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of silence of the lambs they will happen blindly upon the trigger of their gun and aim it square at the psychopathic skin farmer chasing them through the dark arguably it s the personalities of mel and kim that sold this one as much as the remorseless and familiar musical underpinning they were bright relatable unapologetic and fun in a pretty understated way we re never gonna be respectable they sing in untruth credit to the producers for that awesome mangling of the vocal for the main hook they tay tay tay t t t t tay tay though 6 https www youtube com watch v ykdsmaqexh8 596 michael jackson i just can t stop loving you 1988 it s high time that i faced up to the man in the mirror lol guys admitted to myself that michael jackson is not an artist that i have much time for certainly redacted plays its part but what am i supposed to do with a man who has at best four pretty cool songs that i hear more often that i hear artists that i m really into simply because of their cultural saturation the man was a purveyor of schmaltz outside of these songs smooth risible schmaltz which this song epitomises as a sucker for sincerity in music stupidly you might counter it gives me pause to hear the title lyric sung given what we know of the man whom or what could he simply not prevent himself from loving it s a chilling thought 3 https www youtube com watch v tai2j3dvsuq 237 englebert humperdinck the last waltz 1967 leicester s finest crooner with half truth song title it is in 3 4 my uncle is a bit of a crooner he loves songs like this smooth orchestration and a restrained vocal that progressively becomes a bellow to give the impression of climbing the musical scale 3 https www youtube com watch v b0fqhsqod9q 67 elvis presley jailhouse rock 1958 if i had been alive in the 1950s i would have thanked the lord above for elvis presley of course in retrospect his songs lack the musical sophistication of slade or the sexual suggestivity of a rick astley but he was a vindaloo in the age of meat and potatoes three times a day a maserati in an asda carpark this playful rockabilly number recasts a prison as the centrepiece for a sudden outbreak of musicality inaccurately i ll wager but nonetheless cute and antic 7 https www youtube com watch v gj0rz up4mk 358 sweet sensation sweet sad dreamer 1974 a new one on me and yet crushingly familiar a british approximation of the philly soul sound of the time problematically the soul sound of the time was beginning to sound corny and anathema to the things that made soul rnb so vital making the full transition from the edgy youth clubs to the supermarket intercom otherwise known as the feargal sharkey 3 https www youtube com watch v 788botx_ nw 1019 sugababes push the button 2005 it says in my manual that we re sort of supposed to like sugababes but the rationale section is curiously absent so i ll have to guess my way through this review it s pretty clear to me after reading back a few of my reviews that i have hang ups about production structure and vocals this song just about meets likeability in all three aspects it sounds like a demo i like things that sound like anyone could have done it it s tightly packaged and wound no section sticks around long enough to become boring and the vocal run in the bridge after waiting patiently for him to come and get it is really well phrased and done in a way that pays attention to the momentum of the song rather than the technical ability of the singer is exemplary however it s by no means a total banger the last time it was heard was at its original time of landing and if 7 years pass until the next one i won t mind 7 https www youtube com watch v ojdgcxaf9d8 706 tony di bart the real thing 1994 my mum as a fairly constant smoker used to get these free cds as a reward for maintaining allegiance with one brand of self murder though to facilitate this exchange she had to cut out the front of the package and send them back to the manufacturer what did the cig companies used to do with all those cig packet fronts stick them on the wall anyway this song was memorably on one of those cds nestled right next to love city groove by love city groove from the album love city groove the song has di bart warbling about his desire to mate with only one person only and if that person is unavailable or unwilling then he shall depart from the sphere of physical encounters forthwith entirely appropriately he chooses to voice this kind of tense dramatical situationism over a light korg m 1 house piano and a very mild break 4 https www youtube com watch v mi4apnznq4u 1013 2pac ft elton john ghetto gospel 2005 though i d never be accused of being the world s biggest fan of mr shakur i certainly have a great deal of respect for i his predicament as a sensitive man cast in the world of machismo a role in which he possibly acquitted himself only too well ii his acting iii his prolific output that not even his untimely death could halt iv the following