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ben burtt interviews skip to main skip to sidebar ben burtt interviews collection of interviews with sound designer ben burtt ben burtt demonstrates how he made wall e ben burtt demonstrates how he made wall e come to life and answers a ton of questions this was a presentation i attended at pixar and it s seriously amazing to watch ben as he demos how he made all the wall e sounds and what he bought on ebay to get new sounds if you re a fan of wall e and star wars i really recommend watching some of this steve weintraub original url ben burtt interview wall e sheila roberts movies online canada has put out a q a with wall e sound designer ben burtt where he talks at length about the sound design process on the movie and other related topics sheila roberts what about the interplay between the animators typically the voices are recorded before and the sound bytes are afterwards how did it work with this ben burtt you re right normally in animation the dialogue is recorded and locked down takes are selected and the animators then use those as references for timing and performance we did actually kind of the same thing here i started working three years ago on the dialogue for this film and auditioning voices at first i would make up sets of sounds as auditions for andrew i would play a voice and some motors and i d say what do you think of this could this be wall e he might pick out the things he likes the most and we would keep that collection aside and i would string together little montages and then we started giving them to animators and animators would just freely animate to the sounds wall e could come in and play with a ball slip and fall or do something and we had numerous tests and i could see immediately of course the huge input in a performance that the animation had in fact you would think i would know better but i was really surprised they could do amazing things with just a pose a little movement of the head and the sound seemed so much more authentic when it was sunc up so perfectly so we went back and forth and developed a sound and picture together and so therefore we ended up with these little character studies you could play it like a little audition tape the character would come in introduce himself and talk and show off their functions so you would hear it and see it we got confident after awhile that this is what eve should be and this is what wall e should be and then they could move ahead and start animating the movie itself and put it in the story so it was a back and forth process read the article sound design search search engine for sound design information custom search sound design of indiana jones and the kingdom of the crystal skull read the complete article at audiomedia crack that whip by blair jackson mix magazine june 2008 excerpt hymns comments ben s approach is really unique with steven because they re like a couple of kids you put them together and everyone else becomes almost invisible they talk in a language that most of us don t understand like steven mentions an old movie and ben immediately connects knows exactly the sound he s talking about he might even have it in his library and they move forward in that way and they re always talking about movies from the past to relate to the soundtrack we re working on to be in a spotting session with those two is a joy for me in this case burtt says i knew from the beginning that we d want to refer back again to some of the sounds we d established in the earliest films because indy still has a whip he still has a gun there are going to be fights and chases though of course we wanted to do new things with those sounds too i always try to create a world of sound for each movie i work on with this one i knew we wanted to start by having the original library of sounds brought up to date because they really only existed on old quarter inch tapes portions of them had been copied and digitized in a different manner over the years some had gone to pcm and betamax or whatever we were using in the 80s but i didn t trust those earlier generations so i said let s go back and restore the whole collection read the article ben burtt on indiana jones 4 visit mix magazine video section sound design search search engine for sound design information custom search wall e sound design wall e a space journey in sound 2 47 wall e interview with ben burtt 7 07 ben burtt interview for wall e by chuck the movieguy on the media from npr 12 min fimsounddaily com audio interview ben burtt sounds of hal the cockroach the cockroach named hal in wall e hal s voice was composed of sped up raccoon noises and the sound of his feet skittering along the floor was made by clicking handcuffs recorded with the help of burtt s police officer neighbor links thread discussing sound design of wall e all ears on wall e san francisco chronicle june 29 2008 filmsound org learning space dedicated to the art and analyses of film sound design star wars videos ben burtt on lightsaber sound design 3 36 ben burtt on star wars 5 24 ben burtt on sabers walkers and explosions 8 05 ben burtt on the empire strikes back 8 43 the 10 greatest sounds from star wars 04 44 ben burtt became the world s most influential sound designer by creating the sounds for the star wars series this list was created by factoring how famous or influential a given sound is and also considering the sound from a sound designer s point of view for example the darth vader sounds are simple to create yet the voice from james earl jones became one of the most influential sounds of the series compare that to the voice of poggle the lesser which is not as famous but a masterpiece of cutting and pasting phonetic sounds together ben burtt interview about r2 and jim shima s light saber 03 06 this video was shot by michael mcmaster and is part of the r2 builders club special dvd uploaded with permission ben burtt talks star wars sound 0 44 ben burtt talks about the sound in the original star wars and the special edition release designed sounds by ben burtt the light saber in star wars like many of ben burtt s discoveries the light sabers were a combination of two sounds the feedback from a malfunctioning television set and the whirring of an idling film projector the whip in raiders of the lost ark burtt recorded an actual whip which at one point harrison ford demonstrated on the side of the road in san anselmo the whooshing sound of the whip in the film is a harrier jet the tie fighter engine in star wars burtt combined an elephant s roar slowed down considerably with the sound of a car driving fast on a rain slicked road the cockroach named hal in wall e hal s voice was composed of sped up raccoon noises and the sound of his feet skittering along the floor was made by clicking handcuffs recorded with the help of burtt s police officer neighbor links sound design of star wars matteo milani s collection of ben burtt info visit his blog unidentified sound object filmsound org learning space dedicated to the art of sound design home subscribe to posts atom subscribe posts atom posts all comments atom all comments my blog list unidentified sound object unidentified sound object the 2020 namm show save 30 on our sound effects libraries to celebrate namm 2020 using the exclusive promo code namm2020 let s meet up at the anaheim convention cen 6 years ago filmsound daily this is not goodbye jack and i couldn t shift the site into archive hibernation mode without putting together one last post when we announced the decision we heard from so m 7 years ago the music of sound reloaded my fridge 8 years ago aspect ratio wright on film update some readers have mentioned that the http www wrightonfilm com link does not work i have experienced this problem with the new site and it seem 16 years ago collection of ben burtt info followers the art of sound design http filmsound org film sound daily http filmsounddaily com blog archive 2009 1 february 1 ben burtt demonstrates how he made wall e 2008 3 november 1 october 2