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description=A blog in English Marathi about a way of looking at life with the help of visuals, cartoons...literature, philosophy, humor, history, cricket, cinema,;

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न्यूयॉर्कचं, रस्त्याचं, नसून, बालपणीचं, रोज, संध्याकाळी, साधारण, आठच्या, सुमारास, ओळखीचं, relics, speakeasy, corner, 1928, dry, print, अंधाराचं, वजन, meera, arora, nayak, अद्भुताला, रंगवलं, साक्षीदार, बनते, दख्खनी, निसर्ग, जिवंत, बोलतात, देवकथांचा, अवतार, घोषवाक्यात्मक, निष्कर्ष, हेच, वर्षांपूर्वी, चित्रातून, ठेवलं, मीरा, अरोरा, नायक, ह्या, पुस्तकात, unknown, childlike, astonishment, मध्ये, निवडणं, स्वतःतच, मोठं, सौंदर्यदृष्टिकोनाचं, विधान, भक्तीकडे, वळतात, करुणेकडे, शृंगाराकडे, स्थितीप्रधान, कृतीप्रधान, तत्त्वज्ञानात, याला, अवाच्य, बाहेरचा, मनाच्या, घडणारा, अनुभवत, शब्दात, सांगता, भक्तीमग्नही, भारावलेली, घाबरलेली, स्त्रीची, घडतो, soft, आश्चर्य, यांच्यातला, महत्त्वाचा, फरक, सूचित, करतात, सावल्यांत, मिसळलेले, गुलाबी, मातीचे, नारिंगी, रंगसंगती, स्वप्नाळू, अतिशय, नेमके, पकडतात, नेहमी, असाच, उघड, हातात, कथानक, सांगत, घोषित, चित्राचा, खऱ्या, किल्ल्या, डावीकडे, उजवीकडे, दिसणाऱ्या, अद्भुताचा, गाभा, रसात, नसतं, अनुभवणारी, आजूबाजूचा, परिसर, झाडं, हळूहळू, स्वप्नवत, वास्तवाचा, अवकाश, तयार, कोणाशी, संवाद, नजर, खाली, वळलेली, किंचित, वाकलेली, वळणात, मध्यभागी, केंद्रस्थानी, कथानायिका, हीच, पायरी, अलौकिक, हलकीशी, कोणतीही, ठळक, घटना, कथा, लगेच, उलगडत, बसत, नेमकं, दाखवणं, असतं, graspable, शृंगाराची, उष्णता, भक्तीचा, आवेग, आनंदाचा, हास्याचा, प्रदेश, भीती, भयानकाची, चित्रकलेत, त्यातून, मिळालं, सामाजिक, तपशील, नैतिक, चौकट, विश्वसनीय, गमावलं, रूपकात्मक, धाडस, मानसातील, विचित्रता, म्हणजेच, अनुभवाचा, प्रदेशच, बाहेर, पडला, कादंबरी, विशेषतः, २०व्या, शतकाच्या, वळणावर, एमिल, झोला, व्हिक्टर, ह्यूगो, सारख्यांच्या, युरोपीय, वास्तववादाकडे, वळली, शतकात, तथाकथित, वास्तवाने, कलेवर, प्रभुत्व, मिळवायला, सुरवात, बाजूला, पडले, प्रमुख, कादंबरीकार, जसे, आपटे, कधीच, काफ्का, च्या, metamorphosis, मधल्या, monstrous, vermin, सारख्या, कडे, वळला, कलाशास्त्रात, नवरसांइतकाच, मूळ, तितकाच, वाङ्मय, भरले, माझे, पहिले, जटायू, गिधाड, कोंढाणा, करताना, तानाजी, मालुसरे, सेनेने, वापरलेली, घोरपड, यशवंती, dare, thy, fearful, symmetry, blake, immortal, forests, night, burning, विस्मयाचा, प्रयोग, 1951, met, throughout, enjoyed, producing, paintings, celebrate, feminine, beauty, inspired, types, sixth, cave, murals, studies, distanced, source, absence, narrative, success, depends, quality, purity, daring, genre, scale, demanded, sureness, manipulation, areas, washes, resulting, sinuous, sensuous, favourite, painter, chaturthi, day, sept, mysore, excellent, bio, sketch, 100, draw, tuesday, पृष्ठ, रेषालेखकाची, पत्रे, संपादन, धर्मापुरीकर, जन्मशताब्दी, वर्षात, प्रकाशित, २०२६, २०२७, यांच्यात, रेषालेखक, संबंधी, झालेला, ईमेलवरचा, पत्रव्यवहार, वाचलाच, संबंधातला, पहा, व्यंगचित्रांकडे, पाहण्याचा, दृष्टिकोण, आपल्याकडे, unconventional, वाटेल, तसाच, साहित्याचाही, दीर्घकाळ, सखोल, दृष्टीनं, अहोरात्र, म्हणावा, सातत्यानं, जोपासलेला, छंद, अभ्यास, व्यंगचित्रांच्या, बाबतीत, धर्मापुरीकरांच्या, गोत्राचे, त्यांनी, मांडलेली, मतं, व्यंगचित्र, प्रेमिकानं, वरील, पाहावा, त्यात, प्रामुख्यानं, न्यू, यॉर्कर, मधील, इतरही, समावेश, http, sarchingforlaugh, पत्र, दिलीप, माजगावकर, यांना, लिहलेले, तारीख, फेब्रुवारी, परवा, धर्मपुरीकरांनी, 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p cavafy i d rather look at things than speak about them martin amis gogol is funny tolstoy in his merciless clarity is funny and dostoyevsky funnily enough is very funny indeed moreover the final generation of russian literature before it was destroyed by lenin and stalin remained emphatically comic bunin bely bulgakov zamyatin the novel is comic