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and european producers from mungo s hi fi to manasseh cultural warriors to jah warrior others may know him as the one time singjay on northeast london s unity hi fi where he recorded digi dancehall hits like run come call me watch how the people dem dancing and ring up my number i met kenny knots in june of 2008 at his studio in leyton northeast london where we talked for an hour or so about his music london sound systems sound tapes and videos and a range of other topics joining me on the bus ride to leyton was pras who is responsible for taking these photos there is some talk online of a solo album coming soon on scotch bonnet records so keep an eye out for that along with any other kenny knots releases and please do enjoy the interview how did you get your start in music i spent some time back in the day in the first studio producing unity music which was must dance international which is jah bunny ruddy ranks redeye elroy from black slate you know all these kinda people around so i got a pretty early insight to wha gwan inside the studio environment so it was always kinda good on that behalf and i always had ideas i could go to a dance and not like you have some singers and some deejays they rehearse very hard even to go to a dancehall you know but i be the kinda man that don t do much rehearsing like on that department you know just go in a dance hear something ina your head you know and say bwoy a dat me a go with and you just spit off a thing like you just sing a thing or you deejay a thing because i do a bit of both you know inside of the music industry i sing i singjay i do a bit of deejay i do a bit of this do a bit of that i try to fill my life with the music still no matter how it a come from you know even a guy give me a link the other day who does dubstep and stuff like that and some minimal kind of beats and you know to be a artist would you only paint houses or would you only paint cars you know or would you only do drawings and never do paintings so i look at it in that perspective for me music is an all around thing when i first started working inside of this place here and doing my little thing its like people were sent to me that done r b and stuff like that i could have turned them away and said i m a roots purist or try and learn from the experience and i chose to deal with the experience and find out what comes from it and it was fun i done about seven months of recording like trying to create beats in a different style which is nothing to do with where like perhaps i eat my bread from but it was all very good and i cherish them moments so a so it go who were the big sound systems in your area and what artists were you influenced by well influenced by bob marley peter tosh d brown you know the one that really give me the kickstart was i heard nitty gritty and i never heard any kind of singing like that in my life i said bwoy me haffi try that style deh and i tried it and i went down to the must dance studio i kept singing this song over and over and over watch how the people them dancing watch how the dance crowd dancing and the man say you know something mek we voice a tune and my first time really in front of a microphone you know like in a studio with headphones on it was new different to like just singing outside there was a few people in the studio at the time and there was words coming put in that word there and put in that word there you know and we put them in and redeye and ruddy who really kinda arranged the music for must dance they say alright then boom sing that piece twice sing that piece once come back with that piece deh thats a nice likkle phrase try that one deh again and it was about maybe five six hours seven hours and the tune was voiced up it was sounding good i struggled badly on harmonies didn t know anything about harmonies and stuff like that but they said come on you can do it so thats how watch how the people dem dancing was created and i felt more confident in myself as an artist coming along you know young fresh and green obviously at the time it wasn t very much like you know you had like johnny osbourne and them and tony tuff and they was releasing their music like conscious ites but you also had the other side which was like very dancehall light about girls and stuff like that you know and i went ahead with that like ring up my number and stuff like that and you know same thing just moving up the fire every single time and even around here because that was kinda hackney stoke newington side like this side leyton leytonstone walthamstow there was a few little sounds from round this side deh as a youth i had a sound called boss intruder with a brethren called beefy you know and so forth it was a lovely time we never had many speakers we never had many amps and we used to play like in house parties them times it was alright to have a house party and like you jam for the whole night now you ll get in trouble straight away