a pitch tempo shifting wheel all located on top of this small square device the speaker is located on the front of the unit and takes up most of the front the gristleism runs on 2 aa batteries and has a unique design that fills the back of the toy even the box it comes shipped in has an ornate but effective design that s the whole thing in a nutshell now how is this supposed to be interesting you ask well the gristleism contains 13 loops all ranging in length you can use the pitch tempo shifter and really bend each loop into something entirely different thus the lasting power of this toy seems to be quite large you can play with it for just a few minutes and get a good grasp on what the thing is capable of but if you dive into it over time you ll realize that there s a lot you can do with it now when i get on the computer sometimes i will just set up the gristleism and let it play in the background it enhances your environment without being too much of a distraction unless you set the volume really high the buddha machines are obviously much better for this purpose but i like the dark contrast the gristleism has to the light of the buddha machines if you have several devices of either the buddha or gristleism variety there s even more fun to be had posted by industrial music library at 11 11 am 5 comments email this blogthis share to x share to facebook share to pinterest tags labels circuit bending dreamachine electronic experimental firstwave industrial genesis p orridge industrial music industrial records musique concrete noise splice tg throbbing gristle 11 29 2010 interview with monte cazazza slash 1979 slash magazine vol 2 3 january 1979 from oakland to england from obscurity to being very widely unknown monte cazazza has a past one of our finest investigative reporters lays it bare next record due for release from industrial records is from monte cazazza a reclusive oakland artist whose performances have violated the sensibilities of indignant art critics the entire acid damaged bay area avantgarde and jaded art cliques from menlo park to venice italy he s been described as a brilliant monster art gangster and a real sick guy but one thing is unanimous his personal appearances really rile people up his detractors just don t seem to get the point genet says it best to escape the horror bury yourself in it like other artists who are obsessed with violent images cazazza s early life was riddled with hideous events and accidents including witnessing a necrophiliac in action rather than choke down those nightmares he spat them back out at the world cazazza s reputation was spawned at oakland college of arts and crafts when for his first sculpture assignment he created a cement waterfall down the main stairway of the building making it permanently impassable and got the boot on the second day of school his formal education completed he passed quickly through a mutilated rubber doll period then disappeared among dark rumours of hospitals and jails he resurfaced with a blatantly commercial attempt to woo the whims of the wealthy with tasteful pornographic collages of orchids sprouting penises at a san francisco exhibit he was contacted by an ageing countess as a possible benefactress and lunched at her famous oakland mansion while visions of dollar signs danced drunkenly around the plates the contessa died two weeks later shortly thereafter in 1972 he achieved infamy when he was invited to attend an arts conference weekend in the woods to share transcendental conversations on perspective and grant writing while nestling paint spattered jeans in pine needles and toasting hand dyed marshmallows for s mores in an ultimate artsy outdoorsy atmosphere cazazza arrived with an armed bodyguard and sprinkled arsenic into all the food at lunch he dropped bricks with the word dada painted on them on artistic feet at dinner he burned a partially decomposed maggot infested cat at the table his bodyguard blocked the exit and several participants fell ill due to the stench photos and stories of this event were published as far away as holland genesis p orridge and cosey fanni tutti of throbbing gristle read of cazazza in vile magazine in 1974 when he was a classic valentine s day cover boy holding a dripping bloody heart that looked torn out of his chest the gristle s and cazazza s mutual fascination with pornography and fascism prompted the limeys to pay a call to california to view in person the 15 x15 silver screw together swastika cazazza constructed which could be rapidly dismantled in case of police raids or guerrilla jdl attacks since their visit was at the height of the gary gilmore furor they all photographed each other in blindfolds as though they were in front of a firing squad complete with a real loaded gun pointed at their hearts to get better reactions postcards made of the photos were mailed immediately after gilmore s execution to the warden of the utah penitentiary and several newspapers