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te if it didn t include a moderately drop proof lightly submersible camera so it s interesting to see ricoh s response to this the px s specifications put it squarely in this everyday do everything compact category with its waterproofing down to 3m 10ft and impact resistance for drops up to 1 5m its 5x zoom lens offering 28 140mm equivalent focal lengths is also pretty standard for the class as is its 2 7 230 000 dot display what s not so familiar in this class is its understated appearance while this particular example might be lime green it doesn t shout about its resilient credentials instead it s an innocuous looking aluminium clad compact camera the only real giveaway is that its lens doesn t extend when it s switched on instead it has a periscope style lens with an image stabilized sensor sitting at one end of it the result is a camera that doesn t suddenly look out of place when you return from your adventurous holiday specification highlights image stabilized 16mp 1 2 3 ccd 28 140mm equivalent internal zoom lens waterproof to 3m shockproof to 1 5m 720p hd video iso 100 3200 subject tracking af http www dpreview com previews ricohpx posted by breadley labels camera canon rebel t3 eos 1100d review based on a production canon eos 1100d with firmware v1 0 4 the bottom end of the interchangeable lens camera has become fiercely competitive with manufacturers culling features and cutting corners to offer a tempting upgrade path from compact cameras at the most attractive price as a result we ve seen control dials orientation sensors and even focus motors disappear to reduce the manufacturing costs of these entry level gateway cameras from the consumer s perspective of course we ve also seen technologies once only in the reach of the professionals filter down to almost compact camera prices for several years canon and then nikon were able to carve up the sub 1000 dslr market between themselves without any particular concern about other players in the market but this hegemony was never likely to last especially once the electronics giants such as panasonic sony and samsung had time to prepare their own competitors eventually even canon had to respond to the arrival of these companies increasingly impressive low end offerings most notably with the splitting of its rebel series into a multiple model range in june 2008 rather than just letting the outgoing model s price drop when the next camera was introduced canon launched a completely new model that sat below its then very recent rebel xsi 450d the rebel xs eos 1000d in europe was unashamedly a cut down version of the xsi but its mixture of a well trusted sensor and compelling price tag have seen it continue to sell strongly particularly at the price conscious end of the market two and a half years is nearly two lifetimes in contemporary camera terms so it was beginning to look like the xs might turn out to be a one off until the launch of its replacement in february 2011 the rebel t3 eos 1100d builds on a successful formula and takes it further offering a strong if not exactly cutting edge set of features in a body that suggests it should be very capable of competing on price the 1100d takes a series of familiar sounding components and folds them together in a distinctly conventional but still capable sounding package so there s a 12mp cmos chip that is likely to date back to the 450d xsi coupled with canon s now standard 9 point af system and the 63 area ifcl focus color and luminance sensitive metering system first seen in the eos 7d these combine with the equally well known digic 4 processor to offer a camera that s unlikely to offer much in the way of surprises which should also mean the avoidance of any nasty ones canon eos 1100d specification highlights 12mp cmos sensor 9 point af system up from 7 on the 1000d 63 area ifcl color sensitive metering from eos 7d 720p movie recording at 30 or 25fps h 264 compression 2 7 lcd 230 000 dots iso 100 6400 no expansion basic creative point and shoot mode eye fi wireless sd card compatible menu options http www dpreview com reviews canoneos1100d posted by breadley labels camera digital canon ef 500mm f 4 0l is ii usm elephoto prime lens canon ef manufacturer description the ef 500mm f 4l is ii usm is a high magnification super telephoto lens featuring integrated image stabilizer technology it features a lightweight magnesium alloy and titanium construction which reduces weight without compromising on strength and build quality announced feb 7 2011 specifications principal specifications lens type prime lens max format size 35mm ff focal length 500 mm image stabilisation yes 4 stops claimed lens mount canon ef aperture maximum aperture f4 0 minimum aperture f32 0 aperture ring no number of diaphragm blades 9 optics elements 16 groups 12 special elements coatings 2 fluorite elements focus minimum focus 3 70 m 145 67 maximum magnification 0 15 x autofocus yes motor type ring type ultrasonic full time manual yes focus method internal distance scale yes dof scale no physical weight 3190 g 7 03 lb diameter 146 mm 5 75 length 383 mm 15 08 materials magnesium alloy barrel metal mount sealing yes colour grey and black filter thread 52 mm filter notes rear drop in hood supplied yes hood product code et 138 tripod collar yes optional accessories lens case 500 http www dpreview com products canon lenses canon_500_4p0_is_ii posted by breadley labels lenses canon eos 60d canon s x0d series has throughout its life appealed to a wide range of photographers from enthusiasts and semi pros through to some pros who appreciated having a lightweight option each model offered a high enough specification usually in terms of build quality and af sophistication to ensure it was both aspirational and attainable for users who had out grown their rebel xx0d series however the feature set always left a sizeable gap below the company s full blown pro models the arrival of the eos 7d with its highly configurable 19 point af system and 8 frames per second continuous shooting capability changed much of this here was a mini 1d that drew the attention of many people who previously would have been x0d customers however the price tag a 30 premium over the 50d at launch pushed it beyond the reach of most people who weren t making at least a bit of money from their photography the 50d and by extension the x0d range was starting to look somewhat redundant expensive and in some ways outdated compared to the rebel t2i eos 550d underpowered compared to the eos 7d it seemed obvious that canon needed something to balance out the eos range to fill the big gap between the rebel and the 7d and so we have this the eos 60d with the 60d canon has unashamedly moved the x0d range out of the semi pro bracket and instead focused on the enthusiast photographer looking to upgrade from their rebel as a result it s not the obvious continuation of the 30d 40d 50d pattern that its naming might suggest instead it sits pretty well precisely in the same market position as was once upon a time occupied by the elan series of 35mm film slrs which in europe were not so coincidentally given double digit model numbers so gone is the magnesium alloy construction that featured in previous models replaced by a lighter weight plastic shell naturally the 60d gains some key step up features from the rebel line top panel lcd rear control dial higher burst rate including a few that have trickled down from the eos 7d there s also a video and