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favicon.ico: en.wikipedia.org/wiki/Ancient_Greek_art - Ancient Greek art - Wikipedia.

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site title: Ancient Greek art - Wikipedia...

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painting, figurines, architecture, and, sculpture, ancient, greek, art, contents, pottery, metalwork, monumental, coin, design, mosaics, engraved, gems, ornament, other, arts, diffusion, legacy, historiography, see, also, notes, references, further, reading, external, links, history, materials, forms, archaic, classical, hellenistic, terracotta, metal, panel, wall, polychromy, on, statuary, vase,

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iberty the combined effect of earthquakes and looting have destroyed this as well as other very large works of this period the hellenistic prince a bronze statue originally thought to be a seleucid or attalus ii of pergamon now considered a portrait of a roman general made by a greek artist working in rome in the 2nd century bc national roman museum of palazzo massimo rome the winged victory of samothrace hellenistic the louvre paris laocoön and his sons late hellenistic vatican museums late hellenistic bronze of a mounted jockey national archaeological museum athens figurines edit terracotta figurines edit main article greek terracotta figurines pottery vessel in the shape of aphrodite inside a shell from attica classical greece discovered in the phanagoria cemetery taman peninsula bosporan kingdom southern russia 1st quarter of 4th century bc hermitage museum saint petersburg clay is a material frequently used for the making of votive statuettes or idols even before the minoan civilization and continuing until the roman period during the 8th century bc tombs in boeotia often contain bell idols female statuettes with mobile legs the head small compared to the remainder of the body is perched at the end of a long neck while the body is very full in the shape of a bell 74 archaic heroon tombs for local heroes might receive large numbers of crudely shaped figurines with rudimentary figuration generally representing characters with raised arms by the hellenistic period most terracotta figurines have lost their religious nature and represent characters from everyday life tanagra figurines from one of several centres of production are mass manufactured using moulds and then painted after firing dolls figures of fashionably dressed ladies and of actors some of these probably portraits were among the new subjects depicted with a refined style these were cheap and initially displayed in the home much like modern ornamental figurines but were quite often buried with their owners at the same time cities like alexandria smyrna or tarsus produced an abundance of grotesque figurines representing individuals with deformed members eyes bulging and contorting themselves such figurines were also made from bronze 75 for painted architectural terracottas see architecture below metal figurines edit figurines made of metal primarily bronze are an extremely common find at early greek sanctuaries like olympia where thousands of such objects mostly depicting animals have been found they are usually produced in the lost wax technique and can be considered the initial stage in the development of greek bronze sculpture the most common motifs during the geometric period were horses and deer but dogs cattle and other animals are also depicted human figures occur occasionally the production of small metal votives continued throughout greek antiquity in the classical and hellenistic periods more elaborate bronze statuettes closely connected with monumental sculpture also became common high quality examples were keenly collected by wealthy greeks and later romans but relatively few have survived 76 bell idol 7th century bc 8th century bc bronze votive horse from olympia actor from the new comedy about 200 bc tanagra figurine of fashionable lady 32 5 cm 12 8 in 330 300 bc architecture edit main article architecture of ancient greece two early archaic doric order greek temples at paestum italy with much wider capitals than later temple of hephaistos athens well preserved mature doric late 5th century bc architecture meaning buildings executed to an aesthetically considered design ceased in greece from the end of the mycenaean period about 1200 bc until the 7th century when urban life and prosperity recovered to a point where public building could be undertaken since most greek buildings in the archaic and early classical periods were made of wood or mudbrick nothing remains of them except a few ground plans and there are almost no written sources on early architecture or descriptions of buildings most of our knowledge of greek architecture comes from the surviving buildings of the late archaic classical hellenistic and roman periods since ancient roman architecture heavily used greek styles and from late written sources such as vitruvius 1st century bc this means that there is a strong bias towards temples the most common major buildings to survive here the squared blocks of stone used for walls were useful for later buildings and so often all that survives are parts of