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reverse shot museum of the moving image reverse shot a different angle on moving images past present and future symposiums reviews videos features interviews newsletter archive about facebook twitter rss review first look moonglow by caden mark gardner may 3 2026 in such difficult times nostalgia remains a lifeblood for characters who risk losing themselves moonglow looks back down roads not taken images and gestures emanating through the hazy humidity of the manila night like cigarette smoke tweets by reverse_shot review first look humboldt usa by nicolas pedrero setzer may 2 2026 although the film is constructed as a love letter to alexander von humboldt it reveals something larger the state of a nation that has abandoned his wisdom review first look the whole world is a lie by clara cuccaro may 1 2026 the resulting tension undermines the initial project and becomes the subject of the film revealing the uneasy power dynamics at play between filmmaker and participants review first look 2026 tropical park by mark asch april 30 2026 the interpersonal drama gets at interrelated ideas of property ownership kinship and freedom meaning either independence or loneliness as the automotive sprawl of america s built environment flows past interview first look rachael j morrison joybubbles by edward frumkin may 1 2026 one of the big things that i want people to take away is the beauty of human connection like a one on one connection with someone just a phone call it s so simple and now we re just so saturated with technology interview arnaud desplechin two pianos by jawni han may 1 2026 he never went away but two pianos feels like a triumphant return for desplechin a testament to his maturing style and the observable fact that he is still a filmmaker to be reckoned with review nuestra tierra landmarks by a g sims april 30 2026 documenting the high stakes chocobar trial and unraveling the state s deceptions requires a certain amount of linear and coherent storytelling which martel has traditionally resisted in her films review first look 2026 a date with shirley by david schwartz april 26 2026 ken jacobs turned daily life into mind expanding perceptual adventures it is fitting that his final long form work is a record of his own haircut in chinatown by his favorite barber shirley at the v1 hair salon on 50 bayard street review first look 2026 little stabs by hannah bonner april 25 2026 while expanding consciousness can be generative it can also be discomforting as the first look 2026 avant garde shorts program little stabs suggests deriving its name from jacobs s little stabs at happiness 1960 these twelve films encapsulate jacobs s expansion of consciousness review first look 2026 it goes that quick by chris shields april 24 2026 in a perfect world every family would have its own version of it goes that quick this tender film from ashley connor and joe stankus captures the banality and the beauty of family with a cinematic flair that adds a distinct structural and artistic dimension to everyday conversations and events interview sho miyake by robert daniels april 24 2026 just in my day to day life if i am walking through the city at a very quick pace i feel like i m missing out on a lot of details i might not notice that the flowers are blooming likewise being in a movie theater and sitting still for a time allows a viewer to really be able to appreciate those small movements interview first look 2026 rachel lambert carousel by natalia keogan april 24 2026 i tend to shoot quickly so i always have a little extra time every day to be able to have these moments that we call bonuses there are moments where i didn t end up using what was scripted and only used what was improvised review first look 2026 100 sunset by sarah fensom april 24 2026 the second of the five precepts in tibetan buddhism addresses stealing advising practitioners not to take what has not been given 100 sunset is a wintry work of slow cinema is a meditation on what is taken what is freely given and what cannot be returned symposium too much harmony black black moonlight by ina archer april 22 2026 the number in question features a remarkable cinematographic trick imagining a harlem nightclub where leggy chorines seamlessly change skin color from white to black and back again accompanied by a bluesy torch song played by a black jazz orchestra feature review first look 2026 the misconceived by chloe lizotte april 22 2026 event horizon it is impossible to imagine the film being made with live actors if it were it would lose a crucial source of tension as so many key conversations in the film swirl around authenticity in artmaking and identity it s pointed for the film s visuals to encourage you to question everything you are watching reverse shot 2026 all rights reserved support for this publication has been provided through the national endowment for the arts moving image source was developed with generous and visionary support from the hazen polsky foundation in memory of joseph h hazen