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self styled matrix that investigates the diversity and compelling narratives of six cities and five themes this finale intentionally encourages a free flow movement system 2003 design week awards permanent exhibition winner 2003 art directors club nyc silver medal 2003 id magazine nyc interactive media design gold award moving pictures client bfi museum of the moving image budget 500 000 location uk completion january 25 2002 the brief to design a touring exhibition for the british film institute bfi resulted in a series of environments that describe how cinema and television have become such an engaging and inspirational part of our lives the design caters for a broad audience appeal with a strong focus on families and school groups a programme of educational activities for both formal and informal learners will accompany the exhibition live interpretations film projection and classic video footage combine with the exhibits to bring tv and cinema to life and guide visitors through the rise of each from the 1930 s to the present day finding little in the way of temporary systems that were sturdy enough to cope with the demands of venues land devised a bespoke system using steel frame and mesh the structure allows for simple and effective application of moving image lighting graphics and displays land believe that this initiative has provided the opportunity to demonstrate that new standards in quality interpretation display and design can be achieved with a modest budget to support the ever growing demand for touring exhibitions a series of environments that describe how cinema and television have become such an engaging and inspirational part of our lives art design as designers we have always enjoyed deconstructing the creative design process and helping audiences appreciate the craft and the skills involved click on any of the projects below to see more royal style in the making client historic royal palaces location kensington palace london completion december 2 2022 land design studio were appointed by historic royal palaces to stage an exhibition dedicated to royal style located in the famous baroque orangery built in 1704 by nicholas hawksmoor at kensington palace this was a unique opportunity to use this space for an exhibition as it is usually used as a restaurant but the client took advantage of major renovation work being undertaken on the site which enabled limited access to the spectacular space the programming of access to the orangery meant that inevitably it would be open at the time of significant covid restrictions so we were required to acknowledge this through the design proposals timed ticketing meant that we were able to predict dwell times for viewing vitrines and communication media and in consequence create an appropriate comfortable sequencing of visitors through the spaces in addition we had to incorporate natural ventilation to ensure suitable air exchange the orangery provided a perfect classical backdrop within which we were asked to demonstrate the work of 5 royal designers from the 1930 s to the 1990 s madame handley seymour david elizabeth emanuel david sassoon for bellville sassoon norman hartnell and oliver messel using elegant vitrines for the clothes and atelier materials alongside rare archive footage we were able to capture the central qualities talents and skills of the designers our client guided us to show the process of lengthy consultations modifications and fittings that had to be undertaken for approval also it was necessary to highlight the skills of the atelier workshop teams that cut sewed and embellished the clothing to make the designers ideas a reality the inevitable highlight of the exhibition presented princess diana s wedding dress complete with full train in an 8 metre long case a sense of wonder client pitzhanger manor gallery location ealing london uk completion january 7 2022 this is an exhibition dedicated to a world inhabited by a group of rusty robots as they experience the very best of human emotions within both utopian dystopian landscapes the artist matt dixon is an illustrator and concept artist with more than 30 years experience in the video games industry the curator auteur rob dickins conceived the concept which involved the transformation of computer generated images into large scale high end photographic prints and some captivating 3d modelling within the daylit gallery our design intervention uses closed cubes to provide light controlled theatrical settings for the model vignettes along with selfie opportunities and also help articulate movement through the gallery an immersive soundscape and artificial grass floor provide an appropriate surreal atmosphere that segway s into a darkened media space presenting powerful backlit images our extended contribution involved the production of a movie describing the artist s origin and processes as well as the use of ar technology enabling mobile phones to augment selected lightboxes by using instagram in consequence the visitor can actually take the empathy robot home with them baroque client victoria and albert museum budget 0 65m location london uk completion april 17 2009 the v a brief encouraged a response from land to develop a series of evolving environments the extraordinary collections and the curatorial imperatives elicited distinctive scenographies using architecture graphic information colour lighting sound and moving image the introductory gallery the first global style presented the starting point with a conventional gallery layout that helped provide the visitor with an overview demonstrating how baroque developed to be the first movement in art that proved to be truly international with the transition into the north gallery the theatre marked the first change of atmosphere the theatrical setting provided the artifice that continued to be used throughout the rest of the exhibition and in reference to the central concept of baroque the world as a stage blurs the boundaries of real and imagined spaces for the square a scenically painted urban space unfolded as background to processional objects and associated media as the visitor moved into sacred spaces the installation of the backlit dove created a strong axial attraction thus affirming the notion of religion as one of the starting points of baroque style much of this non secular theme benefited from a bigger volumetric space which land exploited using judicious theatrical scenic painting enhanced with music contextualising the objects and the space a painted pozzo framed the magnificent mexican altar the sense of procession and axial movement continued as an intentional device to achieve the strong sense of perspective and point of view prevalent in baroque art and architecture in the final gallery secular spaces a shifted axis provided the transition through contextual spaces rather than galleries that symbolically represented the succession from the public space to the more intimate areas of the baroque palace the golden age of couture client victoria and albert museum budget 0 53m location london uk completion september 19 2007 for this exhibition that draws most of its objects from the victoria and albert museum s own collection land s design scenography treated the presentation of one of the most glamorous decades in fashion history as if it were a totally immersive theatrical production with five scene changes starting with the impact of dior s new