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pleiades pleiades idon twantsex submissions the moon has set and the pleiades it is midnight and time passes and i sleep alone i am just a vessel make it meaningful i post only the highest resolution photos female cambridge poet and muse bouquet of peonies bouquet de pivoines 1882 by édouard manet french 1832 1883 signed manet lower right oil on canvas 55 42 cm 21 5 8 16 ½ in private collection tags bouquet of peonies bouquet de pivoines édouard manet painting my upload oil on canvas art 19th century it is a poignant reflection on mortality the fleeting nature of life and the quiet beauty of the everyday themes of mortality and fragility manet painted this work in 1882 during the final year of his life while suffering from a severe debilitating illness locomotor ataxia that confined him and limited him to painting small canvases near his bed or in his studio the full bloom peonies capture a moment of peak vitality that is inherently transient and fading personal significance of peonies peonies were reportedly manet s favorite flower having served as the exclusive subject of his first major series of floral still lifes in the 1860s such as pivoines dans une bouteille grown from his own garden in gennevilliers japonisme and exoticism the lush red and pink blossoms are arranged inside an orientalist japanese style glass vase etched with a bridge and a figure holding a parasol this reflects manet s and the impressionists deep fascination with asian art and aesthetics japonisme mastery of still life in his later years manet regarded still life as the ultimate touchstone of the painter famously noting that a creator can express deep human truths simply through fruit or flowers the bold sensuous brushstrokes and luminous color patches paved the way for modernists like cézanne and matisse 20 notes santa filomena saint philomena 1840 by giuseppe bezzuoli italian 1784 1855 oil on canvas 240 170 cm 94 5 66 9 in duomo di pistoia tags santa filomena saint philomena giuseppe bezzuoli painting my upload oil on canvas art 19th century it portrays the young martyr in quiet surrender capturing her spiritual strength purity and acceptance of her fate before death chained hands represent her imprisonment and persecution under the roman emperor diocletian after she refused his marriage proposal to preserve her vow of virginity to christ crucifix on the table her quiet contemplation of the crucifix symbolizes her alignment with christ s suffering and her choice of heavenly fidelity over worldly safety or power internal contemplation meditation instead of an outward plea to the heavens her downward gaze emphasizes internal deeply personal reflection she is fully absorbing the meaning of christ s sacrifice right before her own impending martyrdom submissive acceptance looking down at the cross indicates a quiet humble submission to her destiny it visually represents her internalizing the phrase be faithful unto death grounding her spiritual strength in the physical reality of the crucifix rather than looking away for a rescue the gesture of her hands while her eyes are cast down toward the cross her chained hands are open and turned slightly upward this creates a beautiful artistic tension her hands express a vulnerable surrender to god while her eyes remain locked in intimate prayer over the instrument of christ s passion youth and fragility vs inner strength bezzuoli contrasts her youthful delicate appearance with an unshakeable inner courage echoing the christian theme that true power comes from faith rather than physical might 16 notes 7pleiades7 la sorpresa the surprise detail 1882 by cesare lapini italian 1848 1893 carrara marble private collection 3 733 notes 7pleiades7 blessed ludovica albertoni 1671 1674 by gian lorenzo bernini italian 1598 1680 white carrara marble and colored jasper height approximately 188 cm 6 2 ft altieri chapel church of san francesco a ripa rome 318 notes the ecstatic virgin anna katharina emmerich la vierge extatique anna katharina emmerick 1885 by gabriel von max austrian german 1840 1915 oil on canvas 84 5 cm 33 2 in x 67 6 cm 26 6 in neue pinakothek munich tags the ecstatic virgin anna katharina emmerich la vierge extatique anna katharina emmerick gabriel von max painting my upload oil on canvas art 19th century it explores the thin boundary between mystical religious ecstasy psychological trance and physical suffering spiritual surrender vs physical frailty the artwork portrays blessed anne catherine emmerich anna katharina emmerick a 19th century augustinian nun mystic and stigmatist who spent the final years of her life bedridden and absorbed