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typography day 2025 keynote speakers professor nassar mansour professor nassar mansour is an artist calligrapher academic and designer in the field of islamic arts specializing in islamic calligraphy he is considered to be one of the most accomplished contemporary arab calligraphers today he is professor of islamic art arabic calligraphy at the institute of islamic arts in amman jordan nassar is best known for his serious academic research on islamic calligraphy and for his academic and artistic efforts in reviving muhaqqaq one of the six classical scripts الخطوط الستة as a successful artistic medium for contemporary islamic calligraphers nassar was the first jordanian to obtain the traditional ijaza in calligraphy from the islamic world s premier master calligrapher hasan çelebi in 2003 istanbul in april 2018 he was awarded the artistic creativity award for his academic and artistic efforts in reviving muhaqqaq script by the arab thought foundation atf keynote address title square kufic script between sacredness and everyday use poosapati parameshwar raju poosapati parameshwar raju is an artist calligrapher researcher and an expert in communication his expertise in communication documentation and publication design is celebrated across the globe in his work we witness the phenomenon of a new genre that could be termed as iconic calligraphy his images are offspring of an epistemological discernment and the minimalist s aesthetic ensuing from his personalized research of iconography signs and symbols inherent in the indian ceremonial culture based on his research in indian iconography he has creatively experimented and explored calligraphy to represent the sacred using narratives and storytelling he is highly skilled and the forms are minimal and both contemporary as well as traditional his works has been exhibited in delhi bangalore baroda hyderabad kochi kolkata mumbai germany and beijing his works have been published and has conducted several workshops with students at events and colleges in india he lives and works in hyderabad he has a bfa from the government school of art aurangabad and an mfa in applied art from babasaheb ambedkar marathwada university aurangabad keynote address title sacred geometry traditional indian grids natural forms and their role in visual design padma shri achyut palav padma shri achyut palav is one of the foremost names in indian calligraphy today with his unique approach and faith in the aesthetic appeal of the art he has made significant contribution in reviving the glory of indian calligraphy his efforts initiatives have made it possible for the devnagari script to gain popularity on national international platform through his various exhibitions and workshops in india and abroad he has demonstrated calligraphy in devnagari english other indian languages he believes that each letter symbol is a design in itself has the potential of a becoming a piece of art he has successfully experimented in fusing calligraphy with performing arts while working with noted musicians dancers theatre artists achyut palav has many publications exhibitions and awards to his name befitting the tremendous work he has done he has founded the achyut palav school of calligraphy established callifest a festival of indian scripts his current work primarily is to promote calligraphy in all spheres of life and ensure that it reaches newer heights of glory professor dr ramesh c gaur professor dr ramesh c gaur is presently working as dean administration director head kala nidhi division at indira gandhi national centre for the arts ignca new delhi ministry ofculture government of india during the period march 2022to october 2023 he was the director of national school of drama he has also served as dean academics ignca from 2019 2022 www ignca gov in his past assignments includes jawaharlal nehru university jnu new delhi www jnu ac in tata institute of fundamentalresearch tifr crri csir ris new delhi management development institute mdi andimt ghaziabad etc fulbright scholar vt usa prof gaur has visited more than 24 countries and has received honoured with over 18 national and international awards some of theimportant one includes ncpedp mphasis universal design award 2017 and turnitin globalinnovation awards 2017 usa prof gaur is the first indian nominated as member international advisory committee iac unesco memory of the world mow programme 2018 2025 as well as member unescoglobal task force on indigenous languages 2020 2032 prof archana shekara prof archana shekara is a graphic designer researcher creative director and educator she is a professor of graphic design and the harold gregor endowed professor of art co director of ethnic studies program and creative director of design streak studio a research based social innovation lab focusing on human centered service design at illinois state university usa shekara has close to three decades of professional experience designing for diverse industry clients she uses design as a tool to build cross cultural understanding acceptance and respect as a socio cultural researcher she investigates her transnational identity as an indian american by understanding racial equity and decoloniality through a brown cultural lens and creates critical awareness using ethnographic narratives her medium for creative expression takes on various forms such as type design curating immersive participatory