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apítulo viii capítulo ix capítulo x capítulo xi capítulo xii actividades p b correspondencia iconografía bestiario contacto una lectura escatocosmologica del jardín de las delicias navegador de artículos entradas más antiguas inteligencia ah publicado el 5 de mayo de 2026 por luis sánchez pena 0 https www telemadrid es programas telenoticias 1 la inteligencia artificial desvela nuevos secretos de el jardin de las delicias 2 2877632248 20260407064240 html lectura general del jardín de las delicias de mechanica mvndi capítulos i a xii publicado el 5 de marzo de 2026 por luis sánchez pena 0 día del bosco publicado el 28 de febrero de 2025 por luis sánchez pena 0 el museo nacional del prado consagra el 5 de abril como el día del bosco y bueno por qué no también podría ser el 15 de agosto pero entonces estará el mundo de vacaciones véase capítulo ix de de mechanica mvndi https boscomania wordpress com de mechanica mvndi capitulo ix publicado el 20 de junio de 2023 por luis sánchez pena 0 publicado el 20 de junio de 2023 por luis sánchez pena 0 puntos calientes publicado el 20 de junio de 2023 por luis sánchez pena 0 https www 65ymas com sociedad cultura estudian atencion visitantes observar bosco_47473_102 html publicado el 13 de abril de 2023 por luis sánchez pena 0 estudian atención de los visitantes al observar al bosco de mechanica mvndi publicado el 13 de octubre de 2016 por luis sánchez pena 0 hieronymus bosch el bosco has been an enigmatic painter having elaborated his work using an unknown language that was not possible to decode the endeavor to reveal the hide messages in his composition has been a big historical challenge and not a little failure despite having passed five hundred years since that painting were painted the completely satisfying exegetical results could still have been waited with regard to the altarpiece the garden of earthly delights his more complex and interesting creation the elucidating task is glimpsed specially complicated until achieve its complete and detailed explanation during the xx century some maximalist species little or nothing substantiated about the meaning of the paints of the bosco has being lavishing it is about very rooted erroneous thesis contradictory between them but nevertheless coexist and survive with diffusive strange complacency between them stands the ones of the heretic bosh and alchemist bosh never effectively refuted nether the latest published contributions truly introduce new solid and rigorous propositions of global interpretation whether by mistake or lack of method the iconological research has been a lot of time stagnated the fact of limit the analysis to the treatment of specific iconographic elements as it has generally been done it just has reported to the explanatory process of the general topic partial results almost null or many subjectivist conjectures commonly done from approaches lacking of the needed theoretical support this is not strange as in the technical descriptive level it was not achieved even to synthetize the basic lines of the narrative discourse nether previously to isolate and classify the main significant patents in the work or articulate some contextualizing syntaxes of the images and much less of course to project and purpose a technic of acceptable reading coherent and productive a specific feature of the bosco is precisely the iconographic originality this makes that the interpretation of his work shun the conventional exegetical procedures and the classificatory manners stablished the key is precisely in approach in a correct manner the code of the language used this obviously has not been done as consequence until now the trees have not allowed to see the rainforest especially in the garden of earthly delights but also in the rest of his work bosch shows a much defined artistic personality abundantly reflected in the style in his creating attitude stand an unused discursive desire a feature of the narrative technique that employs the brabantino master is in that that he says the manner of expressing it and the material performance even the same paint as such support and frame become manifest components of a particular particular formula at least in the altarpieces as consequence all viable conceptual resolution about motives and contents must attend simultaneously and entirely to the constitutive conventions compositional iconography layout placement shape color handedness etc etc and constructive incuse triptych plans parts that determine the structure el conjunto orgánico de la obra the case of the garden is extraordinarily complex the mobile artefact desplegable the triptych calculated and detailed illustrated condenses and articulates a diversity of interactive structures that in its combination forms a sophisticated technological tool of communication the study that follows this presentation de mechanica mundi is especially oriented to unravel the technic of the language used by the painter and in consequence to explore the meaning of his more emblematic works and especially to reveal the ideological summa that represents the the garden of earthly delights from the development of a exegetical method that related the structural and iconological analysis unedited in this subject it was possible to find certain keys of the eidetic system that fits the significant reasons what as consequence would bring closer the possibility of a general understanding of the pictures of bosco regarding to the garden my observations points to a coherent organic reading ordered complete and deep of the altarpiece this intellectual contribution although primordial never has been proposed strictly in this way and therefore no ne before has contributed or suggested in this essay dmm prominently practical methodically as expeditiously as somewhat effective point it always predominates a possibilistic structural approach idea form vs suitable archetype oriented to a hypothetical cosmological contextualization but plausible that leads at the same time to a dramatical notion allegory able transcendent in accordance with some preexisting cultural pattern de tipo tradición o ideología under this strategy elucidating eminently empirical sensitive emerging issues are addressed at length in an attempt to achieve their potential performance the default of this analytical procedure aims to establish and better explain the framework the structure in order to address the general issue there in any case neither party departed priori ideological or any dramatic sign maximizer nor other approach according to this elucidating strategy of essentially empirical nature the emerging sensitive topics are much approached with the intentionality of achieve its entire potential yield the aim of this analytic procedure is to stablish and to explain better the framework the structure for being able to approach in that way the general issue in any case it is not broke part of priori ideological or any dramatic sign nor other maximalist approach pnofsky says whether we deal with historical or natural phenomena the individual observation of phenomena assumes the character of a fact only when it can be related to other analogous observations in such a way that the whole series makes sense this sense is therefore fully capable of being applied as a control to the interpretation of a new individual observation within the same range of phenomena dice gombrich the higher the number of messages that