with the police and rae rae so even at that time deh buying a preamp we got a guy called reese to build us a preamp and it was silver and it looked like a bomb it was sloping like that when we was on the bus with the preamp someone said to me like what is that thing you ve got in your hand and me say bwoy its a thing to play music ohh its a thing to play music okay so what s this button do and at the time i didn t really know what the button done yet cause we just picked it up i was bringing it home to go and play it so i was like i dunno that ones the bass that ones the treble you know long time inside of the sound system thing continue reading leave a comment filed under dub interviews london photography reggae uk april 24 2012 10 41 pm ruff luxury 13 colinda s bump i welcome you once again my friends to luxuriate with the sounds of another ruff luxury mixxup this one is something of a mixed bag selection featuring musical discs from new york trinidad venezuela puerto rico the bahamas louisiana colombia toronto and revere massachusetts vodpod videos no longer available download here 50 ways to leave your lover freeport city sound colinda the lawtell playboys cuerpo cobarde alejo durán y su conjunto cuando un amor se aleja alfredo gutierrez y su conjunto aya ya yai osvaldo rojano con el conjunto de virgilio de la oz la reina del sinu noel petro for cane mighty gypsey el cacharrito los curramberos de guayabal sema djosinha shuss grupo bota tu tu s way dereck onederful antoine yo little brother nolan thomas no pienso volver baltazar carrero oudtro 50 ways to leave your lover freeport city sound kicking things off is this wicked paul simon cover by the freeport city sound a bahamian group that as far as i know only released one record old man times this sparse funky rendition of 50 ways to leave your lover is the standout cut on the album and was what caught my eye recently as i came across the jacketless lp on the shelves at a local goodwill a private press calypso record with a cover of that song colinda the lawtell playboys this rural louisiana stomper from delton broussard and the lawtell playboys is taken from the 1979 compilation zodico louisiana créole music which comes highly recommended and has certainly received heavy rotations around my living room over the last month or two that i ve had a copy one thing i have enjoyed about this and other songs on the album is what to me sounds like a similarity with some older vallenato music especially in the cadence and delivery of the vocals cuerpo cobarde alejo durán y su conjunto alejo durán was my introduction to vallenato and in retrospect i feel fortunate of that listening to songs like cero treinta y nueve fidelina and cachuca bacana i was able to soak in the countrified stretched out sound of the genre s pioneers before being exposed to it s decidedly less ruff more polished modern incarnation thanks carlota this is one of my favorite of his compositions cuerpo cobarde taken from a discos orbe 45 cuando un amor se aleja alfredo gutierrez y su conjunto from one giant of the accordion to another we move now to alfredo gutiérrez with this uptempo side from the codiscos lp matilde lina y mas exitos con el rebelde del acordeon hopefully you can hear some of what i was saying about the lousiana valledupar connection in these selections aya ya yai osvaldo rojano con el conjunto de virgilio de la oz more vallenatos about heartbreak and lost love this one from osvaldo rojano co produced by dolcey gutierrez and felix butron and released on sonolux for felito s linea especial i really like these fast kinda depressing minor key songs and wish that i had been able to delve more into the rural vallenato records during my time in colombia in fact during the two days that we spent in valledupar i wasn t able to track down any person or place that was selling vinyl though this could have been due to the festival de la leyenda vallenata that was going on at the time and seemed to consume the entire city we did on the other hand hear some great performances la reina del sinu noel petro a native of carete córdoba nearby montería in colombia s caribbean coastal interior noel petro gained popularity in colombia in beyond during the seventies fabian from africolombia put me on to noel petro and blessed me with a couple of his lps including this self titled release on the impacto label for cane mighty gypsey after the somber subject matter of the last handful of songs i think we can all agree that some comic relief is in order trinidad s mighty gypsey fulfills the task in a fine style alongside ed watson and brass circle on this antillana 45 i hope you can enjoy this selection after all who doesn t like to go for cane every now and again el cacharrito los curramberos de guayabal in case the last track wasn t enough or you prefer your innuendoes to be in spanish we have another double entendre laden side this one by los curramberos de guayabal a group about whom i know very little their name