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me wednesday april 6 2011 mixing adoi ini la kerja paling sa minat dan paling sa benci duduk diam2 mendegar saja sampai penat ni telinga taie telinga pun mcm note music sdh haiyaaa tapi apa bilang si hal leonard tidur sikijap buli kasi balik tu kesan keletihan di telinga hahahahahah telinga pun buli panat bukan belari pun tapi setelah di praktikkan mmg betul lebih baik daripada apa yg di buat semasa kepenatan patut la sa tidak dapat tidur bila ada urg bising2 walau pun menggaru kepala punya sensetif telinga hi fi baaa hahahahahahahahahahahaha buduh ni mengarut sdh sa sa mo p sana pasar mlm dlu beli telur mo bikin tambar telur saya puna esbuk hahahahahah x isi sdh miakahkhahka babababababababaaaaaiiiii posted by benn at 5 07 am 1 comment monday march 28 2011 the next day nnah mcm biasa bulum ada apa2 yg menarik pasal ni blog sa hahahahah sekadar update text ja bukan apa kalo ari2 ada yg mo di kasi tau kompom ada urg bilang minta puji well juga mcm hari2 biasa sa punya karaja bikin music n buat lagu itu ja lama2 sa pandai menyanyi sendiri ni time tidur aiyaaa tu la ba kalo sebati sdh sama ni kerja sampai mo makan pun buli lari pitching blg urg miakahkhakhakhkaha bah nanti2 lg sa bulum lg cuci muka ni sa takut kalo sa buka mulut shut down trus ni computer hahahahah ok c u babaiiiii posted by benn at 5 12 pm 2 comments sunday march 27 2011 adoiiiii punya sandi sa bilang kalo blog bekulat ni miakahkahkhahka apa pun mula sdh sa balik meroyan sama ni blog ni gara2 bini sa la ni mamayat butul blogging sebelum sa p birak sa mo kasi tau kamurang yg sa mo update ni blog itu ja teda lain kalo x pecaya masuk la balik2 sini kalo x juga kana update sa tipu kamu laitu itu la urg bilang kamu kana tipu abis x kana update kan hahahahaha bah sa mo jalan dulu p sana tandas abis ada sa kasi tau kamu yg sa mo birak kan isk sa p dlu la posted by benn at 6 21 pm 2 comments tuesday april 28 2009 general mixing tips general mixing tips start with a rough mix different engineers have different approaches to building a mix some will solo one track at a time and work on it to make it sound the best it can they ll then move on to the next others prefer to monitor all tracks all the time they say this helps them make sure their tweaks help the track sit well with the rest audiominds generally recommends this approach whichever approach you choose it s wise to start with the big picture in mind listen to the song with all tracks playing listen to it until you really know the song well get in the habit of asking yourself some basic questions what are the main sections of the song what are the main instruments in each section what is the best setting for the song small intimate room or big concert hall etc with the big picture in mind start setting levels for each track understanding that lead tracks will need to be louder than bed tracks see limey s pyramid and for each section understanding that different tracks will take the lead in different sections when you ve got a basic level set for the entire song your rough mix is done and you re ready to start tweaking individual tracks make notes we can t emphasize this enough when it s midnight you ve been mixing for 6 hours and you re tired it s easy to forget what your plans were for the song write them down did you decide that the setting should be a small intimate room you ll need to remember that when you re ready to add reverb write it down work on bed tracks first bed tracks usually the underlying rhythm instruments are the foundation of the song set the foundation before moving on to lead tracks in other words once the rough mix is done and you re ready to start tweaking work on these first for pop rock songs it s very important to get kick and bass sounding good together so kick and bass are often a great place to start use monitors designed for mixing regular stereo speakers are designed to make everything sound good even a bad mix studios pay big bucks for perfectly accurate monitors but decent near field monitors are available for not much money radio shack mini s driven by a stereo amp work surprisingly well headphones as a general rule are not recommended due to their reduced frequency response and the way they distort a stereo image mix at low volumes this makes subtle differences in instrument volumes more apparent it also helps prevent ear fatigue if you ve commited to working hard to train your ears fatigue should be an important issue to you you can t make wise mixing decisions if you can t trust your ears to give you an accurate representation of the material if you can t talk over your playback turn it down read up on and understand the fletcher munson curve be sure to adjust the eq on your monitors to take this anomoly into accound give your ears a rest the human ear quickly adapts to a listening environment for the mixing engineer this means that highs especially will appear to lose their brilliance rather quickly taking short breaks allows your ears to reset do frequent level sets keep a professionally engineered cd handy so you have something to compare your mix to when applying effects compare the dry signal to the effected signal often occasionally switch your mix to mono and listen for phasing problems listen to your mix at low volume high volume from outside the room in the car on the home stereo anywhere you can remember that you re mixing for many different users listening on many different types and qualities of equipment posted by benn at 8 30 pm no comments tuesday march 3 2009 vote for me saya rasa cukup bersyukur kerana terpilih untuk juara bontugan sinding di saaaaannnaaa ranau x sangka la pula lagu binsorou mamatos kolungguian tu buli dapat bagi kawan2 yg suka ni lagu bah undi2 la ba barang 1 kali ka ada poh cara dia taip jld jarak ben hantar pigi numbur 32776 heheh mm jangan lupa datang p ranau 14 mac ini di sana tu kana bt tu juara sinding dusun kepada peminat kawan2 nantikan binsorou mamatos kolungguian versi baru datang jangan x datang eh jan lupa undi kio aramai boh posted by benn at 10 15 pm 6 comments sunday november 9 2008 7 questions from amateur mix engineers over time i ve noted several questions that arise repeatedly on the web s home recording forums each question reads as though it should have a simple answer but none of them do and indeed the questions themselves betray their askers lack of experience with the subject in effect posing one of these questions tells the world you re an amateur but i hope that by explaining why the questions don t have the simple answers a rookie expects you ll appreciate how an