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latvians online ikkatram latvietim pasaulē latvians online ikkatram latvietim pasaulē skip to content news opinions reviews education more blogs columns iz kolōnijām about fake ids in american colleges take latvian students by surprise many latvian youngsters who go to study to usa are surprised to face unexpected problem a legal drinking age of 21 years vs 18 in latvia college years are traditionally a time for drinking and partying in every country of the world so what young people do in this situation they buy fake identification documents online for most students in america fake ids is a rite of passage same as initiation to fraternity or sorority but obtaining and using forged document can have serious legal consequences even being aware of potential troubles with the law underage people still go online to king of fakes website where they can obtain a ready real looking fake id this is an alarming social issue that requires serious consideration raksti instrumental ensemble dagamba create fusion of mozart and metallica 27 july accordionist sidorova s virtuoso skills revealed on new album 23 july baltic sisters share common bond of song on their first album 15 june new york latvian school celebrates its 75th anniversary in may 14 may referātus lu pēctrimdas konferencei var pieteikt līdz 15 maijam 12 may anda eglīte performs timeless melodies on the kokle on recent release 19 march anda eglīte performs timeless melodies on the kokle on recent release 19 march new release highlights the symphonic works of latvian composer dzenītis 14 february new album by latvian folk metal album yomi was inspired by japanese culture 29 january composer ešenvalds and saxophonist petrauskis collaborate on new album gratitude 20 january new album features solo piano works of jānis mediņš performed by reinis zariņš 3 january varang nord from daugavpils release latest album mygla 2025 gada 29 december latvian voices new album rotā features baltic folk song arrangements 2025 gada 25 december pianist dzintra erliha releases christmas album 2025 gada 16 december collection of arta jēkabsone s folk song arrangements on dziesmu kamoliņš 2025 gada 1 november composer aija alsiņa releases third studio album and vinyl record 2025 gada 3 october latvian heavy metal band skyforger release new album teikas 2025 gada 28 september dramatic works by latvian women composers on new release by riga project choir 2025 gada 3 september biruta ozoliņa blends sounds of india and latgale on new album 2025 gada 16 june young latvian flutist evelīna erliha to perform at carnegie hall in may 2025 gada 13 may instrumental ensemble dagamba create fusion of mozart and metallica egils kaljo 27 july calling themselves classical music hooligans dagamba the instrumental ensemble from latvia have now for fifteen years been bridging classical music with modern music creating distinctive and memorable pastiches on albums such as 2015 s recycled 2017 s seasons a modern reimagining of antonio vivaldi s four seasons 2017 s ludwig van rammstein combining opuses by ludwig van beethoven and industrial metal ensemble rammstein as of 2026 dagamba is made up of cellist and founder valters pūce cellist antons trocjuks pianist dainis tenis double bassist alise broka and drummer artūrs jermaks 2026 brought the fusion of two musical heavyweights classical composer wolfgang amadeus mozart and the most successful and best known heavy metal band metallica though centuries separate their music dagamba meld the two seamlessly bridging these two eras and create a cohesive modern musical mashup metallica s music has already been interpreted in a symphonic style with their s m projects with the san francisco symphony orchestra and their often expansive and intricate songs lend themselves to orchestral interpretation mozart s music is often driven and dynamic such as the queen of the night s fiery aria der hölle rache from the opera the magic flute dagamba fuse this music of the aria with one of metallica s best known songs enter sandman resulting in an intense and fierce performance appropriately entitled queen of the sandman both artists are also known for more somber and reflective music and dagamba take elements from mozart s requiem such as the haunting melody from the lacrimosa section and give it a contemporary interpretation with drums and distorted cello sounds and this leads then into dagamba s poignant and nuanced performance of the metallica ballad nothing else matters metallica s late bassist cliff burton who died tragically in 1986 had a significant influence on the music of the band s early years due to his interest in classical music particularly composers like j s bach the band s earliest albums contained many songs that were intricately orchestrated and songs like fade to black and master of puppets were enhanced by burton s contributions as a tribute to burton dagamba included concert étude for double bass op 1 a work that includes multiple fragments of some of burton s most memorable bass lines dagamba again show that music from centuries ago can still be as relevant today and can still stand alongside modern works and this is exemplified by the combination of mozart and metallica on mozartallica at times energetic and fiery others contemplative and somber the music of both artists flows organically into a cohesive whole displaying not just the creativity and music skill of both artists but the performance and arranging talents of dagamba for further information please visit the dagamba website mozartallica dagamba 2026 track listing queen of the sandman sad but 40 lacrimosa nothing else matters concert étude for double bass op 1 tribute to cliff burton the unforgiven trilogy turkish whiskey flame figaro the one kyrie egils kaljo is an american born latvian from the new york area kaljo began listening to latvian music as soon as he was able to put a record on a record player and still has old bellacord 78 rpm records lying around somewhere posted in uncategorized accordionist sidorova s virtuoso skills revealed on new album egils kaljo 23 july over the past two decades accordionist ksenija sidorova originally from latvia has become one of the premier performers of the instrument globally and has not just elevated the instrument on a professional level but also continues to reveal its expansive musical and sonic possibilities with her virtuoso performances over multiple recordings she has expanded the modern accordion repertoire and her latest album 2026 s prophecy features contemporary works by estonian and latvian composers the album recorded with the estonian festival orchestra and conducted by paavo järvi features works by estonian composers erkki sven tüür and tõnu kõrvits as well as latvian composer pēteris vasks erkki sven tüür s prophecy concerto a single movement work is inspired by the concept of a