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kate blee work about menu work about there are only events and relationships carlo rovelli installation wrapped university hospitals sussex nhs foundation trust louisa martindale building brighton kate was commissioned as lead artist for the welcome space 2011 2022 wrapped is a work in ceramic tiles wrapped around the concrete columns of the entrance area injecting robust colour and rhythm to the cavernous space brighton is full of colour it is in the architecture and in the attitude of the place i want this work to feel like brighton and to have a positive emotional influence on all those who work there and all those who need to be there photograph matt livey 2022 wrapped photograph matt livey 2022 one in a million southmead hospital academic building bristol 300cm x 300cm handmade hand glazed ceramic tiles paint lead artist commission 2008 9 photography sarah blee ceramic wall city and islington college london hand made ceramic tiles in 10 white glazes 200cm x 500cm 2003 production with sally bourne photography sarah blee southmead hospital bristol academic building facade coloured glass panels lead artist commission 2008 9 photography sarah blee lwakhakha timber pole sliding screen 300cm x 270cm private house london 2012 photography sarah blee lwakhakha pole sliding screen detail moving on suspended glass screen 450cm x 160cm financial services authority canary wharf art collection 2000 photography philip vile moving on detail proposal model for 3ts hospital brighton and sussex university hospitals nhs trust bdp architects ceramic tile wrapped concrete columns for the welcome space phase 1 installation in 2019 painted shawls arctic 18 on board the ship antigua in the greenland sea in support of artist in residence nora silva raising awareness of our climate crisis painted cashmere shawls 2010 model lily roberts painted cashmere shawl photographed in geoffrey bawas lunuganga sri lanka 2017 painting in 2001 woven works i have always enjoyed kate s work and i worked with her on a project for one of my collections which was very successful i have followed her career and admire especially her designs for rugs which always have a strong impact paul smith her acute vision uniting colour form texture and proportion will continue to move and engage our senses christopher farr chalk kate blee flood exhibition at christopher farr 2001 draw kate blee flood exhibition at christopher farr 2001 cast kate blee flood exhibition at christopher farr 2001 debate 1 series of 3 flatware tapestries for london westminster parliament portcullis house 2000 500cm x 150 cm debate 2 river flat weave tapestry woven through christopher farr 1 6m x 1 6m commission for a pair of rugs for the welcome trust hq london 550cm x 460cm architects michael hopkins produced through christopher farr 2004 works on paper photography sarah blee folding diptych ink on paper from the gathering show artist house new art centre 75 3cm x 55 5cm and 31cm x 55 5cm framed 2018 hanging night diptych from the gathering solo show artist house new art centre 77cm x 55cm and 77cm x 55cm framed 2018 a mountain ink on folded paper 2018 journey 1 oil on paper 45cm x 60cm journey 2 oil on paper 45cm x 60cm christiania oil on paper 45cm x 60cm pool oil on paper 45cm x 60 cm oil on board 40cm x 30cm untitled oil on paper 45cm x 60cm standing oil on paper 45cm x 60cm untitled oil on board 27cm x 35cm untitled oil on board 2012 exhibition ulpc 08 painting on cashmere cloth for a new exhibition at the scottish gallery edinburgh opening on 7th jan 2023 the gathering slab and hole a table setting of 8 ceramic plates wall mounted with steel brackets each bracket responds to each plate the work imagines a gathering of individuals with commonalities and differences the plates would present and hold the food precariously there is risk involved in keeping the food on the plate and care and attention and even skill needed our physical engagement with materials and objects especially around the table with food are full of cultural agency traditions familial habits harmonies and conflicts this work looks at the intricacies of the simple act of daily gathering to eat and in its presentation references the tradition of the aspirational and commanding displays of fine china in homes brackets made by sculptor finn thomson photography sarah blee solid scarves artists house roche court 2010 wool textile gum 200cm x 140cm photography sarah blee painted shawls series of 15 painted shawls 100cm x 200 cm roche court 2010 photography sarah blee artist house flatweave 80cm x 500cm with edmund de waal roche court 2010 photography sarah blee kate edmund chien wei matthew and marthe command their medium and subvert its function a repetition of pots becomes a wall or a movement of light a woven carpet is a boundary and a piece of lead looks as soft as cloth silver tools hover between the ceremonial and the utilitarian the processes of industrial design are married through material with craft and become sculpture sarah griffin 2010 lead bed lead bed sheet 250cm x 250cm artist house roche court 2010 lead bed and falling water series artist house roche court 2010 photography sarah blee house series of paintings set in a timber frame work 250cm x 250cm open studio 2012 the unpredictable life of a piece of cloth solo exhibition scottish gallery edinburgh 2008 detail from the unpredictable life of a piece of cloth solo exhibition at the scottish gallery edinburgh 2008 the unpredictable life of a piece of cloth exhibition scottish gallery edinburgh 2008 skewered cups ceramic and hardwood 38cm x 21cm x 10cm the gramounce 2016 skewered cup detail 2016 losa losa lo ndon s outh a frica social investment project in south africa kate s work centred on beadwork weaving and crochet supported and exhibited by sotheby s london the founding group were kate blee ed barber jay osgerby ou baholyodhin nathalie hambro jessica rose and julia leakey curated by rachel barraclough and janice blackburn the aim of the venture was to create a wider market for south african rural craft workers by working together 2001 wool beads series of painted organza scarves egg gallery knightsbridge london 2000 scottish gallery edinburgh contemporary applied arts gallery london place settings for the gramounce artist supper club 2016 ceramic tile 2016 falling water tapestries hanging at the gramounce artist supper club 2016 studio in the studio process and experiment painting in the studio paper plates work for exhibition at egg london 2004 cardboard box left out in the wet folding and dying dye onto wet cloth painting at the franz mayer glass studios in munich for the canary wharf commission moving on painted scarves drying before steaming paint over rock studio shelves finn in stiffened shawl tent lead bed sheet trial installing lead bed at the artist house roche court 2010 screen printing untitled map design for christopher farr cloth in london working through colours for untitled map screen print design for christopher farr cloth colour workshop hay studios cornwall work for scottish gallery exhibition hanging in the studio inspiration alvaro siza saal boca housing porto portugal paintings for wallpaper for christopher farr cloth found composition on the streets of santa marta colombia loose weave final swatch of new wallpaper for christopher farr cloth model experiment table cloth cleaning a pot plant screen grab from a favourite part of a favourite film mon oncle the genius jacques tati series of pot shapes 2017 colour work for bdp architects for 3t s hospital brighton lwakhakha pole screen in progress in the windmill workshop clay blocks 2018 prev next back to work 0 recent exhibition 11 installation 14 painted shawls 8 woven works 0 the unpredictable life of a piece of cloth 12 works on paper 21 exhibition 26 studio 0 solo exhibition 0 collaboration 0 recent work 2025 all images kate blee