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ntire village is being reimagined as a living gallery walking through the village you will soon see a landscape transformed residential canvases the outer walls of homes are being whitewashed and adorned with intricate madhubani motifs turning every street into an exhibition infrastructure for artists twelve dedicated craft stalls have been established providing a permanent marketplace where local artisans can sell directly to collectors and tourists effectively removing the barriers created by middlemen preserving diversified crafts while painting is our heartbeat the shilpgram is also dedicated to reviving and promoting sikki grass work paper mache sujni embroidery and terracotta ensuring that the full spectrum of mithila s creative output is preserved honoring a legacy of excellence jitwarpur has long been known as the village of awardees it is the land of legends like jagdamba devi the first artisan to receive the national award in 1970 and other luminaries like sita devi and baua devi this inauguration is a tribute to their struggle and success by establishing a world class guest house and a museum on site the government is making it possible for art enthusiasts and researchers to stay in the village learn from master craftsmen and experience the mithila lifestyle firsthand why this matters for the creative economy as a professional artist i see this as more than just a tourism boost it is an economic engine by providing artists with direct market access and modern infrastructure we are ensuring that the next generation sees the traditional arts as a viable prestigious career path the success of the jitwarpur model is already sparking further growth plans are already in motion to develop similar hubs in ranty rayam bhusara and tharakatti final thoughts seeing my heritage honored in this way fills me with a renewed sense of purpose we aren t just looking back at our history we are building a future where our art is respected protected and accessible to the world if you ve ever wanted to witness the soul of indian folk art there has never been a better time to visit madhubani via https timesofindia indiatimes com city patna bihars first shilpgram inaugurated at madhubanis jitwarpur village articleshow 128652825 cms at april 24 2026 no comments email this blogthis share to x share to facebook share to pinterest wednesday march 04 2026 my experience at craft bazaar chennai showcasing madhubani art i had the wonderful opportunity to participate in the craft bazaar organised by the craft council of india at the mother teresa women s complex valluvarkottam chennai from february 13 to february 17th 2026 the event brought together artisans and craft practitioners from across india and created a vibrant space to celebrate handmade traditions indian folk art and artisan craftsmanship at my stall i showcased a curated collection of contemporary madhubani paintings along with my signature madhubani wearable art collection visitors could explore my hand painted madhubani sarees dupattas stoles and for the first time a newly launched collection of hand painted madhubani suits these textile pieces are created in collaboration with talented women artisans from bihar together we work to translate the rich heritage of traditional madhubani painting into contemporary textiles that can be worn and appreciated in everyday life throughout the exhibition i had the opportunity to interact with a wide range of visitors art collectors international buyers families students and craft lovers many people spent time observing the intricate detailing that defines madhubani art including motifs such as fish peacocks lotuses birds and other elements inspired by nature and mythology one of the most heartwarming aspects of the event was meeting several of my followers from chennai and nearby areas who came specifically to visit the stall it was a joy to connect with people who have been following my journey and to share stories about the traditions and symbolism behind mithila painting the response to the collection was truly encouraging visitors showed deep interest in authentic hand painted madhubani textiles and paintings and it was wonderful to see many pieces finding new homes with people who appreciate handmade art events like the craft bazaar remind me how important it is to continue preserving and presenting madhubani art from bihar in meaningful contemporary forms they also create valuable opportunities for conversations around indian handmade traditions sustainable craft practices and artisan livelihoods i am deeply grateful to the craft council of india for providing this platform and for supporting artisans and traditional art forms across the country experiences like this strengthen my commitment to taking madhubani art to wider audiences in india and beyond through both paintings and wearable art at march 04 2026 no comments email this blogthis share to x share to facebook share to pinterest labels chennai craft coucil of india handmade tamil nadu vidushini saturday february 28 2026 my first exhibition in kolkata boishakhi handloom handicraft exhibition participating in the boishakhi handloom handicraft exhibition organised by the crafts council of west bengal at the birla academy of art culture was a special milestone in my artistic journey this was my first exhibition in kolkata and in west bengal and i am grateful that i had the opportunity to present madhubani by vidushini to the city s vibrant art community over the two days i showcased a collection of contemporary madhubani paintings and wearable art including hand painted sarees dupattas and stoles created on handwoven fabrics my work brings together the traditional storytelling and intricate motifs of mithila with contemporary aesthetics and it was heartening to see how warmly the audience in kolkata responded to it the exhibition attracted visitors from all walks of life art lovers collectors craft enthusiasts and even international buyers exploring authentic indian handcrafted art many followers of my work also came to meet me at the stall and it was wonderful to see friends and relatives who had come specially to support me during the exhibition one of the most memorable moments of the event was the visit by renowned actress moon moon sen she spent considerable time at my stall engaging in a thoughtful conversation about madhubani art she asked several questions about the symbolism of the motifs the storytelling traditions of mithila and my personal journey as an artist her genuine curiosity and interest made the interaction truly meaningful for me i must also acknowledge the excellent organisation of the exhibition the event was thoughtfully curated and smoothly managed creating a wonderful environment for artisans and artists to connect with audiences who appreciate handmade crafts and traditional art forms for me this exhibition was more than just a showcase of my work it was an opportunity to introduce madhubani