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academic training the society of figurative arts skip to content the society of figurative arts menu close home in person education open sessions labs workshops reserve mentored session purchase pass online lessons information about news testimonials opportunities art calls contact articles aesthetics art history biographies classical tradition figurative arts keeper of the keys the human form in art the nude in art demos g r a v i t y galleries exhibitions knowledge vault academic training color theory design composition disegno figure structure la scuola di disegno classico library resources mass conception mastery mind s eye proportions visual literacy recommendations reviews tools techniques what would leo do log in academic training drawing vs craft posted on october 26 2020 first one needs to understand that drawing is more than a craft it is an integral part of the plastic arts they need to understand what constitutes art and what does not they need a strong overview and a game plan in order at achieve mastery they need to understand the five levels of intent continue reading chardin real realism posted on may 14 2020 jean siméon chardin was born in 1699 and came to manhood a when the rococo of watteau fragonard and boucher was the style de jour rococo rivaled in decadent frivolity depicting erotic nudity romantic trysts and carnality the reality we associate with painting how we see in the manner of velasques vermeer and chardin was continue reading the twilight of contour posted on april 24 2020 let us begin with what is known as the boston school of painters key figures in the boston school were edmund c tarbell frank weston benson and william mcgregor paxton all of whom trained in paris at the academie julian and later taught at the school of the museum of fine arts other painters associated continue reading academic xenophobia posted on april 9 2020 once upon a time the french academy dictated what was defined as fine art and what was not if one did not follow the academies rules he was considered unskilled untalented and scorned by the academy we use he here because the official academy did not admit women these regulated regurgitated governmental dictums held sway continue reading each to their own devices posted on april 8 2020 in his book secret knowledge hockney and professor martin kemp discuss known visual procedures of past masters this evidentiary material allows the reader to arrive at their own conclusions there is more than enough scholarly evidence that vermeer and many others used a form of camera obscura or curved mirror as a visual aide in continue reading and apple a day posted on march 28 2020 we are often asked the difference between realist and representational art the image to the left is of course a photograph photographs are what realist art is compared to this illustration of an apple is an example of what one might find in a vintage seed catalog it actually describes the apple in terms of continue reading the trinity of mastery posted on june 2 2019 core academic training there are three areas where the apprentice has the most to learn they are drawing from life drawing masterworks and drawing from imagination the apprentice must include a third of each in their studies as the world s great masters have done for over six centuries practitioners in past centuries studied and analyzed continue reading what are you looking for search search member login log in or sign up studio address 3306 wiley post studio 104 carrollton tx usa 75006 help contact shipping returns opportunities connect with us meetup facebook youtube instagram pinterest x subscribe receive updates about new posts and workshops in your mailbox type your email subscribe terms and conditions privacy policy the society of figurative arts loading comments write a comment email required name required website