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oosely used term that has been applied to works or attitudes that debunk traditional concepts of art the term is said to have been coined by marcel duchamp in about 1914 and his ready mades can be cited as early examples of the genre dada was the first anti art movement and subsequently the denunciation of art became commonplace almost de rigueur among the avant garde note the emphasis on the fact that most art adopts the same principles attributed to the concept of anti art source http www encyclopedia com doc 1o5 antiart html adorno t w 1970 aesthetic theory continuum international publishing group p 43 isbn 978 0485300901 1 2 ferguson euan in bed with tracey sarah and ron the observer 20 april 2003 retrieved on 2 may 2009 1 2 stuck on the turner prize artnet 27 october 2000 retrieved on 2 may 2009 1 2 hal foster what s neo about the neo avant garde october vol 70 the duchamp effect autumn 1994 p 19 tilman osterwold pop art taschen 2003 p 44 henry flynt interviewed by stewart home towards an acognitive culture new york 8 march 1989 smile 11 london summer 1989 derek allan art and the human adventure andré malraux s theory of art amsterdam rodopi 2009 pp 275 286 philosopher roger taylor on why art is an enemy of the people www stewarthomesociety org retrieved 15 december 2017 north west arts association great britain alexander schouvaloff place for the arts seel house press 1970 p 244 larry shiner the invention of art a cultural history university of chicago press 2003 pp 234 236 245 dessins exécutés par des gens qui ne savent pas dessiner les arts incohérents in french archived from the original on 1 may 2009 retrieved 2009 05 06 les expositions des arts incohérents readymades at radical art amsterdam retrieved 2009 05 06 early monochrome painting les incohérents monochromes at radical art amsterdam retrieved 2009 05 06 mey sonier tableau d à venir 1883 empty frames at radical art amsterdam retrieved 2009 05 06 alphonse allais marche funèbre composée pour les funérailles d un grand homme sourd 1884 first exhibited in the salon des incohérents 1884 printed in album primo avrilesque paris ollendorf 1897 reprinted in guy schraenen erratum musical bremen institut français 1994 jean tinguely art is revolution national zeitung basle 13 october 1967 all machines are art even old abandoned rusty machines for sifting stones a beautiful oil refinery or your johanniterbrücke which are supposed to be solely functional are important additions to modern art so art is also the achievements of engineers and technicians even if they express themselves unconsciously or purely functionally art is everything do you think art ought to be made only by artists and art is everywhere at my grandmother s in the most incredible kitsch or under a rotten plank art is dead long live dada walter serner dada is like your hopes nothing like your paradise nothing like your idols nothing like your heroes nothing like your artists nothing like your religions nothing francis picabia richter hans 1965 dada art and anti art new york and toronto oxford university press cite journal cite journal requires journal help we had lost confidence in our culture everything had to be demolished we would begin again after the tabula rasa at the cabaret voltaire we began by shocking common sense public opinion education institutions museums good taste in short the whole prevailing order marcel janco larry shiner the invention of art a cultural history university of chicago press 2003 p 254 the berlin dadas were more radical compared to the other dadas believing that the only way to reintegrate art and life was to place both at the service of the socialist revolution the dadaist revolutionary central council what is dadaism and what does it want in germany archived 2008 09 13 at the wayback machine tract 1919 dadaism demands 1 the international revolutionary union of all creative and intellectual men and women on the basis of radical communism the immediate expropriation of property socialization and the communal feeding of all introduction of the simultaneist poem as a communist state prayer duchamp quoted by arturo schwarz the complete works of marcel duchamp london thames and hudson 1969 p 33 for me there is something else in addition to yes no or indifferent that is for instance the absence of investigations of that type i am against the word anti because it s a bit like atheist as compared to believer and the atheist is just as much of a religious man as the believer is and an anti artist is just as much of an artist as the other artist anartist would be much better if i could change it instead of anti artist anartist meaning no artist at all that would be my conception i don t mind being an anartist what i have in mind is that art may be bad good or indifferent but whatever adjective is used we must call it art and bad art is still art in the same way as a bad emotion is still an emotion duchamp quoted by dalia judovitz