columns and metopes that were harder to recycle 77 for most of the period a strict stone post and lintel system of construction was used held in place only by gravity corbelling was known in mycenean greece and the arch was known from the 5th century at the latest but hardly any use was made of these techniques until the roman period 78 in prestigious stone buildings wood was only used for ceilings and roof timbers the use of large terracotta roof tiles only held in place by grooving meant that roofs needed to have a low pitch 79 until hellenistic times only public buildings were built using the formal stone style these included above all temples and the smaller treasury buildings which often accompanied them and were built at delphi by many cities other building types often not roofed were the central agora often with one or more colonnaded stoa around it theatres the gymnasium and palaestra or wrestling school the ekklesiasterion or bouleuterion for assemblies and the propylaea or monumental gateways 80 round buildings for various functions were called a tholos 81 and the largest stone structures were often defensive city walls tombs were for most of the period only made as elaborate mausolea around the edges of the greek world especially in anatolia 82 private houses were built around a courtyard where funds allowed and showed blank walls to the street they sometimes had a second story but very rarely basements they were usually built of rubble at best and relatively little is known about them at least for males much of life was spent outside them 83 a few palaces from the hellenistic period have been excavated 84 the reconstructed athenian treasury at delphi temples and some other buildings such as the treasuries at delphi were planned as either a cube or more often a rectangle made from limestone of which greece has an abundance and which was cut into large blocks and dressed this was supplemented by columns at least on the entrance front and often on all sides 85 other buildings were more flexible in plan and even the wealthiest houses seem to have lacked much external ornament marble was an expensive building material in greece high quality marble came only from mt pentelus in attica and from a few islands such as paros and its transportation in large blocks was difficult it was used mainly for sculptural decoration not structurally except in the very grandest buildings of the classical period such as the parthenon in athens 86 there were two main classical orders of greek architecture the doric and the ionic with the corinthian order only appearing in the classical period and not becoming dominant until the roman period the most obvious features of the three orders are the capitals of the columns but there are significant differences in other points of design and decoration between the orders 87 these names were used by the greeks themselves and reflected their belief that the styles descended from the dorian and ionian greeks of the dark ages but this is unlikely to be true the doric was the earliest probably first appearing in stone in the earlier 7th century having developed though perhaps not very directly from predecessors in wood 88 it was used in mainland greece and the greek colonies in italy the ionic style was first used in the cities of ionia now the west coast of turkey and some of the aegean islands probably beginning in the 6th century 89 the doric style was more formal and austere the ionic more relaxed and decorative the more ornate corinthian order was a later development of the ionic initially apparently only used inside buildings and using ionic forms for everything except the capitals the famous and well preserved choragic monument of lysicrates near the acropolis of athens 335 334 is the first known use of the corinthian order on the exterior of a building 90 most of the best known surviving greek buildings such as the parthenon and the temple of hephaestus in athens are doric the erechtheum next to the parthenon however is ionic the ionic order became dominant in the hellenistic period since its more decorative style suited the aesthetic of the period better than the more restrained doric some of the best surviving hellenistic buildings such as the library of celsus can be seen in turkey at cities such as ephesus and pergamum 91 but in the greatest of hellenistic cities alexandria in egypt almost nothing survives model of the processional way at ancient delphi without much of the statuary shown 92 the ancient theatre of epidaurus 4th century bc the erechtheion on the acropolis of athens late 5th century bc choragic monument of lysicrates athens 335 334 coin design edit main article ancient greek coinage athenian tetradrachm with head of athena and owl after 449 bc the most acceptable coin in the mediterranean world gold 20 stater of eucratides of bactria c 150 bc the largest gold coin of antiquity 169 2 grams diameter 58 mm coins were probably invented in lydia in the 7th century bc but they were first extensively used by the greeks 93 and the greeks set the canon of coin design which has been followed ever since coin design today still recognisably follows patterns descended from ancient greece the greeks did not see coin design as a major