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Text of the page (random words):
igethype igethype lets hollow igethype thursday march 5 2015 pearson sound pearson sound 01 asphalt sparkle 02 glass eye 03 gristle 04 crank call 05 swill 06 six congas 07 headless 08 russet 09 rubber tree david kennedy the leeds producer behind pearson sound has been at the vanguard of british electronic music since his first singles under another alias ramadanman back in 2006 he s had a productive and popular career to date a dozen singles credited to pearson sound and another dozen as ramadanman and he even bested the likes of james blake and actress in a 2010 list at little white earbuds but it s nearly a decade into his music career and only now is kennedy settling on his first full length album for those who ve followed kennedy s work settling hasn t been his specialty he s a restless character he came up as a dubstep producer alongside mala coki and burial but before long began to embrace the rumbles of bass emanating beyond south london most notably the sound of chicago footwork kennedy s 2011 fabriclive mix credited to both ramadanman and pearson sound doubled as an overview of bass music in the new decade ranging from dubstep escapees burial pinch and mala to the tech house of julio bashmore and darker techno tones of levon vincent a recent single raindrops was iridescent and ambient but for his debut there s a sense of patience to pearson sound s productions of not rushing toward the next new thing but instead carefully considering each and every sound be it thunderous or minute listen to asphalt sparkle without the right speaker set up though and the earth moving bass might sound downright slight pearson gets a tone so deep and resonant that it s like a seismic event beneath the otherwise anthemic synth chords making the entire track wobble like jello crank call literally vibrates but with smaller sounds the way a phone might buzz across a tabletop listen more closely and beneath the hi hats and ghostly pads there s more ringing as well as a heavy breather at the other end of the line no matter the tempo pearson sound thrills glass eye slots into the modern bass canon its rumbling hits offset by splashes of cymbals tricky drum programming and snares that wobble like spinning plates but kennedy is just as effective making dark stomach churning ambient sounds the way he does in gristle the exotic hand percussion of six congas sounds at once bright and body moving but with a foreboding undercurrent in spite of its title the beat of rubber tree emits sparks like metal against metal before sliding into feedback it s a noisy yet masterful end to a debut nearly a decade in the making www npr org posted by indonesia hotels n resorts at 2 55 pm no comments email this blogthis share to x share to facebook share to pinterest labels bass electronic pearson sound skream still lemonade ep 01 still lemonade 02 still lemonade redshape remix is the world ready for a skream album on crosstown rebels news that oli jones had signed up to the damian lazarus helmed label for his third studio lp probably came as a shock to many but really it fits in well with the development in sound of skream these past few years whilst full details of that lp are yet to surface crosstown lay down a marker of how it might sound with this still lemonade 12 from skream in original form the track is tech house at it s most immediate and colourful and is complemented by a remix from redshape that veers off into rhythmic abstraction nicely www juno co uk posted by indonesia hotels n resorts at 3 50 am no comments email this blogthis share to x share to facebook share to pinterest labels skream tech house techno hodge facta spheres of costa rica visions 01 spheres of costa rica 02 visions tempa goes bristolian with two lean and slinky riddims from hodge facta both arrive at this 12 off the back of their strongest work hodge with the mind games for hotline and amor fati for dnuos ytivil and facta on the loveless 12 for idle hands here with spheres of costa they find a super cooled balance of noirish chimes and humid playfully tropical percussion for the early swingers whereas visions is blatantly dark and moody all brizzle bass shifts and spiny drums worked for the 130bpm crew www boomkat com posted by indonesia hotels n resorts at 1 46 am no comments email this blogthis share to x share to facebook share to pinterest labels bass electronic hodge facta joker the mainframe 01 intro 02 boss mode 03 wise enough instrumental 04 midnight 05 an intervening episode 06 lucy instrumental 07 scene 1 qo nos 08 scene 2 neon city 09 scene 3 spirit ruins 10 mahogany 11 love instrumental 12 fuzz bop 13 mixed emotions when dubstep went global its most successful artists met a variety of fates some migrated to house and techno while some stuck with an increasingly limited formula some like skream ascended to bigger things others aimed just as high and undershot spectacularly way back in 2008 the swaggering synths of joker s gully brook lane were an early indicator of the genre s stadium potential but the tension in early joker productions between the austerity of dubstep and his taste for gleeful overload didn t hold for long shortly after magnetic man showed how to make a dubstep album with pop appeal joker s 2011 lp the vision got it quite badly wrong it was grotesque and overcooked in places but mostly it was just plain dull its followup the mainframe certainly isn t that this perhaps is joker s vision finally realised it s just as overblown as its predecessor more so even thanks to a palette of expensive sounding orchestral plug ins but the vocal appearances are much more sparing limited to unremarkable turns from zak abel and rochelle and a skeevy performance from sam frank on lucy the album s one truly grim moment instead the focus has shifted back onto joker s instrumentals the producer has described the mainframe as a story that should be enjoyed from start to finish like a film and for once that tired cliche is pretty accurate the album is cinematic in sweep there s an absurdly grandiose intro and an an intervening episode whose luxurious wafts of guitar carry a hint of jazz fusion there are three consecutive scene s guiding us through a succession of cartoon landscapes from the steely menace of qo nos a star trek reference to the sci fi pomp of neon city and the sentimental spirit ruins the moody segues slotted between tracks are often as entertaining as the tracks themselves but all of this is really just embellishment if the mainframe is a film then it s a michael bay blockbuster slick and engaging but totally adolescent in worldview its plot tortuous its characters flimsily drawn all of it an excuse for a string of eye popping action set pieces when they come they offer a pretty undeniable thrill boss mode s bassline crumples like a metal on metal impact rendered in hi def cgi while midnight is part boogie update part euphoric trance breakdown and part godzilla sized dubstep banger a track like mahogany with its cheesy synthetic piano and searing synths is bracingly naff but compelling nonetheless still just as an hour or so into transformers 2 the adrenaline rush peters out and the clunky sentimentality starts to grate so too does this album outstay its welcome the title of mawkish closer mixed emotions sums it up nicely the mainframe feels like the album that joker has wanted to make all along whether that s a good thing is questionable www residentadvisor net posted by indonesia hotels n resorts at 1 41 am no comments email this blogthis share to x share to facebook share to pinterest labels electronic joker older posts home subscribe to posts atom search this blog popular posts doom born like this masha qrella speak low the kills keep on your mean side deluxe edition elan alligator snaps ep matthew dear black city borgore gorestep volume 1 dusty kid a ravers diary iquilt iplay live traffic feedjit live blog stats blogblogblog palms out sounds new hots hots 18 13 hours ago words for the bumblebees other stories downtown gatlinburg 9 years ago glad i had an abortion top 14 tracks of 2012 13 years ago 36hourslater bass weekend 14 years ago the ill ec tro nic better late than never 14 years ago disclaimer all links posted in this blog are the result of search efforts with the use of search engines such as google and they are for preview purposes only the administrators of this blog encourage and strongly recommends visitors to support the artists by buying either the physical or the electronic format of the music previewed in this blog but in the same time they do respect the right to choose what the visitors buyers consider to be of interest and what it is not if the owners of the copyrighted material do not wish to receive free previews and download promotion from mediafire rapidshare filesonic megaupload ifolder fileserve hotfile uploaded depositfiles multiupload wupload unibytes sharebee etc they can send an abuse report to the administrators and the 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