because life is comic until the inevitable tragedy of the fifth act सदानंद रेगे पण तुकारामाची गाथा ज्या धुंदीनं आजपर्यंत वाचली जात होती ती धुंदी माझ्याकडे नाहीय ती मला येऊच शकत नाही याचं कारण स्वभावतःच मी नास्तिक आहे त्यामुळं आपण त्या दारिद्र्याच्या अनुभवापलीकडे जाऊच शकत नाही तुम्ही जर अलीकडची सगळी पुस्तके पाहिलीत तर त्यांच्यामध्ये त्याच्याखेरीज दुसरं काही नाहीच आहे म्हणजे माणसांच्या नात्यानात्यांतील जी सूक्ष्मता आहे ती क्वचित चितारलेली तुम्हाला दिसेल कारण हा जो अनुभव आहे आपले जे अनुभव आहेत ते ढोबळ प्रकारचे आहेत kenneth goldsmith in 1969 the conceptual artist douglas huebler wrote the world is full of objects more or less interesting i do not wish to add any more 1 i ve come to embrace huebler s ideas though it might be retooled as the world is full of texts more or less interesting i do not wish to add any more it seems an appropriate response to a new condition in writing today faced with an unprecedented amount of available text the problem is not needing to write more of it instead we must learn to negotiate the vast quantity that exists how i make my way through this thicket of information how i manage it how i parse it how i organize and distribute it is what distinguishes my writing from yours tom wolfe the first line of the doctors hippocratic oath is first do no harm and i think for the writers it would be first entertain विलास सारंग इ स 1000 नंतर ज्या प्रकारची संस्कृती रुढ झाली त्यामध्ये साधारणत्व व विश्वात्मकता हे गुण प्राय लुप्त झाले आपली संस्कृती अकाली विश्वात्मक साधारणतेला मुकली आहे saturday october 03 2026 leonard starr s everyday happiness artist leonard starr 1925 2015 first what strikes the eye immediately this is joy without irony the woman is unselfconscious not coy her smile is open almost conversational she isn t performing for the viewer she s absorbed in her own small ritual that alone sets starr apart from a lot of mid century pin up or glamour illustration where happiness is often a mask for seduction here happiness is the subject not the bait the body present but not predatory yes the body is emphasized long leg corseted waist bare shoulders but notice something crucial nothing is tense no exaggerated arch no clenched toes no hyper sharpened erotic triangle the pose is relaxed almost domestic she s sitting not presenting this is very important for understanding starr s emotional register the mirror the photograph the absent man one of starr s quiet genius touches is the photograph of the man in the mirror frame he s smiling he s not watching her he s not dominating the composition he exists as context not control this changes everything the scene becomes i am happy and someone exists who shares my life but my happiness does not depend on being watched that s a subtle but radical idea for commercial illustration of that era color and line why the happiness feels clean starr s line is smooth continuous never aggressive his colors warm but not loud playful without garishness reds and greens balanced so the image never screams there is no visual anxiety here no harsh blacks no cutting diagonals the eye glides it doesn t pounce that glide is emotional as much as visual why you feel happiness and not just charm starr s women are often pleased with themselves amused by life quietly confident they are not yearning scheming inviting conquest this is happiness as self containment not conquest that is rare starr s happiness is not dramatic it is not heroic it is not tragic it is everyday happiness that may be why it feels so good and so rare in art especially modern art happiness often feels embarrassing naïve or suspect starr refuses that suspicion he simply says this moment is