experienced engineer thinks about each problem and be better equipped to identify gaps in your own knowledge questions 1 what are the best eq settings for guitar or its many variants what are the best compressor settings for vocals what reverb settings should i use for mastering and so on this question has a straightforward answer the best settings are the ones that sound right but for most beginners who haven t yet learned critical listening skills this advice seems trite unfortunately any other answer is meaningless every track in every song has its own unique requirements and the best settings for eq or compression or any effect are dictated solely by the requirements of the song see the rule of mixing for more 2 which is the best microphone we d all love to own a u87 or a c12 but engineers covet those mics because they re reliable and versatile not because either is inherently superior in fact there are as many ways to define best and for that matter worst as there are sounds to record as with the question above what s best ultimately depends on what fits the song 3 how do i record my song to sound like the foo fighters this question stems from the misconception that the foo fighters or any band sound the way they do because of their equipment acquire the same instruments and mics the thinking goes and you can duplicate their recordings most professional recordings have deceptive clarity they sound at least to listeners unfamiliar with the process as though they should be easy to reproduce but the question above has only one honest answer to sound like the foo fighters buy quality instruments and learn how to play them well write songs suitable for the genre arrange those songs to support foo fighters style production practice lots record in a great live room spend time on microphone selection and placement play every part till you get it right in other words there are no shortcuts and it s not easy great recordings take time and talent 4 what vocal chain does paul simon use also commonly worded as i want to sound like john mayer which microphones and settings should i use beginners ask this question assuming that we can recreate a track by knowing how it was recorded unfortunately even if you bought paul simon s complete signal chain you d have little success matching his recordings his voice and john mayer s voice and of course the voice of any famous musician is unique as are his performances to sound like paul simon in short you need to have him sing your vocal 5 how do i remove the room s ambiance from a recording conceptually it makes sense that since we use reverb to add depth there must be some way to reverse the process there isn t if you don t notice until you re mixing that a guitar track has too much room sound you have 2 options live with the sound or re record 6 is this mix finished rookie engineers like to think there s a golden standard sound to which they aspire and once they ve attained that sound their mixes will thereafter be perfect we should be so lucky in truth our learning never stops we continue hopefully to improve but none of us is ever done acquiring knowledge as true of recording and mixing as it is of life but this is ok learning after all is the fun part to the question as a general guideline a mix is finished when it best represents the song of course best is open to interpretation here as it is everywhere in recording you need to use your ears and your gut and make the call when it feels right in other words only you know when the mix is finished unless someone has paid you in which case the mix is done when the deadline arrives finally a surefire question to signal your newbie status to the world 7 how do i use this 1 200 plugin that i just happen to have installed on my machine answer you read the manual which comes with the software when you buy it legally in closing you ll out yourself as a novice by asking these questions of an experienced engineer but really there s nothing wrong with that in some senses we re all amateurs take the colleague of my friend paul who once asked him what does a compressor do the question seems innocent enough until you learn that this colleague has been a film industry sound engineer for over 20 years and has worked on dozens of major motion pictures of course paul now has difficulty taking his colleague seriously as an audio professional but the guy still works on movies as a sound engineer so the anecdote should be comforting for the rest of us amateurs posted by benn at 3 48 pm no comments monday september 29 2008 auto tune abuse in pop music 10 examples pitch correction software has applications from restoration and mix rescue to outright distortion of a voice or instrument i ll discuss some of the more tasteful uses of these auto tune tools whether the original from antares or a variant like the free gsnap below but first i thought i d highlight their misuse to illustrate the effects we usually try to avoid if you re unfamiliar with auto tune and especially if you listen to much pop and rock you might not hear it initially when overdone the effect yields an unnatural yodel or warble in a singer s voice but the sound is so commonplace in modern mainstream music that your ears may have tuned out the auto tune the songs in this clip in order and the phrases most affected by auto tuning to help you spot them dixie chicks the long way around noticeable on parents and but i t pain i m sprung especially obvious on homies and lady avril lavigne complicated listen to way when driving you re uncle kracker follow me the whole vocal sounds strained but especially the word goodbye maroon 5 she will be loved listen for rain and smile natasha bedingfield love like this apart and life sean kingston beautiful girls ooooover doesn t sound human jojo too little too late appropriately problem stands out rascal flatts life is a highway every vocal foreground and background is treated but drive in particular new found glory hit or miss thriller and every time jordan sings i posted by benn at 6 48 pm 1 comment older posts home subscribe to posts atom followers search this blog mari cuba perlukan muzik untuk lagu anda online audio mastering come join us start getting money ceritera si benn klik sini bah rahsia cepat kaya rahsia buat duit kg halaman ku kg si benn u need this about me benn the man who make me feels like me is me jeng jeng jeng view my complete profile mesej view shoutbox shoutmix chat widget mine bcq kawan saya xang xang jue nel bobby jetz pirut bambangan si buluntung sweety gidong lihing ke tjc baha tungau sms simple theme theme images by aguru powered by blogger