art from bihar to a new audience in kolkata share stories behind the motifs and build meaningful connections with collectors admirers and fellow craft enthusiasts i return from kolkata with a sense of gratitude and joy the warmth and encouragement i received reaffirm my commitment to preserving and presenting madhubani art in contemporary forms through paintings and wearable art i hope this is just the beginning of a long and meaningful association with the art lovers of kolkata at february 28 2026 no comments email this blogthis share to x share to facebook share to pinterest labels birla art and craft craft council of west bengal handmade kolkata sunday february 22 2026 a village in bihar refuses to let one of india s oldest art forms die article in vogue india with many youngsters having migrated for work it has fallen to the middle aged and elderly to keep the village of jitwarpur and its madhubani heritage going article and photos by jigyasa mishra published on vogue india on 21 february 2026 it is two in the afternoon but there s no trace of sun in the lanes of this finely painted village that s how the december and january afternoons are in jitwarpur a craft village in bihar gloomy due to the weather yet bright with pops of colour suffusing the murals as i walk inside closer to the houses the smell of fresh paint hits my olfactory nerves two steps further my eyes rest upon a dalaan the open living or sitting area outside the homes in bihar used for formal meetings or to sip chai over conversations painted only in red motifs belonging to one dhruvkala devi it s because red is the sacred colour we exclusively use for making wedding murals dhruvkala explains jitwarpur is a village in the madhubani district of bihar considered the origin of mithila or madhubani paintings located in the mithilanchal region of bihar where maithili is the native language and people worship goddess sita as their own daughter it is home to the majority of madhubani artists some of whom own national and international honours while others are successful business owners but jitwarpur still lives a slow life with many of the younger generations having migrated for work outside the district and even the state it has fallen to the middle aged and elderly to keep this art village going while the village is still unpopular among travellers like most of bihar it is indeed a hotspot of bureaucrats and art lovers the current and past district magistrates of madhubani and darbhanga have visited us several times with officials and family members researchers from across the globe also often visit us they even bought paintings from us which were made on silk saris dupattas and paper confirms mithilesh jha a resident of jitwarpur mithilesh is the grandson of the late sita devi a padma shri awardee who was the first artist to bring mithila painting to paper from the cow dung coated walls allowing the art to travel the world beyond the houses and walls that remained rooted in the village none of us has a shop or showroom here or outside the village for us this is pure art limited to practice and perseverance rather than being exhibited for sales mithilesh shares as he takes out a stash of fabrics painted over the years some silk some cotton some saris some dupattas some table covers some bedsheets you would find our almirahs and shelves filled with the paintings hoping a buyer would take them home someday he adds echoing how the village is not a craft bazar or museum but a lived canvas where creativity is practised for its residents without any deadline to meet and target to achieve dadi never let her fame take over her creativity she was accompanied by her son my father on all the trips she took be it our raj bhawan visit to meet the then pm indira gandhi or japan and the us for exhibitions she always wanted to teach him the art but it was all in vain he was never interested but since he could not fully ignore his mother he would just fill in the solid colours in the motifs and figures mithilesh smiles though not in the village itself the region has several young artists who post their artwork on instagram and run small businesses through social media like swati jha a first year mfa student from darbhanga i have grown up seeing my mother uncles and grandmother draw mithila art on the walls aripan a kind of rangoli on the floor and even on paper later i started studying it in graduation but my focus remained on madhubani paintings says swati who takes part in exhibitions and pop ups to sell madhubani painted shawls saris dupattas shirts and dresses yet artists like dhruvkala devi who at 76 still holds her number 3 camlin brush in shivering hands to perfect the outline of goddess kali s wide set eyes are what hold the village together and keep its traditions alive come on in you ve only seen the dalaan there s more inside she says gently pulling me through a narrow gallery lined with a large mural that leads into her three room house with yet another mural all in scarlet red without the interference of any other colour we recently wrote all of this for my grandson s wedding dhruvkala tells me locally artists refer to drawing madhubani motifs as writing we stand in front of the kali figure as the gallery ends and we are joined by her daughter in law she also paints i have taught her too dhruvkala proudly reveals while mithilesh learned madhubani from his grandmother his children did not carry it forward he says there is a lot of love for the art in the global market particularly among elite collectors and designers but a big chunk of the profit is siphoned off by agents they get the products made by local artists at cheaper rates and sell them at much higher prices he also blames the pressure to contemporise the tradition which he argues ruins the essence of the art form every day after breakfast i begin working on an ongoing piece or start a new one says mithilesh as he slowly double lines the lotus on his canvas perfecting the space between the first outline he dips his brush into the black paint bottle and repeats the lining this one will be completed in a week he says more to himself than to me via article published in vogue india at february 22 2026 no comments email this blogthis share to x share to facebook share to pinterest labels madhubanipainting vogue india older posts home subscribe to posts atom learning networking and new perspectives at msme sparks 2026 last week i had the opportunity to attend the msme sparks 2026 grand finale in bengalurua melting pot of founders investors and ecosystem search this blog total pageviews contributors vidushini prasad techwinks home blog archive 2026 6 june 1 learning networking and new perspectives at msme april 1 march 1 february 3 2025 24 december 1 november 2 september 1 august 4 july 1 may 5 april 3 march 2 february 2 january 3 2024 19 december 4 november 1 october 1 september 2 august 1 july 2 june 3 march 1 february 1 january 3 2023 4 november 1 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