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urse the focus is set on the modes of digitization of collections and the discourses of decolonization the aim is to illuminate how post digital and decolonizing practices can support digitization efforts that meet contemporary and future complexities lucie kolb selena savić flavia caviezel karolina sobecka philipp messner workshop 2023 patterns to institutions a visual record of institutional patterns artwork research 2022 what can artists do now exhibition and publication the curatorial collective artist project group interrogates phenomena of capitalism through curatorial and artistic methods in an attempt to build platforms for resilient aesthetic and artistic practices in our project for curated_by with galerie elisabeth klaus thoman we continue to investigate the capitalist overproduction of meaning including the recuperation of crisis phenomena into the market and ask what can artists do now artist project group bernhard garnicnig lukas heistinger andrea steves exhibition publication 2022 what would artists do what would artists do is an agency festival presenting consultancy services by artists you can participate in unfolding artworks via messenger conversations and research surveys and join us in a collective thought process around the artist as consultant the practices of the artists represented here move beyond the formats and economies of the art market and academia they challenge the dominance of the consultancy industry and its methods as they pervade our political environment and social lives what would artists do is the next step towards a cooperative agency for artists performative knowledge practices and succeeds the workshop artists have the answers artist project group bernhard garnicnig lukas heistinger andrea steves project publication 2022 artists have the answers what happens when we bring the practices of artists and consultants into the same space will it be a dance party or a hypocritical brawl in late october 2021 we will convene a series of workshops in hybrid form online in vienna to explore this possibility as the influence of consultancy firms and their methods expand within spheres of the public and policy making we ask what artists can critically adapt and appropriate from the interfaces frameworks tools and practices of the consulting field artist project group memeclassworldwide introduction critical theory research and introductory essay for the publication memeclassworldwide research documentation index 2021 memeclassworldwide text 2021 art education classroom memeclassworldwide an introduction to memeclassworldwide in the form of a text and video playlist for the art education classroom series classroom is a series of video programs curated by educators artists and writers each program assembles films interviews lectures panel discussions and documentaries from a variety of sources to engage with themes relevant to contemporary art and cultural production memeclassworldwide publication 2021 first encounter desert springs photographic print 80x60cm 2011 benjamin tomasi exhibition 2021 digital video a digital video encounter of accidentially recording over archival footage of a 2000s vr conference with flowers found on a lovely stroll memeclassworldwide how did we get here text and research for memeclassworldwide videotutorial documentation tracing the history of the central european art academy ramona kortyka mateusz dworczyk juan blanco jennifer merlyn scherler research text 2020 20 bregenz biennale 20 the art of hosting for the 2020 bregenz biennale four artists are invited to host singular moments and encounters as artworks danja burchard nour shantout benjamin tomasi marie vermont marlene a schenk project publication 2020 m h y t n i x a postdigital native road movie commissioned by orfiii pixel bytes film karin ferrari peter moosgaard project 2020 mhytnix tapes original soundtrack for m h y t n i x a moving image artwork created with karin ferrari and peter moosgaard comissioned by orfiii pixel bytes film project 2020 making it up critical practices of instituting essay for the critical makers reader edited by loes bogers letizia chiappini published by the institute of network cultures amsterdam 2019 research text 2019 on decoding the iphone xs a techno magical portal editorial introduction to karin ferrari s decoding the iphone xs a techno magical portal for continent issue 8 1 apocryphal technologies karin ferrari text 2019 memeclassworldwide new media art takeover workshop at kunstuniversität linz talking about the web in art schools shouldn t be like explaining a joke memeclassworldwide is a school in progress aiming to advance the dialogue about internet based practices myths and memes vis a vis the institutions and curricula of arts education ramona kortyka juan blanco mateusz dworczyk teaching 2019 visiting scholar at the new school school of social research between october 2019 to june 2020 work continues on what artists institute which