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eview 2 i do like gore fests and don t necessarily believe in taking everything so seriously i submit exhibit b as evidence horror can be fun 3 i happily give grungy indie movies a chance such as the low budget sci fi flick altered disclaimers out of the way why was the movie so bad the story feels as if it s been strung together by used dental floss it s weak it stinks and the one thing you can count on is random chunks of flesh along the path sorry for the disgusting metaphor but i feel it s necessary i can think of countless ways that the collector s tale could have continued and instead of following any storyline that makes sense the filmmakers decided to sacrifice any semblance of a story in favor of a higher body count the movie literally opens with a packed club getting torn apart by an impossibly large meat grinder okay movie yup lots of dead bodies entertained yet right now you might be thinking what s wrong with a movie focused on gore instead of story because i m not 10 years old gore for the sake of gore isn t enough the bloody spectacle at the end of dead alive is mostly effective because we ve spent an hour caring about the budding love story between lionel and paquita sure the movie is full of stupid nonsenical moments but it s fun because we care as an audience member of the collection i found myself as uncaring as the leather clad villain and that s a problem if you want me to invest 11 and 82 minutes if you want to get intellectual about it mick lasalle of the san francisco chronicle described some of the problems with modern horror quite well in his review he says much better are the horror movies that tap into existential terror the fear of losing one s soul this can be the soul in a religious sense as in the exorcist but it can also be invasion of the body snatchers or a movie that makes audiences question their conception of reality such as carnival of souls in this light the collection can be seen as the ultimate let s hope ultimate example of secular horror in a secular age if you see life as entirely mechanistic and the body as a machine then the best you ll ever come up with is throwing people into a blender but it will mean nothing because unless you believe that life has intrinsic value your horror movie can have no impact i don t necessarily agree with everything lasalle says in his review or his critical stance on films in general but he makes a very good point about nihilism s impact on the horror film admittedly the film does elevate itself slightly as it goes on i found the first act to be so excruciating my stomach literally hurt once we got past the ridiculous club scene and most of the dialogue the combination of writing acting and editing made any conversations look like a teenager s home movie the film became more tolerable what director mark dunstan does well is horror action but everything in between is just plain bad i imagine dunstan would make great music videos or maybe even short films but i pay to see feature films for the whole package not rare moments of cool visuals go back you re not supporting indie horror by seeing this movie there s been a lot of talk around the horror community about supporting indie horror i think a lot of us took this film s surprising theatrical release as a call to action but this is the wrong movie to support the collection is an example of why many avoid indie horror because it has no real substance and a stunning lack of craft instead of appealing to the fringe or taking risks it caters to the basest of horror stereotypes the collection is not a representative of the independent genre film that fans should rally behind it is a representative of everything that disappoints me about the american horror scene today rant over posted by b movie becky at 12 18 pm 3 comments 5 31 2012 the last buck hunt my new film you may have been wondering where i ve been or maybe you didn t notice either way my mind has not been focused on the horror effect because it s been occupied with thoughts of a killer deer in other words i m working on a new film and if you re interested you can help me out by sharing my kickstarter page the last buck hunt on kickstarter my next feature film goes by the name of the last buck hunt part mockumentary and part traditional cinematic experience the movie follows the mismatched crew of a hunting tv show out to snag a legendary killer deer it s not long before the hunt is endangered by mysterious behavior from the show s tracker the host s unwarranted ego and of course the local life as you might be guessing from the premise the film is a horror comedy with extra emphasis on the comedy oddly enough i haven t made a whole lot of horror comedies in a professional sense most of my mature efforts were either standalone horror comedy or suspense the reason this is odd is because i ve always been inclined toward horror comedy most of my early amateur films were of this genre blend i m so excited to be returning to the wonderful world of horror and humor if you d like to know a bit more about the film check out this post on the indiestructible our film production moniker site what is the last buck hunt now i did mention this was my next feature film if you d like to check out my first real feature endeavor then give the trailer a watch break trailer in order to grow as a filmmaker and truly bring the last buck hunt to life i m hoping to secure a budget that will allow me to cast the talent that the script calls for create a cool creature design and raise production value through art direction to achieve this we ve started a kickstarter project to help raise funds for the last buck hunt if you have a moment to watch our video and share the project with anyone that might be interested i would be forever grateful go here to check out our project the last buck hunton kickstarter my posts will probably continue to be sporadic as i delve even deeper into production on the last buck hunt but i ll do my best not to ignore the horror effect feel free to reach out if you d like to know more about the project i m happy to talk your ear off posted by b movie becky at 7 03 pm 0 comments labels the filmmaker 3 03 2012 double ghost feature the woman in black and the innkeepers in the same weekend i was lucky enough to watch two suspense driven ghost films in a theatrical setting hammer s return to tradition with the woman in black starring daniele radcliffe and ti west s greatly anticipated the innkeepers luckily i wasn t disappointed by either film yeah yeah i know i m late to the game here but bloggers don t have print deadlines so it s totally okay to review movies a month after i see them right read on for super quick reviews of two solid supernatural horror films read more posted by b movie becky at 12 08 pm 5 comments labels the fan 1 21 2012 interview with last ride director james phillips fellow blogger and filmmaker james phillips kindly shares some background behind his incredibly ambitious and unique single take found footage film last ride back in july of last year i had the opportunity to review the film last ride review in his film a group of bikers disappear after a day long ride in australia s blue mountains the only evidence uncovered is the footage from a helmet mounted video camera b movie becky bmb where did the concept for last ride come from james phillips jp oddly enough it was really the tech that decided how last ride was going to be made