lyric and since we all came from a woman got our name from a woman and our game from a woman i wonder why we take from our women why we rape our women do we hate our women i think it s time to kill for our women time to heal our women be real to our women and if we don t we ll have a race of babies that will hate the ladies that make the babies and since a man can t make one he has no right to tell a woman when and where to create one so will the real men get up i know you re fed up ladies but keep your head up which pretty much cuts through all the bullshit counter lyrics for hell 4 a hustler and why when i read pitchfork i m incredibly disappointed when they re all like check this tyler guy out and i do and hear punch your bitch in her mouth just for talkin shit you lurkin bitch well i see that shit once again i gotta punch a bitch in her shit i m icy bitch don t look at my wrist because if you do i might blind you bitch and okay this could be a character or a portrait of a scene but the lack of self reflexivity in the lyrics around it make me think oh okay this is just idiotic and furthermore those words don t even scan so this song by 2pac featuring a sample of elton john from 1971 when his voice was a little more reedy and thin but his melodic ability was at its height is a nice reminder that big rap doesn t need to be personally troubling rap even though it strays into formulaic rap as tupac pleads for the end of street violence and the futility of intra community conflict 5 https www youtube com watch v o4nlzg7fsrm 823 backstreet boys i want it that way 1999 poptimism is this douchey recent quasi doctrine in which people casual observation those whose major musical concerns actually lie in left field can hold out hope and seek joy in the giddy thrills of the pop sphere generally pitched in opposition with rock that declares itself to be authentic which is stupid and someone needs to have a word with rock music but only in the way that a teenager needs perspective to become adult there s nothing wrong with that in a sense except for the insincerity of the applied intelliectualism eclecticism isn t for everyone and nor should it be there are no prizes for liking everything or only one thing it s okay to not move on as much as it is to embrace the zeitgeist both rock and pop are real and fake and stupid and smart everything is permissible and it doesn t need a name that paragraph has sidetracked me somewhat this is the most popular and famous song of the backstreet boys canon a lilting pop meets rnballad all gently swung drum machines and dreamy harmonies and nonsense lyrics it touches upon these unspoken universals of western pop music even when set aside from the sexual aspect of how boybands sell records everything is invisible you never sense the hands of construction within the song as a canvas to project desire upon nothing too specific to be sung it s feintly charming and completely functional and shall outlast the group as it is built upon the very dna of pop music 6 https www youtube com watch v 4fndedfawcg posted by d thomas at 23 50 no comments labels 2pac backstreet boys chart project elton john englebert jive bunny pop popology sugababes tony di bart 17 8 12 i saw six acts in edinburgh and i enjoyed them all oh sorry spoiler ok so first of all let me address the absence of the chart project i i am still doing it it s a good idea and i would like to see it through ii i don t have a desk or speakers so typing and listening to music is an act of contortion that makes the project less fun iii i had this run of about 25 songs that i hated and began to question my sanity there you go it will return so i can t begin this with anything original or insightful about edinburgh or the state of the festival if you ve never been any available space in which a comedy theatrical cabaret performance is subpoenaed to what appears to be a collective enterprise toward a month of 18 hour days of performance every venue employs multiple wranglers to silently usher audiences in and out with maximal efficiency so barely an hour is lost to changeovers in a day in some venues it s crazy busy out on the streets even in mid week flyers will appear in your hands the concept of five stars will become meaningless people with more familiarity and nouse know there to be rival factions indeed multiple concurrent festivals with differing interpretations of what the fringe festival is and should be it isn t necessary to familiarise yourself with the politics to have a good time turn up grab one of the phonebook thick guides pull out a red pen find a bar and start circling things that sound good to you that is what we did observe simon munnery simon munnery fylm makker the stand 1 munnery s doing two shows this year la concepta of which i saw a preview of a couple of years ago which is now a full length and polished piece about a restaurant that serves art and this one an experimental piece in which munnery occupies the physical space ordinarily reserved for a