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nk my tea iron goddess of mercy no less and made me feel calm and at ease then we walked to the studio east london printmakers to film more printing action using the big beautiful cast iron presses there the music was composed especially for the film by steve baker www stevebakermusic com who was inspired by my image of cassiopeia the girl looking up at the night sky which i would love to make into an animation one day when i find a spare moment i felt very privileged to watch music being composed in real time but i guess it s a similar alchmical mystery that happens when images are created too anyway to watch the film please visit https www youtube com watch v ltiskoxik2i november 29 2020 covid tales the video posted by printplay under covid tales film linocut prints talk video tags covid tales diaryofaprintmaker east london printmakers linocut linocut print linocutbywuongean video 3 comments in the summer i made a short film composed with all the little linocuts that i ve created since the beginning of lockdown with a voiceover of me talking about my private hopes fears and absurdities it s six minutes long with six months of prints in it and you can see it here i d like to talk about some of the extra prints which i put in the video poison cloak 2020 by wuon gean ho linocut 15 x 20 cm i know we are all now wearing masks but i couldn t help imagining the particles of our personal microbiome spilling out into the world touching everyone who ventures into our zone i was temporarily obsessed with the fear of being a secret super spreader a person who could merrily infect dozens more than the average carrier and whether i would find out before it was too late screen overload 2020 by wuon gean ho linocut and monoprint working from home became a thing it was something i was doing before but only twice a week now i was there all the time i pictured my body attenuating under the strain of working through the screen like some kind of spider trapped in a web of her own making death by email 2020 by wuon gean ho linocut and monoprint 15 x 20 cm during spring the weather became absolutely and infuriatingly beautiful but outdoor time was restricted in my little flat stacked above and below and beside a hundred other little flats the westerly sunshine would stream in and cook the floor and fill the room with a dancing fug of warmth even with every window open to the max the heavy air brought no refreshment and the lassitude from computer work made me wonder whether it might actually be possible to die from too many emails gilded binbag 2020 by wuon gean ho linocut 15 x 20 cm i am so grateful to live alone my space is safe and spacious for one person and it s the first time i have had a place i can call home i wanted to draw this space as a kind of golden cage but it turned out looking a little bit more like an upside down parachute or a bulging plastic bin bag lockdown chop 2020 by wuon gean ho linocut and monoprint 15 x 20 cm lockdown chop actually i ve cut my own hair for a while there s two reasons firstly i love the sound of scissors slicing and scattering hair it s very soothing secondly i have a mild phobia of hairdressers they usually marvel at the coarseness and thickness and always promise they ll do something magical forgetting to mention that a lot of styling products will be part of the magic this time round i knew that my efforts would not need approval from the outside world this orchid plant is a gift from my japanese woodblock class students at east london printmakers from 2013 she s moved house with me three times and always blossoms for months and months when movement was most restricted putting my face next to her petals made me feel so happy as if i had come really close to another living responsive being virtual hands 2020 by wuon gean ho linocut 15 x 20 cm when lockdown ended i made a trip to visit my dad for the first time in months it was so lovely to see him yet so brief for reasons of safety i was not permitted to touch him even though our usual interactions would have included me washing his face and doing his hair i wished i could have sent over a million pairs of hands to his side of the fence my love 2020 by wuon gean ho linocut and monoprint 15 x 20 cm i have been helping out on weekends and evenings as a vet in my local clinic this job always provides a welcome antidote to an overdose of solo time unlike most vet clinics this place allows clients to enter with their pets direct work with real living beings provided a chance for me to remain in touch with the world working with people and animals in real life brings so much absurdity and adrenaline may 12 2020 covid tales posted by printplay under covid tales linocut prints wuongean tags art centre for fine print research cfpr covid tales diary of a printmaker diaryofaprintmaker linocut print linocutbywuongean linocuts monoprint postcards home prints self isolation uwe bristol working from home 3 comments whewwww i can t believe it s been ten whole months since i last wrote a blog post life has changed the world is upside down and i m still making little linocuts to soothe the soul inject humour in the day and explain to myself what i think is going on the first few weeks of working alone isolated in my flat in east london were a mix of relief at stopping my commute tinged with fear of the virus i would spend hours looking at my phone wading through pages of horror stories like an unending river of disaster and dread i couldn t really do much but worry about my parents the tree outside the bathroom window became a wall of blossom and i would open the window really wide and stare out into the breeze and pray that everyone i know would stay healthy likewise the communal gardens were bursting into leaf and it was just so nice to sit under the dappled shade even though my thoughts were of death and destruction sometimes i d make myself extremely sad by wishing hard for a hug then i d think that as no one had seen my face for days and days in real life that perhaps i didn t have a face anymore and that i was in effect just a paper bag ghost my paper bag ghost would still be hungry i d think of my dream meal inspired by mum s mackerel with belly stuffed full of curry powder and onions with blistered skin and sweet sticky rice the sun was shining every day and i would set the table on the balcony and make myself a bowlful of raspberries with sweet vanilla ice cream somedays i didn t speak out loud all day and my train of thought would start to crumble as if my sense of identity without a listening ear was optional somedays i would start drinking at 4pm to see if it made anything better somedays i tried video conferencing parties with friends it didn t really help there are undoubtable benefits to working from home i can now attend zoom meetings while sitting on the floor of the bathroom with no trousers on if i want to i can go for a jog in the neighbourhood and terrify the locals by infringing on their two metre zone facebook live videos of exercise classes have become my favourite moment of the day with all the isolation inactivity stress baking and comfort eating my bottom is getting bigger but at least it makes mum laugh anyhow this series is ongoing i have many more prints that i would like to make my tiny desk in the corner of the living room is a lot more than i would have had if i were living in rented accommodation in one room as i did for the past 20 years and