over 6 000 t shirts with the same photo were sold in england and a picture of one was on the front page of the hong kong daily news their mock photo was mistakenly considered the official execution photo according to p orridge t shirt sales financed cazazza s 1977 trip to england where he was let loose in industrial records p s plastic surgery busted kneecaps f f a fist fuckers of america hate and to mom on mother s day a cazazza single will be released in march studios with an engineer a chainsaw the innards of a piano which was played with hammers and violin bows and other musical instruments ten songs were recorded with titles like also soon for release from the throbbing gristle umbrella corporation is a movie in which cazazza and a 14 year old boy are electrocuted monte also appeared in kerry colonna s deccadance movie in a suit he made out of rubber tubing and razor blades cazazza edited a fanzine nitrous oxide in 1971 far preceding sniffin glue he co edits widows and orphans a colour xerox picture magazine he also gives shows and illustrated lectures on siamese twins that he researched in medical libraries but still his reputation is so nasty that he rarely leaves his house although he did go out on halloween dressed as kearney the trash bag murderer he wore a cheap plastic mask and carried a green garbage bag filled with animal livers and hearts like hermann nitsch and a bloody mannequin head used by medical students for practice in giving mouth to mouth respiration definitely the life of the party cazazza s pet money making project for the future is further exploration of murder junkies via a double bill of the stories of edmund kemper a cannibalistic necrophiliac and dean coryl the texas candy man whose brutal sex murders peaked at a chronic one a day habit until he had killed 27 teenage boys before authorities stopped counting for artists who think their work is daring cazazza s is a double dare those avant garde artists who use sex and violence as a chic intellectual playground for art theory are the first to head for the exits when confronted by cazazza s work his scientific expose of voyeuristic urges for sex and violence is no holds barred and it is all done with a comic edge that amplifies the sounds of skeletons being yanked from the most repressed closets cazazza never gives personal interviews he bought a hot ansa phone and keeps it hooked up 24 hours a day when he returned my call i asked him if he wanted to make any statements for slash no no no he said i don t need to talk i don t need to make quotes you see i m already very widely unknown by jb this article was reproduced by industrial records and included with cazazza s to mom on mothers day candy man 7 inch single republished here without permission orig found at the axis archives on brainwashed com technorati tags monte cazazza cazazza posted by industrial music library at 11 11 am 1 comments email this blogthis share to x share to facebook share to pinterest tags labels aktionist art gangster cazazza dada film fluxus industrial industrial culture industrial music industrial records monte cazazza movie pornography throbbing gristle 8 15 2010 ohm the early gurus of electronic music ohm the early gurus of electronic music special edition 3cd dvd track listings disc 1 1 valse sentimentale clara rockmore 2 oraison ens d ondes de montreal 3 etude aux chemins de fer pierre schaeffer 4 williams mix john cage 5 klangstudie ii herbert eimert robert beyer 6 low speed otto luening 7 dripsody hugh le caine 8 forbidden planet main title louis barron bebe barron 9 elektronische tanzste concertando rubato oskar sala 10 poem electronique edgard varese 11 sine music a swarm of butterflies encountered over the ocean richard maxfield 12 apocalypse part 2 tod dockstader 13 kontakte james tenney william winant 14 wireless fant vladimir ussachevsky 15 philomel milton babbitt 16 spacecraft mev disc 2 1 cindy electronium raymond scott 2 pendulum music sonic youth 3 bye bye butterfly pauline oliveros 4 projection esemplastic for white noise joji yuasa 5 silver apples of the moon part 1 morton subotnick 6 rainforest version 1 david tudor 7 poppy nogood terry riley 8 boat woman song holger czukay 9 music promenade luc ferrari 10 vibrations composees rosace 3 francois bayle 11 mutations jean claude risset 12 hibiki hana ma iannis xenakis 13 map of 49 s dream the two systems of eleven sets of galactic intervals drift study 31 69 c la monte young disc 3 1 he destroyed her image charles dodge 2 six fants on a poem by thomas campion her song paul lansky 3 appalachian grove laurie spiegel 4 en phase hors phase bernard parmegiani 5 on the other ocean david behrman 6 stria john chowning 7 living sound patent pending music for sound joined rooms series maryanne amacher 8 automatic writing robert ashley 9 canti illuminati alvin curran 10 music on a long thin wire alvin lucier 11 melange klaus schulze 12 before and after charm la notte jon