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description=Etchings artworks for sale. Original Etchings art by contemporary artists Sheri Smith, Rosalyn M. Gaier, Lois Di Cosola, Wayne Wilcox, Robin Richard Emrich, Julian Dourado, Martha Hayden, Edelweiss Calcagno, Lynette Vought, Bert Menco, Tinko Dimov.;

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edelweiss calcagno the guardians 2014 animals etching 14 5 x 22 5 inches 36 8 x 57 1 cm 840 lynette vought watched pot 2015 figurative etching 4 x 5 inches 10 2 x 12 7 cm 84 lynette vought starlings in search of a nest 2015 figurative etching 8 x 10 inches 20 3 x 25 4 cm 105 lynette vought the mighty red hen 2015 figurative etching 8 x 10 inches 20 3 x 25 4 cm 105 lynette vought hollow points 2014 figurative etching 8 x 10 inches 20 3 x 25 4 cm 105 lynette vought the old woman in the shoes youngest 2013 magical etching 8 x 10 inches 20 3 x 25 4 cm 105 bert menco maaike t 2014 fantasy etching 2 5 x 3 inches 6 3 x 7 6 cm request price tinko dimov crucifix 2013 undecided etching 20 x 27 cm 7 9 x 10 6 inches 94 tinko dimov garter details 2013 undecided etching 14 x 20 cm 5 5 x 7 9 inches 105 page 1 of 5 more artworks 1 2 3 4 5 artists describing their art sheri smith for the past fifteen years i have worked on my capturing culture series a body of works on paper drawn from the audience of live music performances sketched in caran dache crayon on suede board or with a sharp implement into scratch board the pieces portray the performers and often their instruments and parts of the venue though ultimately a visual record the work emerges from a ritualistic creative process which serves to address my feelings about time creative skill and visual imagery the fleeting nature of these performances is central to the work it is often hard not to see the passing of time as an enemy but in the case of my work the opposite is true the impending end of a song set or evening offers a sense of freedom allowing me to work quickly this rapid pace also dictates my choice of materials caran dache crayons or scratch boards function best when used quickly and confidently a darkened venue limits my color palette on the suede board to just what i can see additionally a confined seating space constrains the size of my boards and therefore the number of details i can include performances and process rosalyn m gaier beauty meditative thought nuance these are subjects of my collagraphs they take on important implications when examined in light of todayaeurtms american instant gratification culture while convenience speed and availability have become hallmarks of our american way of life and our societyaeurtms progress there remains a need for something more meaningful that something is beauty from my frame of personal artistic reference aeuroebeautyaeur involves the viewer by initiating the response of taking pause suddenly unawares arousing the response from deep within beauty disarms and fulfills at one and the same time this elusive beauty is vital nourishment for mind and soul does todayaeurtms american art disarm and fulfill how well are our minds and souls being nourished unfortunately americansaeurtm appreciation and awareness of beauty are partially numbed by their frenzy experience of instant gratification beauty falls prey to the mindset of fast food aeuroeshop till you dropaeur and instant access to just about everything we sacrifice refined taste uniqueness and rewarded perseverance for what often is ephemeral and not quite satisfying what this means for artists is that their best pieces can be easily overlooked unless relevance and nuance of an artwork can be realized immediately instant rosalyn m gaier wayne wilcox artistac a a c s statements have always seemed redundant to me the work generally speaks for itself but here goes for me itac a a c s about shapes color and lines interacting and relating to each other representational abstract non objective theyac a a c re all the same light against dark color against color line intersecting line iac a eoem as comfortable with super realism as i am with abstract expressionism then of course thereac a a c s the medium i love the paint i love the act of painting i love how it flows and how it takes on a direction on itac a a c s own itac a a c s like magic with one stroke something appears before your eyes that wasnac a a c t there before an image an emotion with each stroke or drip it changes itac a a c s an amazing experience i highly recommend it and then thereac a a c s image i am a visual artist iac a eoem after strong images images that evoke a feeling starkness warmth love violence emptiness beauty strength i want the painting or drawing to stand on itac a a c s own i am a painter i cannot escape that fact there have been times iac a eoeve tried but i always return itac a a c s not what i do itac a a c wayne wilcox martha hayden my painting is both realistic and abstract it is on that elusive edge between there and not there on first look everything is in place then all dissolves i want realism and abstraction to take turns i want a painting sometimes very evocative of time and place sometimes overwhelming in abstract structural logic