enough and somehow that still works decades later why leonard starr is unusual among mainstream artists most mainstream illustrators carefully manage desire fantasy ownership starr breaks one rule he allows his women to enjoy themselves independently of the viewer that makes them less erotically available more psychologically complete mainstream art usually fears this because a complete woman cannot be possessed by the gaze yet starr risks it that risk is why the image feels strange even slightly uncooperative p s ai help has been taken although ideas are mine posted by aniruddha g kulkarni at 9 00 am no comments email this blogthis share to x share to facebook share to pinterest wednesday september 30 2026 हे चित्र शरीर दाखवत नाही ते क्षण दाखवतं आणि क्षण नेहमीच धोकादायक असतात art of gene bilbrew this moment cannot last artist gene bilbrew 1923 1974 gene bilbrew was one of the finest magazine illustrators of mid 20th century america he worked in a world where suggestion had to do the work of exposure bilbrew was not painting bodies for titillation alone he was painting tension the sexual charge comes not from nudity but from composition light why your eye doesn t linger crudely notice how the light behaves the brightest light falls on the woman s face her upper torso the legs though prominent are tonally even almost sculptural not spotlighted this does something crucial your eye moves upward not downward in sleazy images light pulls the eye to erogenous zones here light pulls the eye to expression and moment her face is not passive it s alert almost dramatic half surprise half decision 3 shadow what is withheld matters more than what is shown look at the shadows the man s face is partly erased his features dissolve into shadow he becomes function not personality this shifts power in cheap erotic art man actor woman object here woman center of meaning man silhouette pressure circumstance shadow is doing ethical work here 4 the fan why it arrests one subconsciously the steering wheel fan like object is brilliant visually it creates a circular counterpoint to the diagonals of bodies anchors the composition so it doesn t collapse into chaos symbolically it does more it introduces mechanics movement velocity risk interruption this is not a bedroom this is a moment that wasn t planned eroticism here comes from interruption not indulgence 5 posture why the image feels dramatic not pornographic pornographic posture is designed for viewing this posture is designed for balance one heel lifted one leg extended body twisted not opened she is maintaining equilibrium not offering herself that alone changes everything 6 why one feels this is unique this image belongs more to film noir than to pin up culture it has urgency ambiguity a sense that something irreversible is happening nothing here says look at this body everything says this moment cannot last it doesn t ask do you like this it asks what just happened and what happens next p s i have taken ai help to compose part of the post but all ideas are mine posted by aniruddha g kulkarni at 9 00 am no comments email this blogthis share to x share to facebook share to pinterest labels gene bilbrew noir sunday september 27 2026 शांत रस दीनानाथ दलालांचा स्थैर्याचा क्षण dinanath dalal s shant rasa 1953 १९५३च्या दीपावलीच्या दिवाळी अंकात अप्रतिम मुखपृष्ठाव्यतिरिक्त दीनानाथ दलाल यांनी सहा चित्रांची एक मालिका साकारली आहे शृंगार वत्सल करुण भक्ती अद्भुत आणि शांत आजचं आणि मालिकेतील शेवटचं चित्र शांत ________________________________________ शांत रस भावनांचा अभाव नाही तर भावनांनंतरची स्थिरता भारतीय रसपरंपरेत शांत हा रस कमी भावनांचा नाही तो आहे भावनांचा प्रवास पूर्ण झाल्यावर