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the (270), basie (137), and (124), count (61), his (52), was (47), for (46), band (42), young (42), you (37), arr (35), one (34), moten (32), with (31), that (31), jones (30), this (29), from (28), here (27), voc (26), page (25), rushing (25), durham (24), labels (22), eddie (22), #comments (21), new (21), blue (21), but (21), jimmy (21), good (20), smith (19), blues (19), clayton (19), music (17), walter (17), clock (17), orchestra (17), out (16), city (16), lester (16), 1937 (16), freddie (16), devils (15), some (15), jump (15), later (14), kansas (14), joe (14), playing (13), would (13), there (13), mp3 (13), 1953 (13), 1938 (13), warren (13), 1941 (13), evans (13), more (12), started (12), time (12), were (12), not (12), benny (12), tadd (12), dameron (12), broadcast (12), green (12), foster (12), hefti (12), timeline (11), can (11), harry (11), sweets (11), edison (11), radio (11), frank (11), williams (11), york (10), early (10), soon (10), all (10), swing (10), who (10), 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earby long branch though basie wisely left the drums for the piano greer of course would become famous as the original drummer of duke ellington s orchestra basie quit school after his junior year in high school and moved to asbury park with his saxophone playing friend elmer williams after a bad autumn start they returned with more success the following summer leaving for new york in 1924 no comments labels timeline 1928 1935 blue devils bennie moten 1928 in july 1928 basie joined walter page s blue devils then one of the best if not the best band playing the mid west other members of the blue devils at that time were oran hot lips page and jimmy rushing both of whom would figure prominently in basie s bands later basie toured with the blue devils into early 1929 during this time his ideas of orchestral jazz started to take shape a hallmark of basie s career was established at this early time already his ability to strike up personal and professional relationships that would last for decades across many bands and solo careers 1929 early in 1929 basie left the blue devils without notice to play with two lesser known bands in the kansas city area he only left jimmy rushing a note explaining once a blue devil always a blue devil back to kansas city but not long after that kansas city began calling me again i liked oklahoma city fine but not much was happening with the blue devils we were still laying off and i started thinking about getting back to the eblon theatre and that organ and all of those joints around kansas city there was so much happening all the time in kansas city there was a lot of action that i hadn t had time to get into yet so i saved enough money for train fare and then early one morning i got up and took that hat which i hadn t paid anything on and a little note by jimmy rushing s father s restaurant and left it there then i went on down to the station and took the first train to kansas city i hadn t talked to anybody about what i was going to do i just sort of eased on out of town i figured that was the best way because i really hated to leave those guys and i know they would have tried every tack i could think of to talk me out of it again good morning blues p 23 basie resumed his job at the eblon theater but now his goal was to join bennie moten s highly esteemed band basie wouldn t be withheld by the band already having a piano player in moten himself and schemed his way into bennie moten s kansas city orchestra by becoming friendly with their arranger eddie durham he mentioned some ideas for charts and got durham to take him and his charts to the next rehearsal thereupon moten hired basie as staff arranger and soon basie sat in for moten at the piano as well later he took over all piano duties and would continue to play like that for almost four years 1930 several other members of the blue devils joined moten around this time jimmy rushing came in late 1929 or early 1930 and hot lips page a few months later trombonist dan minor another ex blue devil followed the next year that same year walter page switched from tuba to string bass and the band s rhythm changed from the old style two beat to a more even 4 4 the moten repertoire expanded under the guidance of basie and durham their arrangement of you re driving me crazy retitled moten swing became the unofficial anthem of kansas city styled jazz 1932 the band made a series of recordings for victor culminating in the december 13 1932 session which may mark the highlight of moten s career featuring musicians such as oran hot lips page eddie durham ben webster walter page jimmy rushing and of course count basie on piano tunes recorded that day include toby the blue room lafayette prince of wails and an outstanding take of moten swing some weeks later the band breaks up and many of the men return to their families on christmas 1933 in summer 1933 the moten orchestra reunited to play at the former eblon theater in kansas city now called the cherry blossom club as business was slow moten proposed to join the accomplished k c bandleader george e lee whose band had preceded them at the cherry blossom club most of the men wanted to stay though the moten band was a commonwealth band with each member having a say in the band s operations moten was