art form although some were expensively designed by leading goldsmiths especially outside greece itself among the central asian kingdoms and in sicilian cities keen to promote themselves nevertheless the durability and abundance of coins have made them one of the most important sources of knowledge about greek aesthetics 94 greek coins are the only art form from the ancient greek world which can still be bought and owned by private collectors of modest means the most widespread coins used far beyond their native territories and copied and forged by others were the athenian tetradrachm issued from c 510 to c 38 bc and in the hellenistic age the macedonian tetradrachm both silver 95 these both kept the same familiar design for long periods 96 greek designers began the practice of putting a profile portrait on the obverse of coins this was initially a symbolic portrait of the patron god or goddess of the city issuing the coin athena for athens apollo at corinth demeter at thebes and so on later heads of heroes of greek mythology were used such as heracles on the coins of alexander the great the first human portraits on coins were those of achaemenid empire satraps in asia minor starting with the exiled athenian general themistocles who became a satrap of magnesia c 450 bc and continuing especially with the dynasts of lycia towards the end of the 5th century 97 greek cities in italy such as syracuse began to put the heads of real people on coins in the 4th century bc as did the hellenistic successors of alexander the great in egypt syria and elsewhere 98 on the reverse of their coins the greek cities often put a symbol of the city an owl for athens a dolphin for syracuse and so on the placing of inscriptions on coins also began in greek times all these customs were later continued by the romans 94 the most artistically ambitious coins designed by goldsmiths or gem engravers were often from the edges of the greek world from new colonies in the early period and new kingdoms later as a form of marketing their brands in modern terms 99 of the larger cities corinth and syracuse also issued consistently attractive coins some of the greco bactrian coins are considered the finest examples of greek coins with large portraits with a nice blend of realism and idealization including the largest coins to be minted in the hellenistic world the largest gold coin was minted by eucratides reigned 171 145 bc the largest silver coin by the indo greek king amyntas nikator reigned c 95 90 bc the portraits show a degree of individuality never matched by the often bland depictions of their royal contemporaries further west 100 macedonian tetradrachm with image of alexander the great as heracles after 330 bc drachm of aegina with tortoise and stamp after 404 bc heracles fighting the nemean lion silver coin from heraclea lucania arethusa on a coin of syracuse sicily 415 400 painting edit macedonian tomb fresco from agios athanasios thessaloniki greece 4th century bc the greeks seem to have valued painting above even sculpture and by the hellenistic period the informed appreciation and even the practice of painting were components in a gentlemanly education the ekphrasis was a literary form consisting of a description of a work of art and we have a considerable body of literature on greek painting and painters with further additions in latin though none of the treatises by artists that are mentioned have survived 101 we have hardly any of the most prestigious sort of paintings on wood panel or in fresco that this literature was concerned with and very few of the copies that undoubtedly existed equivalent to those which give us most of our knowledge of greek sculpture the contrast with vase painting is total there are no mentions of that in literature at all but over 100 000 surviving examples giving many individual painters a respectable surviving oeuvre 102 our idea of what the best greek painting was like must be drawn from a careful consideration of parallels in vase painting late greco roman copies in mosaic and fresco some very late examples of actual painting in the greek tradition and the ancient literature 103 there were several interconnected traditions of painting in ancient greece due to their technical differences they underwent somewhat differentiated developments early painting seems to have developed along similar lines to vase painting heavily reliant on outline and flat areas of colour but then flowered and developed at the time that vase painting went into decline by the end of the hellenistic period technical developments included modelling to indicate contours in forms shadows foreshortening some probably imprecise form of perspective interior and landscape backgrounds and the use of changing colours to suggest distance in landscapes so that greek artists had all the technical devices needed for fully illusionistic painting 104 panel and wall painting edit one of the pitsa panels the only surviving panel paintings from archaic greece the most common and respected form of art according to authors like pliny or pausanias were panel paintings individual portable paintings on wood boards the techniques used were encaustic wax ...
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