unpacking duchamp art in transit los angeles university of california press 1995 no no the word anti annoys me a little because whether you are anti or for it s two sides of the same thing and i would like to be completely i don t know what you say nonexistent instead of being for or against the idea of the artist as a sort of superman is comparatively recent this i was going against in fact since i ve stopped my artistic activity i feel that i m against this attitude of reverence the world has art etymologically speaking means to make everybody is making not only artists and maybe in coming centuries there will be a making without the noticing in french jacques yves conrad promenade surréaliste sur la colline de montmartre archived 2008 09 15 at the wayback machine at the university of paris iii sorbonne nouvelle center for the study of surrealism archived 2008 03 27 at the wayback machine retrieved april 23 2008 in romanian ion pop un urmuzian ionathan x uranus archived march 27 2009 at the wayback machine in tribuna vol v nr 96 september 2006 hans richter dada art and anti art with a postscript by werner haftmann thames hudson london new york 2004 isbn 0 500 20039 4 p 48 49 philip beitchman symbolism in the streets in i am a process with no subject university of florida press gainesville 1988 isbn 0 8130 0888 3 p 29 varvara stepanova lecture on constructivism 22 december 1921 in peter noever aleksandr m rodchenko varvara f stepanova the future is our only goal munich prestel 1991 pp 174 178 from here constructivism proceeds to the negation of all art in its entirety and calls into question the necessity of a specific activity of art as creator of a universal aesthetic i reduced painting to its logical conclusion and exhibited three canvases red blue and yellow i affirmed this is the end of painting alexander rodchenko rodchenko a and v stepanova 1975 1920 the programme of the productivist group in benton and benton eds pp 91 2 1 down with art long live technical science 2 religion is a lie art is a lie 3 destroy the last remaining attachment of human thought to art 6 the collective art of today is constructive life declaration of january 27 1925 modern history sourcebook a surrealist manifesto 1925 manifesto for a free revolutionary art permanent dead link lewis helena dada turns red 1990 university of edinburgh press a history of the uneasy relations between surrealists and communists from the 1920s through the 1950s andré breton the first manifesto 1924 surrealist art archived september 18 2012 at the wayback machine from centre pompidou accessed march 20 2007 1919 1950 the politics of surrealism by nick heath libcom org retrieved 2009 12 26 guy debord the society of the spectacle thesis 187 and 191 1967 translation by ken knabb in 2002 the positive significance of the modern decomposition and destruction of all art is that the language of communication has been lost the negative implication of this development is that a common language can no longer take the form of the unilateral conclusions that characterized the art of historical societies belated portrayals of someone else s dialogueless life which accepted this lack as inevitable but must now be found in a praxis that unifies direct activity with its own appropriate language the point is to actually participate in the community of dialogue and the game with time that up till now have merely been represented by poetic and artistic works dadaism and surrealism were the two currents that marked the end of modern art though they were only partially conscious of it they were contemporaries of the last great offensive of the revolutionary proletarian movement and the defeat of that movement which left them trapped within the very artistic sphere whose decrepitude they had denounced was the fundamental reason for their immobilization dadaism and surrealism were historically linked yet also opposed to each other this opposition involved the most important and radical contributions of the two movements but it also revealed the internal inadequacy of their one sided critiques dadaism sought to abolish art without realizing it surrealism sought to realize art without abolishing it the critical position since developed by the situationists has shown that the abolition and realization of art are inseparable aspects of a single transcendence of art internationale situationist no 1 paris june 1958 art need no longer be an account of past sensations it can become the direct organization of more highly evolved sensations it is a question of producing ourselves not things that enslave us vincent kaufman the columbia history of twentieth century french thought editor lawrence d kritzman columbia university press 2007 p 104 in the view of some including the principal protagonists of the movement themselves situationism was the century s finest and most radical form of subversion it is claimed to have been at the heart of the events of may 1968 whose spirit it embodied with its radical