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r work those who have struggled against subjugation under the dictates of galleries who cater to a wealthy minority those who regularly take on other jobs to finance projects that may never be realized join us in forwarding the conversation from a critique of the status quo to formulating strategies on how to make real changes in the system changes that would benefit the vast majority of creative workers allowing them to unleash their full potential to bringing about a better world to this end the evening will be divided between a first part dedicated to interventions by members of artleaks while in the second we would like to engage the public in a conversation and brainstorm on solutions models and positions in response to concrete problems concerns urgencies currently artleaks is working on formulating a new regular publication entirely dedicated to issues of cultural workers rights and related struggles this journal will be unique in focusing specifically on the challenges we face in the field today related to wide spread mistreatment self exploitation and corruption and how these may be over come through strategies of self organization solidarity and collective action artleaks will launch a call for papers at this public meeting artleaks members that will facilitate this working assembly corina apostol vlad morariu david riff dmitry vilensky raluca voinea we will have interventions via skype from vladan jeremic and société réaliste berlin sunday june 3rd 19 00h flutgraben address am flutgraben 3 12435 berlin fon 49 30 5321 9658 www flutgraben org directions to flutgraben http www kunstfabrik org anfahrt_kunstfabrik_engl pdf then on monday june 4th 8pm at west germany in collaboration with interflugs artleaks will co host a workshop in which we would like to focus on specific cases submitted to our platform and what we may learn from these instances of abuse and exploitation to create an international front of solidarity to struggle for cultural workers rights how can we then challenge ourselves to re imagine fairer relationships to institutions organizations networks and economies involved in the production and consumption of art and culture in addressing these concerns as a group we will develop themes that will form the bases of artleaks upcoming publication a journal which will be entirely dedicated to censorship cultural workers rights and formulating strategies and goals of organizing cultural workers artleaks members corina apostol vlad morariu david riff dmitry vilensky raluca voinea will facilitate the workshop in collaboration with interflugs and friends special thanks to west germany looking forward to your participation time monday june 4th 8pm place west germany skalitzer str 133 s kottbusser tor berlin the workshop will be held in english about interflugs http www interflugs de en about artleaks http art leaks org http www facebook com artleaks posted by vlad nancă at tuesday may 29 2012 0 comments labels artleaks 28 may 2012 subreal retrospect la mnac subreal călin dan iosif kiraly castelul din carpati draculaland 08 instalatie 1994 2004 subreal retrospect 31 mai 21 octombrie 2012 vernisaj joi 31 mai 19h00 curator raluca velisar design expozitie atilla kim expozitia realizata in colaborare cu artistii care au format subreal călin dan iosif király dan mihaltianu prezinta pentru prima oara impreuna o vasta selectie de lucrari conceptuale ce acopera intregul parcurs artistic al grupului de la infiintarea sa in vara anului 1990 si pina in prezent fondat de călin dan istoric de arta la acea vreme si dan mihaltianu artist carora li se va alatura la scurt timp si iosif király arhitect la origine si fotograf grupul de actiune a aparut ca o consecinta a schimbarilor politice din 1989 pentru a exorciza reziduurile deceniilor de opresiune comunista combinind instalatia cu elementele formale ale performance ului si actionismului lucrarile din perioada 1990 1992 east west avenue alimentara je t aime moi non plus inventariaza vizual ramasitele perioadei comuniste oficial incheiate relevind un complex fond comun manifest la acea vreme si mult timp dupa in lumea artistica in cea politica si in societate in general aparuta ca o reactie la cliseele din presa occidentala referitoare la romania anilor 90 dar si la discursul nationalist autohton seria draculaland 1993 1995 a combinat fictiunea si realitatea prin folosirea unor surse multi culturale si personale in instalatii complexe ce abundau in referinte ironice si asocieri cinice desi hibridizarea vlad tepes dracula si mona lisa a fost un gest spontan aceasta a cautat instinctiv simplificarea relatiei noastre cu o cultura problematica in ceea ce priveste relationarea sa central est balcanic europeana altfel decit in termenii exotismului in anul 1993 dan mihaltianu paraseste grupul optind pentru o cariera artistica individuala rezidenta de un an la künstlerhaus bethanien berlin 1995 1996 marcheaza pentru duo ul subreal