येणारी मानसिक स्थिरता ________________________________________ विषय निवड अहिल्या विलक्षण पण अत्यंत अचूक शांत रसासाठी दलालांनी रामायणातील अहिल्येचा प्रसंग निवडला आहे अहिल्या म्हणजे अन्याय झालेली स्त्री दीर्घ शिक्षा भोगलेली अवस्था पण रडत बसलेली नाही क्रोधाने पेटलेली नाही ती प्रतीक्षेत स्थिर आहे शांत रसासाठी याहून अवघड आणि सुंदर विषय निवडता येणं कठीण ________________________________________ दगड शिक्षा नव्हे अवस्था अहिल्या दगड झालेली हा प्रसंग बहुतेक वेळा शिक्षा म्हणून वाचला जातो पण दलालांच्या चित्रात दगड म्हणजे मृत्यू नाही जडत्व नाही शून्यता नाही तो आहे इच्छांचा विराम क्रियेचा थांबा भावनांचा समतोल अहिल्या इथे दगड बनलेली नाही ती दगडासारखी स्थिर आहे ________________________________________ रचना composition हालचाल मागे शांतता पुढे चित्रात दोन स्पष्ट स्तर दिसतात पार्श्वभूमीत राम लक्ष्मण आणि गौतम सगळे हालचालीत कृतीत अग्रभागी अहिल्या बसलेली हात जोडलेले मान झुकलेली ही रचना सांगते जग चालू आहे पण शांतता एका जागी स्थिर आहे ________________________________________ देहभाषा नम्रता आहे शरणागती नाही अहिल्येचे हात जोडलेले आहेत पण तिचं शरीर लाचार नाही मान झुकलेली पण देह मोडलेला नाही चेहरा संयत भाव स्थिर ही शांत प्रतिष्ठा आहे दलाल इथे दया मागणारी स्त्री दाखवत नाहीत ते दाखवतात स्वतःशी समेट झालेली स्त्री ________________________________________ रंग आणि प्रकाश मऊ उबदार नाट्यमय नाही इथे तीव्र रंग नाहीत भडक प्रकाश नाही नाट्यमय विरोध नाही रंग मृदू आहेत पिवळे तपकिरी धूसर हिरवे शांत रस उजेडात नसतो तो मऊ प्रकाशात असतो ________________________________________ भारतीय अर्थाने शांत शांत म्हणजे दुःख नाही असा दावा नाही अन्याय विसरला असंही नाही शांत म्हणजे घडलेलं स्वीकारून पुढे जाण्याची मानसिक स्थिरता अहिल्या इथे क्षमा करत नाही हिशेब मांडत नाही ती फक्त स्थिर आहे ________________________________________ रसमालेचा परिपूर्ण शेवट दलालांनी शृंगाराने सुरुवात केली आणि शांततेवर थांबले ही फक्त सहा चित्रांची मालिका नाही हा मानवी भावविश्वाचा प्रवास आहे ________________________________________ एक वाक्यात सांगायचं तर दलालांनी शांत रस काहीच न घडणं म्हणून नाही तर सगळं होऊन गेल्यानंतरची स्थिरता म्हणून रंगवला आहे शृंगाराने मन उघडलं वत्सलाने उब दिली करुणेने अंतर्मुख केलं भक्तीने झुकवलं अद्भुताने विस्मय दिला आणि शांत आपल्याला स्वतःशी राहू दिलं ________________________________________ कलाकार दीनानाथ दलाल दलाल आर्ट स्टुडिओ सौजन्य व आभार महाराष्ट्र राज्य मराठी विकास संस्था चित्रकार दीनानाथ दलाल मेमोरियल समिती दलाल परिवार posted by aniruddha g kulkarni at 9 00 am no comments email this blogthis share to x share to facebook share to pinterest labels 1953 deepawali magazine dinanath dalal thursday september 24 2026 p c vey unexamined life doomsday clock not plugged in and the bison are on the move great p c vey has died on september 17 2026 at the age of 70 peter was a gag cartoonist s cartoonist his overriding aim was to be funny and he rarely missed if a deeper meaning emerged so much the better but funny was his lodestar i have many of his cartoons stored on my pc hard disk he was for me as good as leo cullum they share that wonderful new yorker ability to make a cartoon look almost casually drawn while concealing quite a lot of intellectual machinery underneath it cullum often begins with an absurd social observation and pushes it into an unexpected direction vey seems more often to begin with an idea and then find the absurd situation that will expose it i wish to share a couple of cartoons of vey john gray straw dogs thoughts on humans and other animals 2002 socrates was able to believe that the examined life is best because he thought the true and the good were one and the same there is a changeless reality beyond the visible world and it is perfect when humans live the unexamined life they run after illusions they spend their lives searching for