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fe and sold back to me nothing is beyond capture talking about mid to late 90s net art culture feels like telling grandpas old war stories a far off place of adventure and mystery a swashbuckling semiotic counter culture where anonymous language agents such as netochka nezvanova stalked the discourse weaponised ciphers wielded as a attack vectors midnight coding high on instant coffee 28 8k modem chirping eight hours of sleep is unnecessary yeah yeah jodi irrational org nettime mailing list tactical media go back to sleep gramps my small contribution to the legacy of this organisation was experimenta social a series i devised curated and hosted from 2016 an informal audiovisual salon where artists audiences and ultra hobbyists could meet each other listen to presentations and ask questions produced alongside nicky pastore and hosted at acmix i was happy with the program i developed to profile the work of sean dockray lara thoms eugenia lim philip brophy holly childs christopher lg hill and matthew sleeth amongst others i hope there is an effort to create an online archive of the publications and activities produced by experimenta and this australian media art legacy doesn t evaporate into landfill or e waste recycling bins it seems the credit cards have been seized hosting bills haven t been paid and the website is already down experimenta needed one more shapeshift one more shedding of skin like it did when it left the name modern image makers association to become experimenta in the mid nineties it missed that one last reinvention to stay relevant dear friends and supporters of experimenta we are writing with the sad news that after four decades at the forefront of media arts in australia the board of experimenta has made the decision to wind down the organisation in 2026 despite sustained efforts to diversify income and adapt our operating model the reduction in public arts funding at both the federal and state levels has made it impossible to sustain operations at the level required by experimenta s mission on 18 june 2026 garth o connor price of william buck was appointed as liquidator of experimenta should you have any queries in relation to claims we encourage you to contact his office on 03 9824 8555 or via email at vic creditorinfo williambuck com founded in 1986 experimenta has been a pioneering force in commissioning exhibiting and touring contemporary art shaped by technology from its origins as the modern image makers association to its evolution into a globally recognised arts organisation it has consistently championed artists working at the intersection of art science and technology helping redefine the boundaries of contemporary practice across almost 40 years experimenta has built a remarkable legacy it has supported generations of artists from emerging voices to internationally recognised practitioners while fostering ambitious collaborative works that bring together technologists scientists researchers and creatives its triennials which include a national touring program have reached audiences across metropolitan and regional australia expanding public engagement with new and experimental art forms and contributing significantly to their development in this country experimenta s work has never been confined to traditional formats it has embraced creative coding robotics bio art virtual and augmented reality and data driven practices encouraging audiences to explore complex contemporary issues and to reflect on what it means to be human in an age of rapid technological change we extend our deepest gratitude to the many supporters both public funders and private donors who have sustained experimenta over its lifetime to the organisation s past and present staff and to the extraordinary artists from across australia and internationally who have worked with experimenta over the last four decades experimenta s impact will endure in the artists it has supported the audiences it has inspired and the ideas it has brought into the world while the organisation s operations are drawing to a close its influence will continue to shape the evolving landscape of art and technology for years to come yours sincerely the experimenta board daniel crooks kelly gellatly john merakovsky emma parker pinky tang author emile zile written on july 15 2026 updated on july 15 2026 categories defiance domination electricity euphoria metal plastic steam water wood tags art australia exhibition melbourne performance voice words workshop rewind forward at public records office victoria please join us for the launch of rewind forward at the victorian archives centre gallery featuring the work of our 2025 creative in residence artists emile zile sam wallman shannon slee susan fitzgerald and queer ways each artist has delved deep into public record office victoria s collection to examine local histories that resonate with them on a personal level through historic photographs criminal inquest records original artifacts and hand written documents they ve explored victoria s past and created works about the relevance of history on contemporary issues comics journalist and dock worker sam wallman has looked into the impact of automation on the docks textile artist shannon slee is highlighting the historical violence on women s bodies due to state laws that prohibited access to safe reproductive health care graphic designer susan fitzgerald has immersed herself in the history of transport ticket design and the lost manufacturing processes luciano and george keats who work collectively as queer ways have brought to life the outfits that landed people in the courts for gender non conformity in the early 20th century and video and performance artist emile zile has discovered the traces his own family have left behind in the archives opening night 5 7pm thursday 29 may 2025 99 shiel street north melbourne australia https prov vic gov au whats public exhibitions rewind forward author emile zile written on may 26 2025 categories blood cold electricity euphoria saliva sweat warm wood tags archives art audiovision australia melbourne screening video acmi art film ukrainatv join us for a conversation with founders of ukrainatv moderated by geert lovink and emile zile https www acmi net au whats on artfilm ukrainatv ukrainatv is an experimental media project and internet tv station that blends real and virtual worlds through live audiovisual bridges streaming and global networks based in krakow poland it brings together artists activists musicians and media enthusiasts from ukraine poland belarus and beyond many of whom are refugees or nomadic creators unable to express themselves freely in their own countries founded in response to the russian invasion of ukraine in 2022 ukrainatv aims to create a space of solidarity and safety for marginalised communities operating from streamartstudio the collective mixes new and used equipment to produce innovative hybrid content connecting people worldwide through transnational collaborations despite its instability ukrainatv is a powerful hub that explores the intersection of art politics and media in times of conflict and change it is one of the most experimental and resource limited tv networks in the world born out of a need for creative and humanitarian expression about geert lovink geert lovink is a dutch media theorist internet critic and author of sad by design 2019 and stuck on the platform 2022 and extinction internet he received his