would suggest that they were from guayabal but the the only places in colombia with that name are in cundinamarca pretty much the center of the country and medellín neither of which are likely locations for this sort of decidedly caribbean sounding music to emanate from the listed singer is alfredo varela but some light googling reveals that anibal velasquez was involved in the group along with this recording in particular despite the famed accordionist s lack of mention on the tropical 45 heard on this mix sema djosinha coladera is a type of dance music from cabo verde you can hear a fine example of the style on sema by djosinha josé vieira duarte taken from the mindelo sound lp biografia d um criol featuring arrangements by luis morais of voz de cabo verde fame this set was recorded a few miles away from where i sit in revere ma at fleetwood recording company for those that don t know boston and southeastern new england are home to a large and long established cape verdean community dating as far back as the early 19th century my collection only scratches the surface but there has been a long history of cape verdean records passing through and music being recorded and released in the areas between boston and providence ri shuss grupo bota grupo bota is a venezuelan group that at one time had a pretty big following in colombia with a lot of their stuff being licensed from velvet and released on fuentes the sound leans towards the psyche rock side of things but with heavy doses of funk and afrobeat in the mix shuss appears on the 1976 discos fuentes pressing of the album boom tu tu s way dereck onederful antoine oh damn it just got kinda weird in here tu tu s way is a caribbean style disco track about desmond tutu from the album amandla recorded and released in toronto sometime during the eighties the credited musicians are onederful as writer harley quashie as drum programmer and mikey on percussion harley quashie shares another credit as arranger alongside carlton zanda yo little brother nolan thomas almost a year ago now i met a lady at a small church flea market in my neighborhood who offered to sell me a pile of records from her car i was on my lunch break and had no time to look then but told her that i would return after the end of my shift to look at the records a few hours later after trying my best to get out on time i drove over to the church about thirty minutes after the time that we had agreed on there was no sign of the lady but a pile of about two hundred records was stacked on the sidewalk near where we had spoken this 12 was in the pile that when i looked through it ended up being mostly kinda bad disco and r b indeed this song itself is pretty bad but when you slow it down it takes on a whole new character in my ears anyway there is a video but i don t even want to subject you to the link no pienso volver baltazar carrero and back to some more ruff rugged and raw territory here with no pienso volver sung by pr s baltazar carrero with backing from nieves quintero y su conjunto cuerdas de oro del caribe the song is listed on the ansonia 45 as a milonga a style of music that i know nothing about but that seems interesting at first glance thanks you for listening enjoy leave a comment filed under boston cabo verde calypso canada colombia louisiana mixxups trinidad vallenato venezuela april 20 2012 12 26 am añejo soul i am excited to announce an upcoming party happening wednesday may second 5 02 at the milky way in jamaica plain añejo soul kangsen and myself will be pulling out all the stops and dropping some hot platters on the good people of boston for this event and we really hope you can join us from whatever side of the river you rest on the milky way is really just a hop skip and jump from where i live so not only do my dorchester peoples have no excuse but it feels extra nice to be bringing ruffneck fashion back across the bridge to our stomping ground for this one the music for the night will be in the same vein as the cumbia dancehall afrobeat stew we ve been stirring up at the ruffneck fashion nights but with an emphasis on bostoncentric sounds taken from records found in the area vintage recordings from cabo verde haiti trinidad and the dominican republic to set the tone for the evening come bubble with us to the finest vintage sounds from the caribbean latin america and africa taking a step backwards from the tropical bass movement of the moment djs trizlam and kangsen wakai test the limits and boundaries of tropical dance music through an excursion into genres like zouk coupé décalé soca merengue and konpa alongside cumbia soukous salsa dancehall and champeta criolla with an ear for the analogue and an aim to make you shake ruffneck fashion presents añejo soul wednesday may 02 9pm free 21andup 284 amory st jamaica plain leave a comment filed under boston events uncategorized april 17 2012 5 27 am ruff luxury 12 midnight ina el salvador once again i welcome you to listen to another installment of th...