have meaning in the light of a given solution the lower the chance that it is a mere fortuitous coincidence the specific iconography if known understand and explore its features scenic landmarks will deliver the relevant narrative results if any in dmm in its first part it is shown disaggregated theoretical principles essential of the performance of the picture reflected in these concrete examples that in practice serve as thematic initiation there arise basic issues relative to the dispositions in the space cosmography and to the language symbolism basic and essential constitutive questions that contribute to the general theorist formulation thereby we find that jd is like a ground plane a huge chart the exposition is plenty of argument economy which allows moving more quickly to a narrative praxis then in a more paused and gradual way there are approached the topics that lead to a culmination of the plot peak and end from of what it is pretended to obtain in retrospective the general understanding of the program from that it is pretended to ratify with certainty and distance that confers the vision from the top of the pyramid our theories this advantageous perspective allows arranging prioritizing and coordinating the different and disperses components that had been previously treated in a more experimental way this final stage represents a gloss above the architectonic configuration that lead to the apex or it would be as the elevation projection the inquiring principle adopted always started from a presumptive existence of internal logic fuere aquella la que fuere and the hypothesis of that the work of having an ideological coherence grounded because if not it only could be thought that the entire topic would be reduced to a genius manifestation but eccentric and maybe insane of the author in the beginning of the searching it was applied by system the more simple inquisitive formula what is this why is there this simple technique almost maieutic led to stablish the principles of religious background and the type of visual language and the disposition dramatic narrative linear reading cycles from this pointit is stablished a very productive correlation between the gnomonic cosmography and the escatocosmogónico historical christian pattern then there are discovered some hidden schemes such as crypted costelations under the key figures this provides the certainty of a locked episodic approach and it denotes the existence of a powerful allegoric approach due to the observed cryptic purpose and to the compact substrate diagrammatic it was reached the final conviction of being facing of esoteric features and a strange piece that required a special exegetical treatment in last instance the interaction of varied concurrent vectors projected the probable object of the dedication of the altarpiece a concrete and transcendental date this date because of its presumed sign and its prophetic destiny would appear as the driving force of the complex and admirable program of the triptych full of references calculations and eschatological reflections the expectations and fairs of an inminent adventus domini must had great influence above the concerns and religious social and existential attitudes of the painter and its environment and maybe this explains tis moral and ideological radicalism the so called pessimism and at the same time the deep motivations of his venturesome imaginary the triptych the garden must rigorously and widely express the anthropologic criteria and the pious guidelines of the brothers of our lady of s hertogenbosch of that days in a way the program of the altarpiece intended to be a universal compendium a summa but of apocalyptic profile according to this the triptych of the garden would have to be projected and elaborated on the basis of a calculated prognostic of the close and inexorable of the end of the world from an original and unusual prophecy expressed technically a sui generis way in a painting definitely this extraordinary painting is and it will have to be known in this way one of the greatest artistic creations of the history it is a work of a great accomplishment because of its designing and manufacture unique in its gender the truth is that it had never been painted any like this it was never produced again such a complex wide deep and ambitious pictorial work the most curious surprising and exceptional thing is that it exist an invisible painting behind the garden in other words the altarpiece in its topics and apparent motives is in fact the reflection of a voluminous wealth of ideas which are rigorously built over patterns of a complex machine that on the whole must be decoded like dissected for its understanding all of this of course does not detract from the purely artistic aspect worth the work an evidence of its technic stylistic and esthetic merits is that even being its deep intentions absolutely unknown it enjoys an extraordinary fame and sympathy being a continuous cultural reference and a claim to the most diverse thing finally is fair to pay tribute to all art historians and researchers that have contributed to the knowledge of the affections of historical data and environmental circumstances of the painter essential work so much useful as inspiring to reach the gothic heights of this huge and indelible factory i confess that i read more things in this painting the hay wain in a brief glance that in other books a lot of days the other painting the garden of the delights of the futile glory and brief taste of strawberry or madroño and its whiff that is hardly felt when it is past is the most ingenuous and of most artifice thing that it can be imagined and i say the truth that if it would be taken for some purpose and a great genius would like to declare it he would make a very profitable book i have purposed myself to carefully scrutinize all with honesty and careful effort with the aim of being able to explain it and proclaim it to the glory of the painter for the moment the literary results have not made good these words of fray josé de sigüenza but it is precisely why with this sign of the progress made and from these lines convenient help to enable at least the attempt is requested luis sánchez pena intro a dmm traducción amara pérez davila sí publicado el 11 de septiembre de 2016 por luis sánchez pena 0 el bosco en el retiro antonio muñoz molina el pais en cada regreso al prado el bosco me parece un pintor todavía más realista las zonas de escrupulosa observación son mucho más frecuentes que las de delirio lo fantástico no resulta de la ruptura con lo visible sino de la mezcla chocante de algunos de sus elementos literales o simplemente de una inversión en las proporciones lo común se vuelve monstruoso al aumentar de tamaño http cultura elpais com cultura 2016 09 09 babelia 1473420077_712899 html http xn antoniomuozmolina nxb es 2016 09 el bosco en el retiro publicado el 21 de junio de 2016 por luis sánchez pena 0 dmm una lectura escatocosmológica de el jardín de las delicias de hieronymus bosch para efectuar su consulta pinchar en la pestaña de la barra demechanicamvndi y después en el capítulo de interés navegador de artículos entradas más antiguas buscar categorías sin categoría lo último inteligencia ah lectura general del jardín de las delicias de mechanica mvndi capítulos i a xii día del bosco sin título sin título sitios de interés conocer al pintor el bosco the complete works imagen del jardín en alta resolución blogs amigos zineman...