proposes an extension of the vocabulary with which practices of relation between artists and institutions are conceptualized research 2019 institutional studies by artists lecture congress of the swiss sociological association 2019 the future of work université de neuchâtel lucie kolb research 2019 aaaa aalborg anti artwashing agreement during a sailing trip on the limfjord the artist community of aalborg declared aalborg the first city in the world to adopt an anti artwashing agreement in their cultural policy making process lukas heistinger f eks project 2019 institutional attitudes workshop at kunstmuseum basel exploring the role of security and admissions in museums through fictional and political lenses lucie kolb urban vision research group text 2019 vaporvolkskunde vape juice aroma os matching system horticultural chemtrail destillation pop chakra liquid crystal exploration walmartsurrealism vaporfolk brandart matrixbotanica productshamanism favelachic holycargo ritualfakes ancientonline poplatch postdigital ersatzculture saintpepsi refundutopia parableofdesire neomaterialism summonwarhola hollyvoodoo taojones lusthansa jurassica newprimitives vaporfolk shishamanism lona gaikis peter moosgaard project 2019 work in progress screening screening of a work in progress copy of captured captioned during the launch of control twenty one with a contribution by lucie kolb lucie kolb jennifer merlyn scherler exhibition 2019 the art of instituting peer reviewed essay for digital dynamics in nordic contemporary art ed tanja toft intellect 2019 jamie allen text 2019 message send failure commissioned by a desk for a contribution on the virtues and vices of failure a missive on message misfires jamie allen text 2019 new stories in new media art a workshop on rewriting the history of new media art based on feminist and alternative sources and rewriting the role of new media art as part of teaching and art practices institute for art and education university of art and design linz teaching 2019 palais des beaux arts wien a postdigital memory site artist talk at the department of digital arts university of applied arts vienna seth weiner project research 2019 a collapseological colloquium sans ordinateur without computer anthropocene et imaginaires numériques postdigital research group at ecole normale supérieure paris michaela büsse karolina sobecka event 2019 shipping my holy nacho my holy nacho at the festival for ephemeral media art fmr linz jamie allen exhibition 2019 it burns my soul when you burn your sales video and object assemblage project 2018 doulos doulos is a digital typeface based on the hand painted title cards of jean pierre melville s 1963 movie le doulos the finger man project 2018 new media art new media art course 2 ects at the institute for art and education university of art and design linz teaching 2018 ideas worth spreading again video commissioned by pixel bytes film orfiii artist in residence fabian faltin enrico zago project 2018 palais des beaux arts wien legacy and latency a conversation about appropriation disownment and being passed on a multiple institutional form seth weiner sarrita hunn text 2018 supergood diálogos com ernesto de sousa exhibition at museu de arte arquitetura e tecnologia the exhibition is thought from the transversal work of the multidisciplinary artist ernesto de sousa in a dialogue with works that promote new readings about his legacy and its political and cultural dimensions of artists from generations and nationalities such as melanie bonajo rita sobral campos simon dybbroe møller and supergood lukas heistinger supergood exhibition 2018 extending the dialogue on the technosphere experimental publishing partner for the technosphere project 2014 2018 haus der kulturen der welt berlin image and text based video and custom coded video text interface as continent issue 6 3 2017 the emergence of the technosphere through planetary scale technologies continues to be manifested only through its points of condensation that is as objects of our everyday 1948 the publishing collective continent presents their latest issue on the technosphere this time entirely realised as a video continuing a project to lose all words all together notions visions and intuitions picked up through interviews and awareness at the last technosphere knowledge campus the work started where traditional interview editing and omission process ends and creates an associative bridge to the 1948 technosphere inflection point nina jäger lital khaikin maximilian thoman event publication 2017 elegant but never na na naa first encounter chance meeting of lorenzo senni elegant but never tiring with the godz na na naa artwork 2017 issue 7 1 2018 editor for continent issue 7 1 2018 with contributions by erik born lia carreira fabian faltin geraldine juárez franziska huemer fistelberger steve lyons jason jones rosemary lee manuel minch armin medosch jamie allen eva maria mandl and seth weiner editorial support by maximilian thoman additional editing