phd from the university of melbourne in 2004 he founded the institute of network cultures www networkcultures org at the amsterdam university of applied sciences hva in 2022 he was appointed professor of art and network cultures at the university of amsterdam art history department since early 2022 he has been involved in support campaigns for ukranian artists in particular ukrainatv a streaming art studio network operating out of krakow about emile zile emile zile is an artist filmmaker and performer using the overlooked remnants of network culture to create his performances films and exhibitions emile engages with the boundaries of language to explore contemporary digital selfhood author emile zile written on december 10 2024 updated on january 31 2025 categories blood cold hot metal sweat wood tags amsterdam art melbourne netherlands performance streaming ukraine voice war web words melbourne book launch screenic politicised writings on being screened by philip brophy please join us for a drink to celebrate the launch of philip brophy s new book screenic there will be a reading from emile zile and more conners conners fitzroy town hall 201 napier street fitzroy saturday november 30 4 6pm https www connersconnersgallery com author emile zile written on november 29 2024 categories exhaustion hysteria metal plastic tags art audiovision australia cinema conversation melbourne publication words writing this hideous replica 23 aug 16 nov 2024 rmit gallery 344 swanston st melbourne lifting its title from a misheard line in a 1980 song by the fall about a reclusive dog breeder whose hideous replica haunts industrial manchester this experimental project an admixture of artworks performances screenings workshops a replica school and other uncanny encounters adopts monstrous replication as a tactic condition and curatorial framework for exploring algorithmic culture simultaneously alienating seductive and out of control exhibition includes works by amy may stuart angie waller anna vasof debris facility diego ramirez emile zile joshua citarella liang luscombe loren adams masato takasaka matthew griffin heath franco and mo chu performances talks and workshops by catherine ryan chloe sobek jennifer walshe joel sherwood spring machine listening mckenzie wark roslyn helper tomomi adachi and more curated by joel stern and sean dockray this hideous replica has been produced by rmit culture and supported by the arc centre of excellence for automated decision making and society adm s and the rmit design and creative practice enabling impact platforms this project is a part of the city of melbourne s now or never festival this project has been assisted by the australian government through creative australia its principal arts investment and advisory body and by the victorian government through creative victoria image mochu groteskkbasiliskk mineral mixtape 2022 digital video still image courtesy of the artist author emile zile written on august 4 2024 categories blood domination hysteria ice plastic sweat warm water tags algorithm art audiovision australia cinema exhibition film liveaction melbourne performance screening philip brophy screenic politicised writings on being screened philip brophy screenic politicised writings on being screened 290 pages softcover 110 180 mm edition of 700 isbn 978 1 7635372 1 7 http www discipline net au discipline is pleased to announce its latest title screenic politicised writings on being screened an anthology of philip brophy s writing on art over the last twenty five years the focus of the selection is on art that involves screens projected as film in museums digitised for installations in galleries curated as documents within exhibitions presented as outdoor illuminations on buildings utilised for the production of vr and ai generated content and even wall murals derived from televisual screens the driver for the writing of these articles is an interest in media literacy within fine art contexts together the articles reinforce the view that ongoing changes taking place in the mediascape over the last two decades create challenges for artists producers curators viewers and critics sometimes resulting in a rejuvenation of how media art can be imagined and presented other times evidencing an anaemic grasp of the contemporary mediascape that whorls outside the white cube screenic has been designed by james vinciguerra and duncan blachford and printed in narrm melbourne by documents on call it features a preface by helen hughes an introduction by emile zile and has been edited by olga bennett author emile zile written on june 21 2024 categories defiance dirt electricity euphoria plastic saliva steam sweat warm water tags art audiovision australia cinema digital ethnography melbourne objects performance public screening voice www the reader the reader is the audience the reader is the market the reader is the critic the reader is the buyer the reader is the voice in your head over the course of the stallholder fair emile zile will read publicly privately obviously convulsively discreetly silently annoyingly desperately lazily https artbookfair melbourne melbourne art book fair 23 may 02 june great hall ngv international 180 saint kilda road southbank melbourne vic australia author emile zile written on april 17 2024 updated on april 17 2024 categories blood electricity hot metal sweat warm tags art artfair australia melbourne performance public voice rmit acmi audiencelab baithouse henry lai pyne emile zile audrey pfister liam wolfs babs rapeport https www acmi net au whats on acmi rmit audience lab march expo 2024 baithouse is a 3d animated motion capture livestream talk show using live motion capture physical performance and animation guests and hosts will be presented in a constructed digital world and in conversation with one another as an expanded form of hybrid public programming performance and critical discourse baithouse is a new digital and artistic platform that will host hyper threaded conversations around networked technologies contemporary aesthetics and new media accessible to view online and presented as a hybrid live event for local audiences baithouse invites guest artists writers academics and designers from across australia to engage in q as and discussion around swamp technology digital life and internet sub cultures session times 11 30am 1pm 2 30pm acmi fed square 16 03 24 author emile zile written on march 15 2024 updated on march 15 2024 categories cold electricity euphoria metal sweat wood tags algorithm audiovision digital ethnography melbourne performance www acmi gallery 5 commission we are as gods acmi gallery 5 we are as gods we are as gods explores the informal spontaneous commentary that accompanies cooperative videogame streaming through a series of portraits of gamers in the act of live streaming we hear dialogue that is simultaneously directed at the players themselves at a remote audience at a rival player of the game and at anonymous third parties using longform recording stream of consciousness rants and animation we are as gods seeks to find the human in the network the flesh in the data packet work commissioned through gallery 5 will enter the acmi collection many thanks to senior curator fiona trigg for her focus and patience and jini maxwell isabella hone saunders at australian centre for the moving image visual fx don henry lai pyne for being the best in the game web maestro simon lofler for 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