pleasure or fleeing pain both of which are bound to pass away true fulfilment lies in changeless things an examined life is best because it leads us into eternity we need not doubt the reality of truth to reject this socratic faith human knowledge is one thing human well being another there is no predetermined harmony between the two the examined life may not be worth living posted by aniruddha g kulkarni at 9 00 am no comments email this blogthis share to x share to facebook share to pinterest labels leo cullum p c vey the new yorker monday september 21 2026 ओठांवर हृदय १९४१ एक चुंबन आणि विरह the great alex raymond a heart on the lips farewell 1941 the strip is by alex raymond the creator and principal artist of flash gordon raymond s genius lay not only in spectacle but in romantic gravity faces gestures and pauses that feel almost cinematic this particular daily strip ran on 18 may 1941 just months before the u s entered world war ii who the characters are flash gordon the blond man in the red ceremonial uniform flash is earth s champion on the planet mongo brave upright and almost mythically honorable dale arden the woman embracing and kissing him dale is not a passive damsel she is emotionally strong morally grounded and often the conscience of the story the soldiers in the background belong to mongo s palace guard witnesses to both victory and farewell what is happening in the story by this point in the saga flash has defeated ming the merciless the long standing tyrant of mongo peace has been restored flash is being honored publicly hence the ceremonial dress and formal guards but victory comes with separation flash must leave dale either to return to earth or to continue a dangerous mission raymond often structured endings around noble departure rather than domestic closure the caption tells you everything while the whole nation indulges in mad celebration her heart is on her lips as she proudly and sweetly bestows the victor s reward the victor s reward is not power land or triumph it is love briefly given fully felt and consciously relinquished why the image feels so powerful a few quiet things raymond does here public vs private the kiss happens in full view yet it is utterly intimate the guards look away the world pauses no sensual exaggeration this is not erotic it is restrained almost classical closer to a farewell kiss in war cinema than pulp fantasy 1941 subtext american readers in 1941 would immediately read this through the lens of soldiers leaving lovers parting honor overriding desire flash s uniform even resembles a hybrid of roman napoleonic and modern military imagery timeless heroism at the edge of sacrifice dale s agency she gives the kiss flash receives it that reversal matters posted by aniruddha g kulkarni at 9 00 am 3 comments email this blogthis share to x share to facebook share to pinterest labels 1941 alex raymond flash gordon friday september 18 2026 someday all this will be infrastructure artist warren miller 1936 this is what happened to many parts of india i know before pune rivers were revived in cities river fronts were developed river cruises of before 1947 were revived we got metros running over them posted by aniruddha g kulkarni at 9 00 am no comments email this blogthis share to x share to facebook share to pinterest wednesday september 16 2026 वसंत सरवटे यांनी केलेले कौतुक आणि दिलेले प्रोत्साहन i owe a lot to vasant sarwate दीनानाथ दलाल आणि वसंत सरवटे आणि त्या खालोखाल रघुवीर मुळगावकर आणि शि द फडणीस ह्यांची चित्रे पहात मी लहानाचा मोठा झालो नंतर r k laxman वगैरे आले मला चित्रे काढता येत नाहीत पण मी विचार चित्रांत करतो चांगले चित्र मला लवकर सोडत नाही ते त्...