the best thing about a handmade print oh actual ink on actual paper is that you can chop it down scribble on the back and post it to wonderful people like an old fashioned talisman ps i gave a talk on my print series a couple of weeks ago and mentioned some of these prints towards the end if you are interested have a watch here it s 23 minutes long and was a seminar hosted by the centre for fine print research university of the west of england bristol https vimeo com 413495704 july 17 2019 diary of a printmaker posted by printplay under linocut prints travel wuongean tags art blue table porto colour print diaryofaprintmaker handmadewithlove wuon gean ho wuongean 2 comments i thought i d talk a bit about how one of my prints is made from start to finish this is one of my latest prints called blue table porto which is about a lovely café i visited in the spring for those who know my work i started the diary of a printmaker project when i was offered a fellowship at the royal academy of art schools in london as a print fellow back in 2016 this series of prints is about places and memories and anecdotal humour a little bit like making postcards to send home so how do i make a print from a place first of all hanging out in beautiful cafés always helps though i ve also made my fair share of prints about working at the vets and walking around in gummy suburban cities and the hilarity of communal changing rooms all these situations have a unique sense of energy and leave a strong impression on the mind these impressions are full of visual narratives even though there may be scanty factual details sometimes it s as if the images are from a dream bank because the stuff that s there is pared down but the sensation of being there remains so sometimes i take photos other times i draw directly onto the lino from memory and then go home and think about what it is that it felt like to be in that moment of time surrounded by that space what was the most enduring sensation for this café in porto the pale blue expanse of weather beaten table top plus a skylight bringing light into a dark cave of a room plus the battered turkish carpet were the most significant for me the feeling i wanted to convey was of being engrossed in drawing and being marooned in a sea of carpet the table as a raft after one colour is printed i transfer the still fresh ink onto a second block and start to plan what i want to make in this case i wanted the carpet to be full of swirls and detail and the light to be the focal point i knew that one block had to be pale blue the drawing on the second block was partly copied from the drawing on the first block it s hard to explain what or how i carve the second colour in factual terms but i think of removing every area in terms of the process of revealing the first colour allowing the first colour plus any areas which were already carved away and which would be white to shine on its own then comes colour trial proof printing time i try out different colour combinations and try to maintain a sense of rigour to the experiments making notes of ink recipes and how much ink is on the slab in order to achieve my preferred effects i m always using the same brand of ink sakura oil based relief inks because i love the way i can wipe the ink off the block and apply thin layers in places to achieve a graded look i write notes to myself about what i d like to differently on the next print so taking the proof above i decided to start editioning but with the addition of orange to the red mix in order to move away a bit from the candy colours that the pure red and blue were creating the red still appeared red but was mixed 50 with orange in the centre and cut with green on the edges when i put the blue layer on top i was very happy with how the edges of the print appear to recede into darkness a kind of black has formed from the combination of red orange green and blue on the sides the magic of ink is maybe why i keep making prints march 27 2019 takumi project posted by printplay under commission mokuhanga prints wuongean tags art commission diaryofaprintmaker handmadebywuongean handprinted japanese woodblock lexus marc donaldson poster printmaking takumi wuon gean ho wuongean 1 comment back in november marc donaldson of the partnership agency got in touch with me about an exciting project for the japanese car manufacturers lexus the brief was to highlight the deep beauty of making something by hand looking at the physical knowledge and near super human skills honed over a lifetime of practice and link it to the use of ai and digital manufacture essentially it was a reminder that despite the inexorable increase in the digital world ultimately it is humans who have a lifetime of knowledge who are still in charge they had already commissioned a gorgeous film on the subject called takumi this film follows several artisan makers talking about their craft and displaying their skills takumi is the japanese word for artisan a term earned for exceptional skill achieved after 60 000 hours on the job screen shot from https newsroom lexus eu documentary takumi a 60000 hour story on the survival of human craft marc s vision was to create a japanese woodblock poster from cherry wood that would use hand printing to embed traditional pigments into hand made paper based on a design which he had created in the computer i have to say that while i trained in japan in japanese woodblock and printed large prints for several years i found this commission extremely challenging japanese woodblock technique relies on a harmonious combination of humidity speed and response to simple changes in the basic materials the wood absorbs paint and then releases it to damp paper too much ink too wet paper too much pressure and the paper bleeds too little too slow too much glue and the paper is patchy photo by feng ho however the air pressure sunlight temperature the number of previous printings the absorbency of the wood how much glue is used the number of brushstrokes and humidity in the brushes the consistency of paint the speed of brushing the precise way the paint sits in or on the wood all these factors vary second by second hour by hour photo by eoin o flynn the colour had to be coaxed onto the page like a dance of wills photo by feng ho i have to admit my first 50 prints were a disaster it took a lot of determination to keep going as each print took an hour so it was days and weeks before i d made a passable layer of colour having made linocuts for the past few years it was a shock to be a beginner at a technique again i had to learn how to ink up generously on the block with an almost foamy layer of ink without leaving a drop of ink anywhere near my table in order to keep the edges of the paper clean when they were placed face down i made my own homemade recipe for ink combining gum arabic with nikawa and pure pigment a blend of graphtol red and ruby red and added a tiny drop of sumi ink to help the colour depth i learned to hold my elbows out a certain way to fix the edges of the paper on the registration marks accurately and how to trust that registration mark when each poster needed two or three printings to achieve the required depth of colour every now and then the registration would be out by a fraction of a millimetre and the print would fail photo by feng ho i learned that a lovely intense colour field would leak through the damp paper in the last stage and mark other areas so i developed a way of protecting the paper ...