experiences interactive installations using mixed and various emerging digital media which evoke multi sensory responses pouya jahanshahi pouya jahanshahi is an iranian born graphic designer scholar and curator currently an associate professor of graphic design at oklahoma state university an endowed professor at the global studies and the director of the mfa program he earned his m a at cal state fullerton with a focus on the anatomy of a visual message and the realm of semiotics in time based media he received his mfa in graphic design and integrated media from the california institute of the arts calarts where he researched the global development of what he has termed hybrid visual cultures focusing on the post revolutionary and hybrid characteristics of iranian typography he has been the voice of iranian graphic design in western academia he is the co founder of pasaj collaborative and local not local art and design collaboratives as a design activist his curated 20x20 posters for peace collection is now being exhibited across the globe disseminating the message of peace while working with a broad range of cultural organizations and clientele when time permits he pursues his hobbies of persian calligraphy silk screening and concrete poetry speaker presentations the following are the accepted papers for presentation during the conference 6th 7th and 8th march 2025 at idc school of design iit bombay mumbai india click to google map academic speakers a moribund language an intangible cultural heritage understanding how kodava language can be taught without having a prevalent script even after several attempts to develop a script were made since the 1800 s kavana khanna doon university india enhanced reading exploring the principles of typographic storytelling from message to narration alexander tibus berlin international university of applied sciences germany eternal letters and their immortal stories ashok gopal parab sir j j institute of applied art mumbai india excerpts to edifice phenomenological writings as an instrument to spatial design for well being mohesh babu radhakrishnan care school of architecture trichy india the impact of typography over storytelling revolutionizing arabic learning from script to screen dr fahad a dhawi american university of kuwait kuwait expressive devanagari the visual storytelling of kamal shedge apurva milind vaidya sophia polytechnic india craft culture and collective memory an analysis of storytelling with typography using malayalam and latin letterforms in day to day life in kerala durgambika p varma karghewale loomers india pvt ltd india scripted in style the aesthetic reclamation of malayalam typography in contemporary design ashish mathai unitedworld institute of design and jesna jose st stephen s college uzhavoor india professional speakers speaking volumes celebrating typographic diversity and storytelling in old regional periodicals in gujarati and tamil jayasri sridhar national institute of design ahmedabad india type less the fluid form of typography in zines non books serving as an inclusive medium of cultural storytelling sayali milind phadke dentsu international mumbai india creative coding in devanagari typography techniques challenges and possibilities tejas nerlekar ektype pune india student speakers visual storytelling through typography a study of marathi book covers and genre specific design monali balwant chopkar and vaishnavi vijay patil mit institute of design pune india bridging heritage and design a typeface inspired by the cultural identity of majuli udit dutta and dr abhijit padun central institute of technology cit kokrajhar india beyond aesthetics typography s role in shaping stories saqib kaleem indian institute of technology iit roorkee india exploring child psychology through writing patterns emotional expression storytelling and experimental typeface design ahchana fariha and dr abhijit padun central institute of technology cit kokrajhar india ornamental heritage in the digital age reimagining the kaithali script for contemporary use pramiti borah and dr abhijit padun central institute of technology cit kokrajhar india visual voices of kerala s politics a study of hand painted political graffiti neetha joseph kalappurakkal and prof ankita roy indian institute of technology iit hyderabad india typography as cultural storytelling a typeface inspired by assam s indigenous food heritage aitijya bharadwaz and dr abhijit padun central institute of technology cit kokrajhar india a homage to sukumar roy through type design with the bangla script introducing hiji bij bij adrija mukherjee university of petroleum and energy india anthropomorphism of the phone directory storytelling one character at a time tejaswini anil rajput rachana sansad college of applied art and craft india menu home speaker presentations poster competition winners logo design competition call for papers poster design competition registration schedule workshops accommodation weather direction sponsors about us contact information earlier typo days typography day 2008 typography day 2009 typography day 2010 typography day 2011 typography day 2012 typography day 2013 typography day 2014 typography day 2015 typography day 2016 typography day 2017 typography day 2018 typography day 2019 typography day 2020 typography day 2021 typography day 2022 typography day 2023 this is licensed under industrial design centre indian institute of technology bombay