inceputul unei noi etape distantarea de cotidianul romanesc permitindu le inceperea seriei de lucrari art history archive arhiva de istoria artei 18 lazi cu material fotografic abandonat de uap in urma desfiintarii revistei arta care a controlat imaginea publica a artei locale intre 1953 1990 ajung la berlin unde initial formeaza o sculptura dinamica prin acoperirea peretilor si tavanului spatiului de rezidenta cu reproduceri a n de diferite dimensiuni aceasta introducere in forta este urmata de un sir de evenimente instalatii si performante avand ca centru conceptual fotografia de presă artistica urmeaza seria serving art 1997 1999 unde o serie de negative ale unor fotografii de reproducere erau deconstruite in instalatii ce recuperau universul aural din jurul obiectului artistic obiecte personaje evenimente urmarind teme ca interactiunea intre cultura si politica fotografia punte intre sfera publica cu cea privata inocenta ambigua a aparatului de fotografiat participare sociala versus conventie sociala etc in seria interviewing the cities inceputa la viena in anul 1999 servitorii artei personajele marginale care indeplineau ritualul prezentarii operei de arta sint inlocuite de membrii grupului reconstituirea cadrelor din arhiva are loc de aceasta data cu un dublu scop sa analizeze pe cateva nivele realitatile artistice din diverse orase sa articuleze un jurnal subiectiv al relatiilor noastre cu oameni si locuri proiectul se construieste din trei cicluri de fotografii inscenate portrete produse in colaborare cu membrii comunitatilor artistice locale interviuri cu monumentele de spatiu public perspective citadine realizate in trompe l oeil pentru a sublinia caracterul artificial al urbanismului si buna sa colaborare cu turismul si mass media subreal este primul grup cu adevarat international venit din romania dupa 1989 apartinind unei generatii de tranzitie membrii grupului au facut primii pasi pentru a stabili un discurs cu arta occidentala transformind cultura inchisa din care proveneau intr una deschisa au initiat proiecte curatoriale ca sexul lui mozart 1991 artexpo bucuresti sau nomadic 1994 bienala de la sao paolo si au participat la evenimente internationale majore bienala de la istanbul manifesta 1 kunsthal rotterdam 1996 berlin biennale 1998 bienala de la venetia aperto 1993 si in pavilionul romaniei 1999 au expus la museum of contemporary art din chicago 1995 neuer berliner kunstverein 1996 institute of contemporary art din philadelphia 1996 akademie schloss solitude 1998 etc participarea grupului subreal la majoritatea expozitiilor dedicate artei contemporane din centrul si estul europei din perioada 1997 2003 bukarest nach 89 kunst in rumänien heute ludwig forum für internationale kunst din aachen 1997 after the wall moderna museet din stockholm 1999 l autre moitié de l europe galérie nationale du jeu de paume din paris si 2000 arteast collection moderna galerja din ljubljana 2000 in search of balkania neue gallerie din graz 2002 sau blood and honey sammlung essl kunst der gegenwart din vienna 2003 evidentiaza rolul jucat de duo ul artistic in reconfigurarea scenei internationale de arta contemporana dupa caderea zidului berlinului partener mnac brd groupe societe generale illy sponsor murfatlar parteneri media igloo habitat arhitectura zeppelin 24fun radio france internationale feeder ro cocor mediachannel palatul parlamentului str izvor 2 4 aripa e4 bucuresti ro 050563 intrarea prin entrance from calea 13 septembrie tel 40 21 318 91 37 fax 40 21 318 91 38 www mnac ro miercuri wednesday duminica sunday 10h 18h posted by vlad nancă at monday may 28 2012 0 comments labels mnac 14 october 2011 zilele strambe la caminul cultural programul zilele strâmbe şi acţiunile practice asociate acestuia îşi propun să abordeze în mod performativ forme şi probleme delicate sau generatoare de tensiune în cadrul societăţii româneşti şi nu numai de la tensiunile rasiale la problemele de gen la politicile reprezentării demersul nostru nu îşi propune să repete iniţiativele activiste deja existente ci mai degrabă să forţeze limitele să combine formele şi să aducă în prim plan discursurile şi proiectele artistice axate pe subiecte care nu îşi găsesc locul cu uşurinţă în societatea romanească zilele strâmbe cuprind o serie de evenimente ateliere şi spectacole ce vor avea loc între 18 octombrie 25 noiembrie în diferite spații din bucureşti programul debutează cu spectacolul aaleef al coregrafului marocan taoufiq izeddiou la teatrul odeon din bucureşti şi se încheie cu marele bal little paris is burning un proiect iniţiat de coregraful brynjar bandlien www caminulcultural ro pentru că a fi strâmb chiar şi un pic a devia a sări de pe fix a altera a deraia de pe linia ce ţi s a tras în faţă e fundamental frumos moral şi singurul mod viabil de a face politică şi de a privi istoria drept în ochi strâmb demn şi frumos cosmin costinas ___________________ strâmb in romanian language means crooked it means something that is not straight but it does