and translation by nadežda kinsky müngersdorff publication 2017 institutions as a way of life snf funded research project hosted by the institute of experimental design and media cultures at hgk basel 2017 2021 institutions as a way of life explores and projects the legacy of institutional critique and develops models of instituent practices in terms of micropolitical actions radical pedagogies and artistic processes it will reveal how technology media and art can reflect and open up new infrastructures for thinking and doing it aims at generating a critical understanding of the relation between institutions and individuals as a condition to and as a shaper of our relations to the world jamie allen lucie kolb mela dávila freire research 2017 speculative something ninos du brasil enzo dong kenny g the ocean elli jacno project 2017 new media art new media art course 2 ects at the institute for art and education university of art and design linz project 2017 statement institutions as a way of life artist talk at klasse für ortsbezogene kunst universität für angewandte kunst wien institutions are an ambiguous subject some despise them for abuse of power or dominance over free will and choice others rely on them to save us from corporate harm or social demise event 2017 on lettres du voyant editorial introduction to a clip from lettres du voyant by louis henderson for continent issue 6 1 r3pair volume text 2017 silo arte rural artist in residence research residency in serrinha do alambari cinthia mendonça andreas trobollowitsch pierre fonseca gil delindro violeta pavão sara lambranho project 2017 free better you supergood at one work gallery vienna lukas heistinger supergood event project 2016 bregenz biennale 2016 for the bregenz biennale 2016 an airplane was chartered to announced the realization of 26 imaginary and immaterial artworks by invited artists the sunset at lake constance seen from bregenz on the 14th of august 2016 was declared as a work of art the works are preserved as printed postcards and are now in circulation worldwide richard prinz swetlana heger mathias garnitschnig tim hartmann philipp leissing commendatore himi burmeister lisi hämmerle rainer ganahl philipp preuss paul mittler maria anwander und ruben aubrecht uwe jäntsch project 2016 palais des beaux arts wien at l exposition imaginaire lecture performance at l exposition imaginaire kunsthalle wien we talk about the essence of cultural institutions in the post digital age and imagine the next steps in the genealogy of wunderkammer museum archive maren mayer schwieger fabian faltin anne faucheret project 2016 throwing four balls in the air series of renders and prints predicting the world with models and drawing graphs of it is like throwing three balls in the air and connecting the dots artwork 2016 the technosphere now experimental publishing partner for the technosphere project 2014 2018 haus der kulturen der welt berlin technosphere knowledge x sharing experimental publishing partner for the technosphere project 2014 2018 workshop publication performance haus der kulturen der welt berlin nina jäger paul boshears lital khaikin jamie allen event publication 2016 sectioning my holy nacho exhibition and performance at kunsthal nikolaj københavn jamie allen exhibition 2016 supergood concept store open between november and december of 2015 the supergood concept store hosted a program of performances and workshops while also operating as a speakeasy superfood bar this opened up an ambiguous space between product and performance animating notions of self optimization body politics and postcolonial smoothie cultures lukas heistinger supergood event project 2015 bodyplex ep based on a first encounter chance meeting between ciara x r ikeda premiered at unsafe sounds festival artwork 2015 vaporfolk hollyvoodoo with technology invented to fly us to the moon we write lmao exhibition at lust gallery wien zsófia keresztes angus mccullough alexandra hackett andreas ervik stephanie syjuco michele gabriele pau sampera peter moosgaard exhibition 2015 open scenarios for non trivial pursuits artist run research and teaching have long been the source of transformative potentials and radical rethinkings of how communities can be work and act together as distributed collective synchronic autonomous and connective these communities support and cultivate the knowledge practices of curious people artists researchers designers thinkers and makers activists administrators activators and organizers in our current moment such communities if they are operational are by default both digital and real streamable and graspable the very existence and prolonged discourse around such communities directly affirms the need for new forms of encounter between people producers and audiences we always need to co create new potentials and formats for discussing presenting learning sharing knowing as well via critical reflection on the media and the technolog...
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