ousted and basie although not one of the instigators was chosen as its new leader the ten piece group full of ex blue devils including hot lips page minor buster smith walter page and jo jones was now billed as count basie and his cherry blossom orchestra herschel evans who came to kansas early in 1933 played tenor the cherry blossom band played the reno consistently for a year and a half as the musicians already had been working together in various bands the band was well trained some durham basie charts were still around from the moten band but most of the music was done on the spot as head arrangements one of the most famous arrangements to be developed like this is one o clock jump one o clock jump one night we were on the air and we had about ten more minutes to go and the announcer asked what we were going to do and i said i didn t know we were talking off the mike because there wasn t but one microphone in there anyway in those days and that was the one the announcer was on i said i m just going to start playing and he said what is this and i saw how many minutes to one o clock it was getting to be so i said call it the one o clock jump and we hit it with the rhythm section and went into the riffs and the riffs just stuck the count ii by now the nickname of the count had been set many stories circulate about the origin of basie s nickname basie recalls one night while we were broadcasting it was w9xby an experimental broadcast station the announcer called me to the microphone for those usual few words of introduction he commented that bill basie was a rather ordinary name and further that that werea couple of well known bandleaders named earl hines and duke ellington then he said bill i think i will call you count basie from now on is that alright with you i thought he was kidding shrugged my shoulders and said okay on another occasion basie mentioned the nickname originated out of his penchant for slipping off with eddie durham during arranging sessions for the moten band durham remembered when bennie used to come looking for basie and basie wasn t there he d say aw that guy ain t no count basie and i were supposed to be making up new arrangements but as soon as basie would hit on something and get me started on the scoring he would slip on off somewhere looking for something to drink and some fun he never got tired of partying so bennie would come in and say where is that no count rascal good morning blues p 147 1934 lester young who heard the cherry blossom band on the air sends basie a telegram stating that he doesn t think much of his current tenor player basie invites young to join when the cherry blossom band went on tour in early 1934 evans reluctant to travel lester young took his place at twenty four young was already a highly original musician he started on drums playing in the band of his father who also taught him to play trumpet and violin at age thirteen he started on alto sax just picked the motherfucker up and started playing it he would later recall at age nineteen he switched to tenor he arrived in kansas city late in 1933 after touring with various bands among them the blue devils briefly in 1930 and later in 1932 33 in 1933 he was hired by fletcher henderson to replace coleman hawkins who had left to tour europe most of henderson s band though weren t ready to accept the new sound of young altogether different from hawkins and so young was dropped from the band the cherry blossom band broke up later in 1934 1935 hot lips page jimmy rushing and eventually basie too rejoined moten s new band staying until moten s untimely death on april 2 on the operation table after a botched tonsillectomy the band was continued shortly by his brother buster moten but basie left soon thereafter the moten era was over together with buster smith basie organised a new group of nine musicians consisting of members of the blue devils and the moten band among them walter page jo jones and later also lester young jimmy rushing became the band s singer that band starring three trumpets three reeds and three rhythm was called three three and three the band was named the barons of rhythm and soon started playing the reno club in kansas city this wasn t exactly a high class joint a small club serving liquor and food it had a small band playing for dancing girls available to dance with and a whorehouse upstairs during the time at the reno walter page started to replace the tuba more and more with the string bass basie would lead his own orchestra from then until his death almost fifty years later with the exception of a brief period in the early fifties 3 comments labels timeline 1994 count basie orchestra directed by frank foster 25th internationale jazzwoche burghausen burghausen germany wackerhalle march 27 1994 dvd pal here s a video by one of the earlier editions of the ghost band took me a while to upload but with the big pauses between uploads and posts here i m feeling a bit guilty anyway big thanks go out to the person who recorded and shared this 1 after you ve gone 2 corner pocket 3 april in paris 4 right on right on 5 we ll be jammin 6 every day i have the blues 7 falling in love is wonderful 8 there ll never be another you 9 whirly bird 10 jumpin at the woodside tt 43 12 source digital satellite raw data to hdd projectx tmpgenc dvd author video_ts audio is 2 channel mp2 