soundman about 10 yards away from the stage but facing it festooned with sound and visual gizmos enabling his face to be broadcast on an on stage screen with musical accompaniment live editing and crude animations munnery spews forth a dizzying stream of tyrannical aphorisms and brilliantly carved open deconstructions i ve always felt that munnery was somebody who really enjoys pulling apart the inconsistencies of language especially those sentences and moments in lyric that appear to pass by the mass ear without much of a challenge it isn t pedantic or cynical either comedians who have garnered this level of respect and admiration don t need to do a second experimental show each day crammed full of ideas it feels like the performance of someone 20 years younger attempting to prove something stewart lee carpet remnant world assembly rooms i reviewed this show a few months back in its tour length format admittedly in a somewhat obscure style the edinburgh run sees lee abridge the act into 75 minutes from the top of my head i can only think of one section that was removed though that section was indeed funny its omission doesn t undo the complex structuring of the set nor does it reduce the punch i m going to use a proper reviewer type word here the kind of word that were i to use for one of the many university revue shows would be grafted onto their promotional materials in 12 hours time masterful that was the overwhelming feeling aside from being helpless with laughter that lee was so adept at putting his audience into the correct position to receive even the most tortured of set ups the second language callback i admit i missed first time but anticipated second time and found myself laughing as the gears cranked mercilessly to a calculated poor pay off leading to a lengthy comedic diatribe and recap of the entire act so far i m sure there will be a backlash against the man in around 2014 but i don t want to anticpate the curve he is funny henning wehn henning knows best the caves i think it s generally bogus to comment upon the audience at a show but i was fairly surprised that wehn s audience was much older than the average contemporary non bbc3 comedian audience presumably this is a matter of wehn finding traction on bbc radio 4 the staple radio station of educated middle class over 40s england me i know him because of stewart lee wehn made his mark as a notional german comic trading upon the english superiority complex regarding europe s inability to be funny now wehn s material is much more of a hybrid as a result of british cultural saturation it allows for a more complex character not that he is a character comedian per se we are just working on the assumption that most comedians play a version of themselves to emerge that can name drop specifically british references and then hide behind a stereotype of affable german logic and efficiency wehn works best in his accelerating anger toward both sides in an argument upon discovering the british pastime of ww2 weekends in which english townspeople will parade as leading nazi officers both the english complacency and the german history receive excoriation in equal measure fortunately he does this often this arthur s seat belongs to lionel richie comedian out of shot photo by jhindsight barry ferns this arthur s seat belongs to lionel richie arthur s seat this show took place at 1pm on top of the extinct volcano that looms over holyrood the seat of the scottish parliament we had figured that it was a nice day and would be good for a walk and even if the show was shit then it was a something and if it was good then that s a pretty good bonus edinburgh s highest show isn t so much a show as a feat of endurance given that ferns will climb the seat every day of the fringe to perform on this day there was a captive audience of hill climbers and tourists which offered a fairly interesting spectacle even though ferns freely admits that it s fairly impossible to do a real show in the wind and these are my guesses with an audience mostly not interested in comedy many of whom not speaking english as a first language no matter though ferns is a thoroughly likeable chap who exudes a similar charisma to a friendly cult leader or fitness instructor a few one liners here and there and some short anecdotes set against the backdrop of the city glazed in the sun in a way it s pretty perfect aiden goatley 10 films with my dad voodoo rooms goatley seems pretty happy and surprised to see a full room on a warm thursday afternoon to see his free fringe show fortune had been in our favour once that weekend wehn was sold out but then two tickets appeared at the box office and we got them for nothing as they were unrefundable but were not being used then wanting to catch daniel kitson at midnight knowing the venue had held back 14 tickets for on the night walking past the venue at 10 30pm to see 12 people waiting patiently for those tickets we could have joined th...
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