hassell 13 unfamiliar wind leeks hills brian eno posted by industrial music library at 1 26 pm 1 comments email this blogthis share to x share to facebook share to pinterest tags labels avant garde drone music early electronic edgar varese iannis xenakis karlheinz stockhausen la monte young musique concrete pierre henry pierre schaeffer sound collage terry riley drones from stockhausen to la monte young to nurse with wound theatres of eternal music say the word drone and depending on your conversation partner any number of possible responses might emerge an entomologist s exegesis on the male honeybee s mating practices the military expert s account of unmanned aerial vehicles perhaps a musicologist s analysis of the drone like features of the bagpipe bluegrass banjo and didgeridoo within electronic music circles the word might elicit historical anecdotes populated by dramatis personae like la monte young and terry riley plus nostalgic recollections colored by strobe lit chanters and tambura players far from being an esoteric phenomenon of the 60s recent works by greg davis deathprod robert henke minit and growing suggest that the drone is still very much alive and if anything thriving while there appears to be a resurgence of interest it s also possible we re merely witnessing new additions to a genre that has never really gone out of fashion what constitutes a drone to begin sustained intonation that establishes a harmonic center for its accompanying elements the drone might utilize a single note repeated indefinitely or at the opposite extreme all of the scale s notes spread across numerous octaves other key aspects include extended duration modular repetition and a focus on overtones influenced by the music of india indonesia and africa the drone form s oft used alternate tuning just intonation and vertical concentration challenges the tacit supremacy of a western tradition that prioritizes horizontal development young and riley are regularly lumped in with philip glass and steve reich in discussions of minimalism yet the two pairs embody fundamentally different subsets according to composer and violinist tony conrad minimal music of the young type involves tonality repeating modes and long pieces with middles but no endings or beginnings bereft of conventional development the trance inducing drone with its extended tones and layered pitches does change but glacially in lieu of lengthy tones the early works of reich and glass are founded on modal patterns that slowly shift throughout prolonged repetition to a similarly hypnotic effect one might differentiate then between drone minimalism with its tonal emphasis and pattern minimalism with its rhythmic pulsations of course such theoretical distinctions prove less straightforward in practice reich s four organs for example straddles both drone and pattern variations since its organs repeat the same chord progression for 24 minutes with varying lengths of silence separating the chords his voice pieces come out and it s gonna rain serve as better examples given their minimal means yet here too repeating patterns morph into drone like episodes ambient music and drone genres also overlap greg davis s somnia drone clouds as edges version 3 edit a case in point certainly a piece can satisfy the drone criteria yet be ambient if it also meets brian eno s criterion that an ambient work should be as ignorable as it is interesting music for airports 1978 davis says aside from the more placid meditative kind of music we often associate with drones i enjoy that intense style too where it s so loud and overwhelming it s completely immersive davis might just as easily be alluding here to the volcanic roar of young s theatre of eternal music ensemble lou reed s 1975 scabrous feedback fest metal machine music or the droning riffage of sunn 0 and growing dream syndicates each day multitudes flock past the unprepossessing entrance to the dream house unaware of its musical significance located at 275 church street in manhattan s tribeca district where la monte young and marian zazeela moved in 1963 the dream house functions as an ongoing exhibition and performing space for young s music and zazeela s light installations the loft s white interiors are bathed in zazeela s colored lights and large speakers emit the ongoing frequencies of young s drones sounds resonate more loudly or softly depending on one s position in the room another dream house was operated from 1979 to 1985 at 6 harrison street a six story building where young and zazeela lived though they kept the church street loft as a legal address no history of drone music is complete without young even if voluminous documentation of the artist and his work is available elsewhere born in 1935 in a small log cabin in bern idaho to a mormon family and initially trained on saxophone he even played with free jazz legend eric dolphy young disco...
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