tripod friendly 3 2 ratio articulated lcd in imaging terms it brings the eos mid range in line with those above and below by upping the sensor resolution to around 18mp and adding full hd movie capture the eos 60d also gains a couple of brand new features of its own there s now a wide range of color variations or ambiences which can be applied to the image when using the scene modes and whose effect can be previewed on screen in live view the 60d also finally gains the ability to convert raw files to jpeg in camera including the option to correct for lens aberrations including distortion and chromatic aberration as an added bonus you can retrospectively apply new creative filters to files you ve shot including grainy black and white and toy camera looks and so from a spec and feature point of view the eos 60d sits almost exactly half way between the eos 550d and the eos 7d with a few new tricks of its own which we think is exactly where it should be regardless of the inevitable howls of protest at the apparent dumbing down of the venerable x0d line key features 18mp aps c cmos sensor iso 100 3200 expandable to 12 800 5 3 fps continuous shooting 1080p hd video recording with manual controls sd sdhc sdxc storage in camera raw development subject modes with ambience selection standard vivid soft warm intense cool brighter darker and monochrome in camera creative filters special effects fully articulated 3 0 screen 3 2 http www dpreview com reviews canoneos60d posted by breadley labels camera digital tuesday november 10 2009 digital camera buying guide features digital camera features vary greatly from model to model some might be essential to you while others might be of use only for highly specialized applications before you buy consider the following features which are included on most digital cameras exposure modes most digital cameras including slrs are highly automated with features such as automatic exposure control which manages the shutter speed and aperture according to the available light in that mode the camera generally handles setting iso and autofocus as well but there are other program modes that allow you to control specific settings including shutter priority aperture priority as well as special scene modes some cameras include full manual controls which let you set shutter speed and aperture zoom lenses this type of lens which is actually made up of several different lenses or lens elements allows you to vary the focal length that provides you with flexibility in framing shots and closes the distance between you and your subject which is ideal if you want to quickly switch to a close shot the typical 3x zoom on mainstream cameras goes from a moderately wide angle view 35mm to moderate telephoto 105mm you can find cameras with extended zoom ranges between 5x and 20x giving you added versatility if you want a greater view angle for more panoramic landscapes or group portraits look for cameras with a wide angle end of the zoom range as low as 28 or 24mm image stabilization more and more cameras including many with powerful lenses now come with an image stabilizer a device that compensates for handheld camera shake often the is device lets you shoot with a slower shutter speed than you otherwise could without producing blur due to hand shake although it won t compensate for a subject s motion optical in the lens and mechanical in the camera body image stabilizers are the best types to use although some cameras include simulated stabilization face detection smart camera features this digital camera feature attempts to find a face in the image to set focus exposure and color balance so that faces appear in focus and well exposed when we ve tried it we found that it usually worked well in some cameras you need to turn on the feature in others it s enabled at the factory but can be turned off other types or variants of face detection are beginning to appear in newer cameras too such as a smile shutter mode which shoots a photo of the subject when a subject smiles other types include blink warning which alerts you to shots in which a subject might have blinked and intelligent iso focus in addition to being able to automatically set exposure digital cameras automatically adjust the focus of the lens with autofocus features but more advanced cameras include additional focusing functions be sure to look carefully at the types of additional features available on your camera including manual focus on slrs look for the number of af points they have and what types of af modes are available shooting modes most cameras have three options for shooting still images single image burst mode and self timer the burst mode allows you fire off a series of shots quickly for several dozens and sometimes scores of shots some slrs can shoot more than hundred shots in a burst and do so very quickly measured in frames per second or fps some newer advanced point and shoots are also able to capture many shots per second as the name implies the self timer mode provides a delay between the moment the shutter button is pressed and the photo is captured some cameras let you set how long this delay is and the number of shots you can take playback modes all digital cameras can review images on the lcd along with exposure and other information embedded in the image file so you can quickly see what the image actually looks like and delete it if you don t like it many cameras have automatic orientation features that turn the photo vertically or horizontally to correspond to how you shot the photo when reviewing you can use the zoom control to magnify portions of the image file iso this setting expresses how sensitive the sensor is to light many cameras allow you to set various iso settings anywhere from iso 100 to iso 1600 although some ranges can be even greater particularly on slrs the advantage in being able to set a higher iso is that you can then have more flexibility in adjusting either the aperture or shutter speed for example if you need to shoot an image at 1 250 of a second in order to freeze the action but you have only enough light for a shutter speed of a 1 125 of a second one option is to change the aperture to let more light in but if you re already at the widest aperture you can instead increase the iso from 100 iso to 400 iso and you should be able to set the higher shutter speed lcd viewers optical viewfinders which were once ubiquitous on cameras are being replaced by larger sharper color lcd viewers some are now as large as 3 5 inches these displays are accurate in framing the actual image you get better than most optical viewfinders but they might be hard to see in bright sunlight this live view functionality available in point and shoot for years has also been appearing on more and more slrs which have traditionally used the lcds for only playing back or reviewing images a camera with an optical and an lcd viewfinder is more versatile especially when you shoot in bright light or need to conserve battery power flash available on almost every digital camera a flash or strobe allows you to illuminate subjects via a short burst of light nearly all have auto flash modes a setting that will automatically fire a flash whenever the camera senses there isn t enough illumination for a correct exposure most include other flash modes including red eye reduction mode which minimizes a common flash camera problem although you can also fix this in an image editing program when t...
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