in visions of christ s passion her expression captures someone who is simultaneously entirely absent from the physical world and deeply present in a divine realm fascination with the altered mind gabriel von max was deeply interested in mysticism somnambulism mediumship and early anthropology rather than painting a standard triumphant saint he focused on the psychological and physiological reality of trance states questioning where genuine spiritual revelation ends and the subconscious or neurological condition begins fin de siècle ambiguity painted during the late 19th century when science and spiritualism frequently intersected the portrait invites the viewer to wonder what the mystic is truly seeing it balances solemn devotional reverence with a modern probing curiosity about the human psyche 20 notes 7pleiades7 eve 1885 by anna lea merritt american british 1844 1930 signed and dated anna lea merritt 1885 lower left oil on canvas 30 x 43 in 76 8 x 109 2 cm private collection 488 notes 7pleiades7 martyrdom of saint sebastian san sebastiano giacente details c 1671 by giuseppe giorgetti italian doc 1668 1682 white carrara marble with gilded bronze arrows basilica of san sebastiano fuori le mura rome 499 notes 7pleiades7 morpheus and iris 1811 by pierre narcisse guérin french 1774 1833 oil on canvas 251 x 178 cm 98 8 x 70 1 in hermitage museum saint petersburg 1 525 notes portrait of a young woman in a hat holding a bouquet of flowers also known as young beauty in a straw hat or the flower girl detail c 1900 by albert lynch french peruvian 1851 1912 oil on canvas 37 5 x 27 5 in 95 25 x 69 85 cm private collection tags portrait of a young woman in a hat holding a bouquet of flowers young beauty in a straw hat the flower girl albert lynch painting my upload oil on canvas art 20th century detail painting detail it is a classic work of academic realism and art nouveau aesthetics rather than a heavily encoded symbolic allegory artist and style albert lynch 1851 1860 1912 worked mainly in paris during the belle époque era a time when paintings celebrating feminine grace elegance and fashion were highly prized at the paris salon celebration of feminine elegance the painting captures the idealized beauty poise and sophistication of a young woman from the turn of the 20th century focuses on texture delicate light and refined clothing such as the decorative hat and fresh flowers the motif of flowers and hat in late 19th and early 20th century portraiture a young woman with a straw hat and a bouquet of flowers the flower girl archetype evokes themes of youth natural charm fleeting beauty and pastoral innocence rather than carrying a dark or secret cipher the piece serves as an aesthetic showcase of lynch s technical skill in rendering textiles soft skin and natural flora private collection status the oil on canvas piece measuring roughly 95 2 x 69 8 cm resides in a private collection contributing to its aura of romanticized private sphere nostalgia for the belle époque 27 notes the king s daughter die königstochter c 1902 by eduard veith austrian 1858 1925 oil on canvas 74 49 cm approximately 29 1 19 3 in österreichische galerie belvedere vienna tags the king s daughter die königstochter eduard veith painting my upload oil on canvas art 20th century it explores themes of aristocratic isolation romantic melancholy and the duality of royal expectation versus personal freedom the idealized royal prisoner the painting does not represent a specific historical princess but rather the archetype of a young royal woman she appears caught between luxury and confinement adorned in a rich green and gold gown like a court jewel yet placed against a moody natural woodland backdrop that suggests a longing for the world outside the garden walls symbolist melancholy influenced by symbolism and art nouveau veith uses a soft atmospheric light a muted palette and a dreamy or stoic expression on the figure s face her gaze reflects quiet solitude patience and the emotional weight of high born expectations inspiration from elisabeth of wied art historical commentary notes thematic echoes to the tragic life of elisabeth of wied queen of romania and writer carmen sylva whose royal status and personal sorrows mirrored the lonely majesty captured in turn of the century symbolist portraits focal contrast unlike conventional polished portraits of the era veith draws the eye to the strong sculptural line of her shoulders and the interplay between her dark shadowy face and the vibrant texture of her velvet and gold attire 121 notes next 1 2 3 4 5 2011 2026 pleiades wicked by themecloset x x 404 your reuqested data doesn t seem to exist try wicked premium x