i saw some videos shot on the gopro cameras and was really impressed with it after a day or two pretty much the whole idea came about involving the bike riders the myth of the blue mountains panther and the single take bmb why did you decide to not only shoot the film in the found footage style but to also shoot the entire film in one shot jp for years i d been looking to do something about the panther myth then when the wearable hd cameras came along the found footage route was an obvious choice to go with there s two things i always hate with found footage films first that the person carrying the camera never feels quite scared enough to just ditch the camera they always keep shooting second is edits if you re so freaked out while running around somehow managing to keep filming then you would keep filming the whole time would you turn the camera off for a split second never knowing if you might miss something or really even caring about the camera that is in your hand by attaching the camera to one of the characters helmets it frees them up to use their hands never really paying any attention to the fact that its even still on his head let alone recording anything and by forgetting about it being there makes a single take make more sense i also thought the single take is a nice unique take on the found footage genre there s not many single take films out there and they may be hard to prove that they are indeed single takes right the way through anyway bmb is the film really one take are there any hidden cuts jp yes it really is one continuous take there were things i wanted to do in the film like submerging myself underwater as the cameras are completely waterproof but i was adamant to not have one single black frame in the whole thing no one spot where i could sneak in a cut again we shot it in the daylight to ensure no trickery bmb how many takes did you go through before you got it right what was this experience like for your actors jp we had locked in 4 days to get it all done monday was always going to be a full dress rehearsal and despite everyone knowing exactly what we would be undertaking i don t think it was until after this first day that it really sunk in it was a pretty chaotic day essentially me pushing everyone forward calling out to people as required it was pretty messy the next day we were rained out instead doing further improvising and rehearsing around the house our first real take was done on the wednesday morning and the thursday take is the one that you reviewed the one that will be available as the regular release i recently revisited the wednesday take and it is really good in some parts better than the thursday take in other parts not so much one of the biggest differences is that the wednesday take is only 63 minutes while the thursday is 79 the wednesday take will also be released as an alternate angle take of the film for a two disc release one thing the actors kept saying they really liked about the whole single take aspect was how much it was like theatre the whole cast did really well with improvisation there were times where we d be heading along a track and i needed a bit more time a bit more drama happening so i d tell an actor to hit the deck and give me an extra minute or two there s a lot of pressure when you re fifty minutes into a single take feature film and times like that they really pulled through and delivered solid performances bmb you wore many hats in the film a writer director actor and cinematographer camera operator what was this experience like would you ever do it again jp last ride was a really collaborative process there is no script for the film still only a ten page synopsis with about four lines of dialog the rest is all ad lib or rehearsed and roughly remembered this goes for characterizations as well as dialog for a few months leading up to the shoot i would work with the actors to develop each of their own characters and back stories in terms of the actual shooting trying to keep my head fairly steady and my eyeline high was tough it may not sound like much but after hiking for 4 kilometers 2 5 miles through rough terrain while wearing a helmet with two cameras and two microphones attached to it keeping your chin up starts taking some effort especially while trying to act that was the hardest part for me and the part i was least prepared for acting while i didn t have to perform as such in front of the camera i obviously was there alongside everyone the whole time taking consolation knowing that if i was truly terrible i could be dubbed over i really enjoyed shooting last ride getting out into the bush like that i love it out there course when i say out there we shot last ride literally a five minute walk from my house my favourite part of shooting a single take film is the afternoon screenings we would all trudge back to the house and get cleaned up plug the camera straight into the projector and have a screening sure it needed some audio work done but knowing what you would be changing and adding you would watch your finished film then and there no months of editing that was all done by my neck earlier in the day bmb what was the most challenging experience for you and your crew during the production jp haha that s my favourite word so far in regards to last ride crew the crew consisted of myself and my wife irene the only qualified one in my crew and that wears possibly more hats than myself from looking after the cast in terms of sleeping arrangements and meals right up to her actual job of make up and special effects the biggest challenge for all of us was the distance travelled in that location while we would be running one way irene would be running another way to get prepped and ready for the next effect gag there were a few small bottles of blood along the track for us so she didn t have to be there for all of those but the major ones like the camp scene you know what i still don t know what happened behind the scenes there it was one of those things where if i ever saw irene out there then so did the camera so it would be all over all i know is that somehow she got to that spot before us and i wouldn t even know if she was there or not and then that she would have moved on by the time i returned by the thursday take we had both found things we could do differently to make life easier and it was a lot smoother for all involved bmb what sort of themes did you want to explore with last ride why did the subject matter interest you personally jp essentially last ride is all about how long can you run to save your life this seems to be somewhat of a recurring theme for me but i m not really sure why it s simply about survival and what drives people to persevere bmb what s next for you any future projects you d care to divulge jp we wrapped shooting the proposal at the end of october and it is currently in audio post production it is another single take film but this time shot with a completely static camera it is about 44 minutes long and we re looking to release it online for free in the coming months also relentless the film which you named all those moons ago is just about finished it s been a long road but it will be worth it and a nice change for my viewers from these single take films there s a stack of films i d love to start making now but at the moment i m putting all productions off until all three of these films are released which is tough because i love being in production head on over to www lastridefilm...