seer or one that sees the future correspondingly the work has a mystical otherworldly atmosphere and is imbued with a sense of trepidation perhaps from the seer being aware of what the future holds from its frenetic often discordant beginning to the calmer though ominous middle section sidorova s accordion provides a whirlwind of activity a kind of narrator of the story of the seer along with the expressive and energetic performance by the orchestra the work reaches a powerful conclusion full of tension and foreboding tõnu kõrvits four dances also allow sidorova to display the broad sonic palette that the accordion has to offer the works commissioned for sidorova were composed in close collaboration between the composer and the accordionist and this allowed sidorova to also influence the sound of the work giving the composer ideas about the different sounds and unique aspects of the accordion to incorporate the work though the title is dances the work is less festive but more atmospheric developing moods and ambiance as a kind of a peaceful epilogue to the album as a respite from the often stormy estonian compositions is pēteris vasks the fruit of silence though originally composed as a work for choir and piano in this arrangement by george morton the orchestra takes the place of the choir and sidorova s accordion performs the piano part a gentle single note meditation though the work no longer has words the text was based on writings by mother theresa sidorova captures the ruminative and deeply spiritual nature of the work and as the work draws to a quiet conclusion sidorova and the orchestra leave the listener in a tranquil and harmonious state of serenity accordionist ksenija sidorova and the estonian festival orchestra conducted by paavo järvi have gathered memorable performances of modern baltic works on prophecy sidorova continues to push the boundaries of what the accordion is capable of revealing new facets and aspects to the sound of the instrument as well as displaying her skill with technically demanding works as well as nuanced interpretations along with the festival orchestra the recordings on the album display a wide range of emotions and sentiments creating engrossing and moving performances for further information please visit ksenija sidorova s website and the alpha classics website prophecy ksenija sidorova estonian festival orchestra conductor paavo järvi alpha classics alpha1198 2026 track listing prophecy erkki sven tüür dances tõnu kõrvits i darkness cadenza under the cajun moon ii passacaglia iii siciliana iv sarabande the fruit of silence pēteris vasks arranged by george morton for accordion vibraphone and string orchestra egils kaljo is an american born latvian from the new york area kaljo began listening to latvian music as soon as he was able to put a record on a record player and still has old bellacord 78 rpm records lying around somewhere posted in uncategorized baltic sisters share common bond of song on their first album egils kaljo 15 june the three baltic countries estonia latvia and lithuania have long shared an intertwined history as three small and culturally unique cultures on the shores of the baltic sea their location between larger historical powers has meant that war has spread over their lands for centuries however their vibrant and deeply rooted cultures have survived the tribulations of their history and have endured to become stronger than ever even though there are cultural and religious differences estonians latvians and lithuanians all share the common bond of song recognizing this shared trait between them originally three now four singers from the baltic nations gathered to celebrate their shared affinity for folk songs and folk singing the ensemble called themselves the baltic sisters and united singers marion selgall from estonia vineta romāne and liene skrebinska from latvia and laurita peleniūtė from lithuania originally the group focused on the lithuanian singing style called sutartinės but have expanded their repertoire to include songs of all the baltic peoples the baltic sisters released their first album värav vārti vartai the word for gate in all three languages on the german music label cpl music in 2025 on her website peleniūtė describes sutartinės as ancient lithuanian multipart songs the songs on värav vārti vartai are mostly sung unaccompanied with multiple interwoven distinct vocal lines this gives the songs a hypnotic ritual atmosphere such as the lithuanian song sesė sodą sodino a song about planting a garden with apple trees and the voices and their distinct melodies and texts conjures an engrossing pastoral vision from the latgallian repertoire the group performs soka saule rītiedama an orphan s song from singer domicella līpeņa s repertoire the sparse vocal arrangement highlights the tragic nature of the song and the repeated phrases like naraud gauži do not cry bitterly enhance the melancholy atmosphere of the performance though many of the songs have a somber character there are still moments of happiness and exuberance such as on the estonian sõrmemähkimise mäng a cheerful song about a young man meeting his bride after running to help her after she cut her fingers on some straw this performance also shows the playful side of the ensemble though most songs are sung with minimal accompaniment for the lithuanian turėjo liepa the singers are joined by percussion and bass guitar to give this ancient song about a linden tree with nine branches that loses its branches during a storm a more modern feel the number nine is significant in the folklore of all three baltic nations deep with symbolism and this song highlights the magical and mystical nature of this folk belief mystical and atmospheric somber and hypnotic värav vārti vartai envelops the listener with its rich and haunting melodies from all three baltic states bringing together ancient songs from estonia latvia and lithuania the baltic sisters display not just their singing skills but also their ability to reveal the transcendent nature of the songs of the region though three distinct cultures the album seamlessly melds the music and songs of each nation into a engaging and meditative whole for further information please visit the baltic sisters facebook page and the cpl music website värav vārti vartai the baltic sisters cpl music cpl070 2025 track listing sesė sodų soka saule rītiedama sõrmemähkimise mäng cuckoo song ėjau rytelia čiūta aja kari siia dai kas padunda svirtis svira saulala sadina nuslaida saulala sviro lingo tumsīnā vakarā treputė martela turėjo liepa egils kaljo is an american born latvian from the new york area kaljo began listening to latvian music as soon as he was able to put a record on a record player and still has old bellacord 78 rpm records lying around somewhere posted in uncategorized posts navigation older posts 1995 2026 latvians online design knopkens com