critique of all forms of alienation imposed by capitalist society renamed the society of spectacle by the situationists giuseppe pinot gallizio manifesto of industrial painting for a unitary applied art notizie arti figurative no 9 1959 in french internationale situationniste no 3 1959 in english molly klein translated the original italian version into english 1997 the machine may very well be the appropriate instrument for the creation of an industrial inflationist art based on the anti patent the new industrial culture will be strictly made amongst people or not at all the time of the scribes is over when thousands of painters who today labor at the non sense of detail will have the possibilities which machines offer there will be no more giant stamps called paintings to satisfy the investment of value but thousands of kilometers of fabric offered in the streets in markets for barter allowing millions of people to enjoy them and exciting the experience of arrangement wolf vostell 1972 postcard duchamp has qualified the object into art i have qualified life into art ben vautier pas d art no art 1961 michel oren 1993 anti art as the end of cultural history performing arts journal volume 15 issue 2 george maciunas fluxus manifesto 1963 purge the world of bourgeois sickness intellectual professional and commercialized culture purge the world of dead art imitation artificial art abstract art illusionistic art mathematical art purge the world of europanism promote a revolutionary flood and tide in art promote non art reality to be grasped by all peoples not only critics dilettantes and professionals fuse the cadres of cultural social political revolutionaries into united front action a 1965 inventory list by maciunas quoted in mr fluxus p88 hinderer eve ben morea art and anarchism archived april 25 2009 at the wayback machine 1 2 stewart home the assault on culture utopian currents from lettrisme to class war introduction to the lithuanian edition ist edition aporia press and unpopular books london 1988 isbn 0 948518 88 x in the sixties black mask disrupted reified cultural events in new york by making up flyers giving the dates times and location of art events and giving these out to the homeless with the lure of the free drink that was on offer to the bourgeoisie rather than the lumpen proletariat i reused the ruse just as effectively in london in the 1990s to disrupt literary events marcel duchamp artist of the century edited by rudolf e kuenzli francis m naumann google books youtube www youtube com retrieved 15 december 2017 dead youtube link bbc uk interview with marcel duchamp june 5 1968 bbc joan bakewell archived from the original on 2010 11 20 retrieved 2013 10 22 paul n humble anti art and the concept of art in a companion to art theory editors paul smith and carolyn wilde wiley blackwell 2002 p 246 the readymade has been appropriated as a theoretical paradigm in much contemporary art school theory gallix andrew 2009 03 18 the resurrection of guy debord the guardian issn 0261 3077 retrieved 2020 10 05 guy ernest debord would be spinning in his grave had he not been cremated following his suicide in 1994 the arch rebel who prided himself on fully deserving society s universal hatred has now officially been recognised as a national treasure in his homeland the french government has duly stepped in to prevent yale university from acquiring his personal archives it s difficult to convey how bizarre it is to hear christine albanel sarkozy s minister of culture describing the revolutionary debord as one of the last great french intellectuals of the second half of the 20th century sources edit karl marx the german ideology 1845 nikolai tarabukin from the easel to the machine in frascina and harrison eds modern art and modernism a critical anthology pp 135 42 hans richter dada art and anti art thames hudson 1965 isbn 0 500 20039 4 guy debord la société du spectacle 1967 numerous editions in english the society of the spectacle zone books 1995 isbn 0 942299 79 5 society of the spectacle rebel press 2004 isbn 0 946061 12 2 mario perniola l alienazione artistica milano mursia 1971 in french l alienation artistique foreword by pierre sansot translated by anton harstein paris u g e 10 18 1977 isbn 2 264 00187 9 roger taylor art an enemy of the people harvester press 1978 fontana 1976 stewart home the assault on culture utopian currents from lettrisme to class war ist edition aporia press and unpopular books london 1988 isbn 0 948518 88 x new edition ak press edinburgh 1991 polish translation wydawnictwo signum warsaw 1993 italian translation aaa edizioni bertiolo 1996 portuguese translation conrad livros brazil 1999 spanish translation virus editorial 2002 larry shiner the invention of art a cultural history university of chicago press 2003 isbn 978 0 226 75342 3 jean marc rouvière au prisme du readymade incises sur l identité équivoque de l objet préface de philippe sers et g litichevesky l harmattan paris 2023 isbn 978 2 14...