192 no conversion of any kind this is the actual very hq broadcast signal 1 comment labels 1994 ghost band 1962 1962 05 05 paris france olympia may 5 1962 live session radio france sonny cohn al aarons thad jones snooky young t henry coker quentin jackson benny powell tb marshall royal as cl frank wess as ts fl eric dixon ts fl frank foster ts cl charlie fowlkes bari count basie p freddie green g eddie jones b sonny payne d irene reid voc 19 note joe williams voc not heard here but present at the concert 01 why not hefti 3 17 02 easy money carter 5 37 03 vine street rumble carter 4 04 04 discommotion foster 3 54 05 mama s talking soft 4 11 06 jumpin at the woodside basie 3 38 07 easin it foster 5 26 all right okay you win missing voc joe williams 08 basie wilkins 4 29 09 lil darlin hefti 4 04 10 toot sweet thad jones 3 37 11 you re too beautiful 3 47 12 blee blop blues a k salim 2 12 13 april in paris duke harburg 3 38 14 the song is you kern hammerstein 2 46 15 stella by starlight washington young 2 48 16 cute hefti 3 37 17 i needs to be bee d with quincy jones 4 57 18 nails harding 4 00 19 the blues 4 24 voc irene reid one o clock jump missing released on various labels most recently laserlight hence this comes as mp3 only 1 comment labels 1962 1960 1960 03 29 paris france palais de chaillot march 29 1960 live session radio france sonny cohn thad jones joe newman snooky young t al grey benny powell henry coker tb marshall royal as cl frank wess as ts fl frank foster ts cl billy mitchell ts charlie fowlkes bari count basie p freddie green g eddie jones b sonny payne d joe williams voc 17 21 01 shiny stockings foster 4 52 02 h r h thad jones 2 33 03 a little tempo please hefti 2 47 04 vine street rumble carter 4 44 05 makin whoopee kahn donaldson 3 58 06 who me foster 3 36 07 bag a bones hefti 2 15 08 in a mellow tone ellington 5 43 09 lil darlin hefti 4 04 10 blues in hoss flat foster 4 57 11 fancy meeting you hefti 2 34 12 you re too beautiful 3 01 13 i needs to be bee d with quincy jones 3 55 14 counter block thad jones 3 34 15 splanky hefti 3 35 16 segue in c wess 8 23 17 five o clock in the morning williams 2 56 18 baby won t you please come home warfield williams 1 50 19 just a dream broonzy 3 01 20 it s a wonderful world adamson savitt watson 1 45 21 in the evenin when the sun goes down carr raye 3 10 released on various labels most recently laserlight hence this comes as mp3 only 4 comments labels 1960 1954 1954 09 02 mp3 american legion park ephrata penn usa recorded by wlan reunald jones thad jones wendell culley joe newman tp bill hughes henry coker benny powell tb marshal royal cl as ernie wilkins as ts frank wess ts fl frank foster ts charlie fowlkes bs count basie p freddie green g eddie jones b gus johnson ds 1 one o clock jump theme count basie 0 49 2 you for me neal hefti 3 24 3 bubbles neal hefti 4 04 4 you re not the kind pierce 3 26 5 jonesy neal hefti 3 08 6 slow but sure two for the blues neal hefti 2 56 7 blee blop blues a k salim 2 35 8 yesterdays kern harbach 3 08 9 perdido juan tizol 3 36 note commercially released on black lion blp60924 blcd 760924 ripped from cd 1954 09 07 mp3 boston mass usa produced by george wein joe newman tp henry coker tb frank wess ts fl frank foster ts charlie fowlkes bs count basie p org 1 freddie green g eddie jones b gus johnson ds 1 these foolish things strachey marvell 3 27 2 these foolish things alt 3 20 3 ingin the ooh count basie 5 26 4 peter pan foster newman 4 02 5 i m confessin that i love you doc dougherty ellis reynolds al j neiburg 3 30 1 6 in case you didn t know ernie wilkins 5 40 7 in case you didn t know alt 3 40 8 ain t it the truth buster harding 3 51 missing bill bailey went home ain t it the truth alt notes commercially released on black lion blp60924 blcd 760924 ripped from cd this was originally released as joe newman and the boys in the band storyville stlp 318 the two missing titles as well as some of the eight included here were released on trio pa 3114 japan 1 comment labels 1954 1941 buck clayton harry sweets edison al killian ed lewis tp robert scott eli robinson dicky wells tb earl warren as voc tab smith ss as buddy tate don byas ts jack washington bari count basie p freddie green g walter page b jo jones d jimmy rushing voc 1941 10 02 cafe society uptown new york radio broadcast 1 out the window eddie durham opening clipped arr eddie durham 2 i want a little girl moll mencher rushing voc arr jimmy mundy 3 rocking the blues earl warren arr buster harding 4 what word is sweeter than sweetheart warren voc 5 something new gamse menandez arr jimmy mundy 6 topsy eddie durham edgar battle arr eddie durham 7 air mail special charlie christian benny goodman 1941 10 07 cafe society uptown new york radio broadcast 1 board meeting untitled original in sheridan 2 down down down don redman arr don redman 3 take me back baby tab smith jimmy rushing count basie rushing voc master arr andy gibson 4 blue lou edgar sampson irving mills arr don redman 5 i found a new baby warren voc 6 broadway henri woode arr henri woode 7 sweet georgia brown ben bernie maceo pinkard kenneth casey arr head arrangement 1941 10 10 3 alternate source cafe society uptown new york radio broadcast 1 down for double freddie green arr buck clayton 2 this time the dream s on me harold arlen ...
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