look in 1947 the manufacturing process was explored in a filmic street scape of vitrines that transform from atmospheric exteriors to fascinating interior contextual displays this was followed by a fashion photography gallery and an open catwalk display of tailored suits and day wear the penultimate gallery featured a large show case installation complete with a mesmerising osterley house video and mantovani soundtrack that provided the grand setting for 35 ballgowns including those worn by the queen margot fonteyn and audrey hepburn in total contrast the finale presented the contemporary legacy through the work of john galliano and an intriguing large scale timeline tracking designers and couture houses from both paris and london as rich and graceful as the women who originally purchased and wore the clothes newsweek history archeology two high profile temporary exhibitions were completed for the british museum and a significant lottery funded permanent exhibition in swansea for the national museums of wales click on any of the projects below to see more st elmo s fort client heritage malta and grand harbour regeneration corporation budget 4 5m location valetta malta completion may 17 2015 land completed in 2015 the 4 5m military museum at st elmo s fort malta embedded within a 15m conservation project the experience sits within a world heritage site in valetta malta the narrative focuses on the diverse military history of the fort since the first siege of malta in 1565 through to its critical involvement with the allies in wwii as the project was funded by the erdf it was subject to an international design competition land elected to form a joint venture team which included local architects forward architects and london based content developers tgac lighting designers zna and graphic designers surface3 in response to the brief land undertook the role of expert museologists and produced the concept and scheme design as well as the principle for all software object displays and integration of graphics the limited experience of the client heritage malta and local main contractor camray extended our involvement at all stages especially with the curation of objects and the complex integration of lighting hardware and software development amazingly unexpected i thought this was going to be a historically interesting attraction but nothing more it turned out to be one of the best museums i have ever been to the way they have presented the information is in so many different formats that it is impossible to get bored tripadvisor 2015 pompeii herculaneum client the british museum budget 0 5m location london uk completion april 22 2013 one of the most momentous archaeological exhibitions ever staged jonathan jones the guardian an unparalleled picture of life in ancient times explored in a magnificent and moving new show rachel campbell johnston the times a show that reincarnates a distant time and place with stunning immediacy while constantly serving a grim reminders of its end andrew graham dixon the sunday telegraph i can tell you that nothing i have seen or read before tells the story in the way the british museum does as we walk through the show we are unconsciously getting to know those people and by knowing them we come to care about their fate richard dorment the telegraph because of the quiet meticulous and unemphatic way it has chosen to concentrate upon the story of the everyday and having done so to conclude with a dramatic presentation of body casts its triumph then is in its pacing michael glover the independent this brilliant and intelligent show paints a vivid picture of everyday life in the shadow of vesuvius brian sewell evening standard egyptian book of the dead client the british museum budget 0 5m location london uk completion october 9 2010 staged in the reading room in the centre of the great court this exhibition sets out to explain the context of the book of the dead which was a manual that would help steer the deceased on a long and perilous journey to reach the safe haven of eternal paradise the organising principle was drawn from a very simple diagram that described the journey of the sun god re who travelled on a circular trajectory through day and symbolic night emerging triumphant with the morning sun this construct encouraged us to dissect the circular space into two parts a primary labyrinthine experience that provided the interpretive episodic context of the journey and a significant curved open space symbolically representing the afterlife as a finale a series of monolithic structures built out of slabs and beams provided the mechanism to display the extensive papyri coffins mummy cases funeral masks amulets stalae stone carvings and figurines two distinctive chambers a tomb and the hall of judgement provided appropriate breaks in the rhythm of the intentionally disorientating journey subtle but large scale projected media is used to augment the small scale and low lit detail embedded in the papyri the use of dynamic lighting onto the curved cyclorama and a commissioned soundtrack provide the theatrical setting for the final display the 40m long greenfield book of the dead welcome to paradise in a show to die for rachel campbell johnston the times you will never see this peerless collection in this way again charles darwent the independent national waterfront museum swansea client national museum wales budget 7 0m location swansea wales completion october 27 2005 land s unprecedented early appointment alongside wilkinson eyre enabled us to develop the masterplanning in parallel with the narrative interpretive process the incorporation of the city plan and need to establish a cultural quarter impacted on components of the combined new building and restored victorian railway shed in detail the solution acknowledges the changes in the way that people use museums as a result of free access and responds to the day to day experiences of people and communities in wales through contextual objects and material to access wider themes of technological and social change over historic time and also into the future nwms provides opportunities to create a museum based on entertainment value as well as the inspirational and educational and in consequence encourages visitors that may otherwise not consider themselves attracted to such established institutions the national waterfront museum will be the jewel in the crown of swansea s waterfront regeneration and a powerful magnet to draw in visitors to learn about our fascinating maritime history and industrial history as the world s first industrial country first minister rhodri morgan am 2006 association for heritage interpretation special award natural history ecology land have completed both permanent temporary exhibitions in this field for major national museums including many for the natural history museum in london international projects include the highly successful gardens by the bay singapore click on any of the projects below to see more gardens by the bay marina south client national parks singapore budget 14 0m sgd 7 0m gbp location marina south singapore completion august 11 2012 gardens by the bay is set within a 54 hectare landscape composition that has a united beauty and magnificence that resonates with the idea of singapore as a city in a garden land have created the interpretation and educational programme working as part of a consortium led by grant associates landscape architects alongside wilkinson eyre...