not mean queer it has a particular meaning that allows us to use it in a rather wide sense and of course also in a wild one zilele strâmbe practice and program wants to performatively address and push forms and issues that are fragile or tense in romanian society but not only from the racial issues to gender questions from the new bio religious demands to politics of representation however zilele strâmbe do not aim to double the existing activist activity it rather wants to push limits mix forms and bring forward discourses and art projects that address certain tensions it is for the moment our most important project one that we find urgent one that is missing one that brings together speech representation text and discourse zilele strâmbe encompass a series of events workshops and shows which are taking place in the period 18 october 25 november in different spaces in bucharest the program starts with the show aaleef of moroccan choreographer taoufiq izeddiou at odeon theatre in bucharest and ends with the big ball little paris is burning a project initiated by choreographer brynjar bandlien www caminulcultural ro because being ever so little awry deviating running amok diverging derailing from the rut that has been traced for you is something fundamentally beautiful morally just in addition to being the only viable way of engaging in politics as well as of looking history in the eyes and that in turn because that rut or track that would have thus gone on and on along the same fascist lines ad infinitum is irreversibly dislocated str â mb dignified and beautiful cosmin costinaş posted by vlad nancă at friday october 14 2011 0 comments labels caminul cultural 02 january 2011 in apararea centrului national al dansului dragi prieteni colegi la final de an 2010 centrul national al dansului se afla din nou intr o situatie dificila care pune in pericol continuarea activitatii sale alaturat gasiti un semnal de alarma initiat de comunitatea dansului la care va invitam sa va alaturati puteti face acest lucru trimitand textul de mai jos copy paste cu semnatura dumneavoastra la adresele de email to ministru cultura ro cabinet ministru cultura ro vasile timis cultura ro raduenache i gmail com cu cc la adresele office cndb ro pentru cndb yahoo com este extrem de important sa existe o reactie rapida si o solidarizare din partea artistilor publicului spectator organizatiilor institutiilor culturale si a tuturor celor care sunt constienti de singuralitatea cndb pe scena culturala din romania mesajul dvs trebuie trimis pina la data de 4 ianuarie 2011 ora 12 00 urmand ca acest text sa fie depus la sediul mcpn la registratura cu semnaturile tuturor sustinatorilor va multumim pentru sprijin la multi ani si un 2011 mai bun salvati centrul national al dansului centrul national al dansului din bucuresti cndb este singura institutie publica de cultura din romania creata cu scopul de a susè ine dezvolta si promova dansul contemporan infiintat in 2004 cndb este rezultatul unei indelungi campanii de sensibilizare sustinute de artisti si de sectorul cultural neguvernamental din domeniul dansului statutul sau de institutie de spectacole dar si de finantator al coregrafiei contemporane face din cndb o institutie singulara si vitala pentru dezvoltarea culturii coregrafice din romania de la inceputurile sale cndb a fost un spatiu care a gazduit spectacole a finantat productii a lansat concursuri de proiecte pentru artisti din zone culturale diferite a lansat dezbateri a sustinut ateliere de formare si proiecte educationale a invitat artisti din strainatate incepand din 2008 cndb se afla in pericol de a fi evacuat ca urmare a lucrarilor de reconsolidare ce trebuie sa ã nceapa la cladirea teatrului national desi institutia a facut demersuri pe langa ministerul culturii si patrimoniului national in favoarea gasirii unor solutii si a unui nou spatiu nici una dintre acestea nu s a concretizat pana in prezent cndb a primit in 27 decembrie 2010 din partea conducerii teatrului national o scrisoare de informare cu privire la faptul ca lucrarile de reconsolidare vor incepe in ianuarie 2011 si sunt â žincompatibile cu desfasurarea activitatii centrului national al dansului in spatiul ocupat in prezentâ prin aceasta adresa institutia este practic somata sa si suspende activitatea si sa anuleze evenimentele si proiectele programate pentru anul 2011 èšinand cont de reducerea drastica a bugetului cndb in ultimii ani si de inexistenta unei solutii prin care dansul contemporan sa beneficieze in continuare de o sala de spectacole si de studiouri de dans dupa 5 ani de activitate dansatorii si coregrafii se afla din nou in aceeasi situatie de provizorat ca la ã nceputul anilor 2000 activitatea lor artistica este serios perturbata iar proiectele internationale in derulare sunt puse in pericol ne exprimam ingrijorarea fata de aceasta situatie limita si solicitam de urgenta ministerului culturii si patrimoniului national si tuturor institutiilor implicate gasirea unei solutii...