i look for a surprise a drama a different way of seeing i try not to see anything for itself alone but as a part of the whole in this context my subjects take on meanings other than the accustomed ones they are more than still life and landscape they are comments on thinking and seeing edelweiss calcagno www edelweisscalcagno com 1 240 701 9100 using different techniques some of them mixed together to create new unique techniques my art is formed by adding layer after layer producing extraordinary illusions making the mind get involved in the labyrinth of colors and materials viewers never stop discovering new things there is something fresh each time they look at my pieces my source of inspiration is that a picture can speak a thousand words i have seen many times how my art can touch people i believe in the freedom of rights and equality for all and these beliefs impact my artwork and my message my art does not judge but it is honest even when this means stating what i see there is a strong message i trust my art because the word that comes out from it is a positive word i discovered the beauty of creating sculptures and prints in addition to doing paintings etching and restoring art and now they have become part of who i am there are the infinite possibilities hidden in sculpture between mixed media aluminum casting and more i love to touch any type of material and find new ways to use lynette vought i heard a writer say once that how we experience life is an illusion and that the purpose of art is to uncover reality indeed reality seems quite like a set of unturned cards and i m not sure we can define it until after our hand has been played the best solution i have found is to fray the edges of the illusion a bit by bending the laws that everyone knows in my work people can fly plants and people merge women wear snorkels while making love for me these images hint at reality opening a back door to the underlying truth of what i see and experience by rendering things in a magical light the illusion starts to give way to the real in the same way that madness sometimes serves to define sanity formally my work is much more practical i make paintings drawings and intaglio prints based on my drawings the prints are a mixture of old and new processes instead of etching the plates in acid my prints are made with photosensitive plates i enjoy the control this process gives me over the final image thank you for visiting my site lynette vought bert menco though they may seem simple especially my drawings and intaglio prints but also my paintings are actually quite elaborate half a year s work on an image is no exception for me i draw directly or use small sketches even doodles as image generating nuclei often combining two or three that appear to complement each other i rarely use concrete references but rather work from inner visions i tend to be narrative in my own art perhaps poetic narrative i don t see my images as telling a story but rather as reflections of inner feelings similar to some poetry and would like observers to read them as such i like to believe that my work carries a certain mystery my images are very much inside out ac a i have usually some idea of what i want to obtain but much of the image is generated while i draw or paint the end product always surprises me i am often amazed that there even is an end product analyzing my own art is difficult but i think that the dreamlike images tend to deal with confined spaces which contain certain characters that reach out to one another but do not quite sell your own art free artist website midlevel artist website premiere artist website private consulting buy contemporary art buy original art original paintings for sale modern sculptures for sale fine art photography for sale art marketing art marketing videos learn to sell your art sign up how to sell your own art introduction to selling your art about us about wwar com absolutearts com contact us press information legal information absolutearts com wwar com p o box 591 canal winchester ohio 43110 usa copyright 1995 2026 absolutearts com llc all rights reserved trigger hover focus title delay 0 html 1 selector 1 placement top offset 0 container 1 fallbackplacement flip boundary scrollparent f show d out _ hide hide o hidden hidden o show show o shown shown o inserted inserted o click click o focusin focusin o focusout focusout o mouseenter mouseenter o mouseleave mouseleave o g fade p show m tooltip inner v arrow e hover t focus y click c manual i function function a t e if undefined typeof n throw new typeerror bootstrap tooltips require popper js https popper js org this _isenabled 0 this _timeout 0 this _hoverstate this _activetrigger this _popper null this element t this config this _getconfig e this tip null this _setlisteners var i a prototype return i enable function this _isenabled 0 i disable function this _isenabled 1 i toggleenabled function this _isenabled this _isenabled i toggle function e if this _isenabled if e var n this constructor data_key i t e currenttarget data n i i new this constructor e 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function e n var i this constructor data_key n n t e cu...