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lara ginzburg about designed to be different lara ginzburg about artist resume exhibitions publications and recognition awards testimonials shop workshops preview page tutorials projects exercise etc enameling and metalsmithing tips tricks and beyond videos graphite and gold hydrangea plique a jour enameling technique spring daffodils keum boo different approach plique a jour enameling for traditional metalsmithing plique a jour enameling for metal clay opalescent enameling enamel painting workshop cloisonne enameling technique introduction to metalsmithing introduction to enameling embellishing the enameling surface soldering for silver metal clay soldering de mystified enamel painting on metal clay introduction to metal clay studio time testimonials workshop policies past workshops and workshops co hosted contact retail wholesale wholesale catalog her first encounters with art go back to her early childhood art education in day care she is thankful to her wonderful daycare teacher who gave her first lessons in needlework watercolor oil painting and clay sculpting this teacher also organized her first solo art exhibition developing in her an early love of art her work including articles she has written on jewelry making appears in numerous publications and is exhibited nationally in galleries and art shows the ancient art of enameling dates to the hellenistic era lara uses this historic medium to create unique pieces her jewelry reflects her inner vision inspired by her love of life nature the ancient world and her travels to places near and far handcrafted in sterling silver and high carat gold her heirloom quality jewelry is unique affordable and comfortable to wear her jewelry continuously interacts with its wearer expressing its owner s sense of beauty she is very passionate about all forms of enameling enameling considered the most intricate and difficult of all jewelry techniques the process of fusing glass to metal can be dated as far back as the hellenistic period 323 b c to 31 b c vitreous enamels start as powder made of finely ground glass mixed with mineral pigments to reach the desired depth and clarity of color the piece needs to be fired in a kiln several times between 1 380f and 1 560f enamels come in many forms including powder lump pigment pencil and watercolor all of which can be seen in my pieces she enjoys experimenting with many enameling techniques such as basse taille champleve cloisonne limoges painting and drawing to name a few lara is not only passionate about working in many enameling techniques but else sharing her knowledge and passion with others she is teaching in her studio as well as online studio at www laraginzburgstudio com all rights reserved