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in die my love jennifer lawrence rescues a film from itself salon com subscribe search news politics culture food science health money life stories video reviews lifestyle the new sober boom getting hooked on quitting education liberal arts cuts are dangerous is college necessary finance dying parents costing millennials dear gen z investing in le creuset crypto investing sec vs celebrity crypto promoters dark personalities drawn to btc news politics culture food science health money life stories video reviews lifestyle the new sober boom getting hooked on quitting education liberal arts cuts are dangerous is college necessary finance dying parents costing millennials dear gen z investing in le creuset crypto investing sec vs celebrity crypto promoters dark personalities drawn to btc subscribe help keep salon independent newsletter news politics culture food science health money video search advertisement commentary in die my love jennifer lawrence rescues a film from itself with some of her best work yet lawrence keeps this portrait of a woman undone from spiraling out of control by coleman spilde senior writer published november 7 2025 12 00pm est jennifer lawrence as grace and robert pattinson as jackson in die my love mubi kimberley french facebook x reddit email save late in lynne ramsay s die my love the latest film to mystifyingly leave out a much needed comma from its title jennifer lawrence s grace a young mother in the throes of post partum depression raises a glass live long and die out grace proclaims to a party of onlookers celebrating her return from inpatient psychiatric care for grace this is a declaration of her independence an admission that she can no longer be the picture of the woman that her husband jackson robert pattinson and the world need her to be but for the audience those sentiments more accurately reflect ramsay s film a slow burn that exhausts its welcome and dies in a blaze after losing its grip on a meandering narrative the thing about fire however is that once it starts to burn it spreads quickly lucky for us that means there s plenty of time to behold lawrence s ravenous remarkable performance before die my love is consumed in the flames sparked by the friction between its screenplay and star in grace lawrence finds the optimal vehicle for her innate physicality as a performer tapping into the character s increasingly beleaguered mindset with tremendous human vulnerability as she crawls screams scratches and sneers lawrence maintains a soulful balance between grace s creeping delirium and her ceaseless dedication to her newborn son the dissonance between the two keeps die my love unpredictable but the film lives so long in that liminal state that its push pull ultimately becomes one note that lawrence can make even the film s most outrageous moments feel earned and crucially believable is perhaps one of the greatest credits to her career so far definitive proof that she s the rare modern actor whose work elevates a film wholesale mubi kimberley french jennifer lawrence as grace in die my love as rambling as it can be misinterpreting die my love as anything other than lawrence s is impossible that die my love is among a triad of this fall s mother on the verge resurgence squeezed between last month s if i had legs i d kick you and thanksgiving s hamnet doesn t exactly help its case there s a nonzero chance that viewers may be more inclined to analyze and compare die my love to its thematic acquaintances than they might normally be and with a star as notable as lawrence front and center ramsay s film is positioned directly under the microscope s lens advertisement related rose byrne stares down the breaking point of motherhood it s a good thing then that lawrence is more than up to the challenge despite proving herself as a generational talent in the 2010s and taking home an oscar in 2013 lawrence has always been held to impossible standards like her similarly talented yet contested contemporary kristen stewart rising to fame as the star of a franchise of young adult novel adaptations has its disadvantages lawrence scored her first oscar nomination for winter s bone at 20 years old pre hunger games but the woman that people came to know on screen as the bow wielding renegade katniss everdeen and off screen as a goofy straight shooter was vilified by the media discredited for the crime of being herself lawrence recently told the new yorker that she s come to hesitate doing press for fear of losing control of her craft implying that her words and actions have been twisted in such a way that distracts not just from her work but the intent behind it as rambling as it can be misinterpreting die my love as anything other than lawrence s is impossible like its star the film shifts and sways with a calculated suspicion curious yet wary as if both ramsay and lawrence are constantly taking stock of how much the viewer is buying into at any given moment that s not to say that the movie feels disingenuous it s brimming with earnestness but fervor can be easily mistaken for fanfare ramsay carefully avoids sensationalizing or oversexualizing grace and jackson s relationship at the start of the film newly moved into jackson s uncle s home in rural montana seeking a reprieve from the hustle of new york city to start a family while grace writes a novel the couple begin their new life by giving the rabbits outside a run for their money they have sex in every room of the house falling to the ground and staying there all night making love before making a bed on the floor it s the picture of carefree marital bliss a portrait of free love that evokes the 70s as much as the gorgeous green blue hues that envelop each frame of the film giving die my love a retro current look that feels outside of time start your day with essential news from salon sign up for our free morning newsletter crash course transcending setting and period is key here die my love seeks the eternal relevance of a film like a woman under the influence which so achingly portrays a mother s undying love for her children amidst psychological duress but unlike john cassavetes classic ramsay s film punches harder and more frequently inevitably leading to blows that don t quite land just as soon as they ve settled into their new home jackson and grace have a new infant a sweet son that grace cares for more than anything as the days pass grace s maternal instincts and her human selfishness war lust is still present even overpowering yet every moment spent masturbating feels like a betrayal of her partner and child she can t bring herself to put a single word of her novel on the page each sentence is a measure of exactly how much time she sacrificed with her son during their first thanksgiving at the house jackson s mother pam sissy spacek tries to provide some relief but her ailing alcoholic husband harry nick nolte unwittingly gives grace the one piece of advice she doesn t need to hear don t leave him alone to cry advertisement mubi kimberley french jennifer lawrence as grace and robert pattinson as jackson in die my love watching lawrence work is a marvel she s one with the ground she s walking crawling and writhing on grace is a woman of the earth a force of nature in the most literal sense in interviews promoting the film lawrence has spoken candidly about the difficulty of balancing motherhood and career having kids is sacrificial she told the new york times last week it feels vain and selfish that i love being a creative person as much as i do my kids and my family are more important obviously but i would not be complete if i couldn t make movies this isn t exactly far from the kind of inextricability between an actor and their character that typically proliferates early oscar campaigns but with lawrence someone so known for her authenticity the connection is genuine on full display as grace spends the following months slipping between her personhood and her primal id grace s increasing intensity is a black hole that absorbs everything and everyone around her destruction is the name of her game even when she doesn t mean it to be she s no longer a difficult woman but a harbinger of wrath and like grace bristling against a world not made for her most raw state lawrence s performance opposes the more obvious and outsized elements of ramsay s film and its sometimes excessive screenplay co written by ramsay enda walsh and alice birch die my love is by no means a subtle film and it s not trying to be but there comes a point where the viewer is forced to wrestle with how much they care to watch the almost absurd length of what grace puts herself through by the time lawrence grips her fists into a ball and throws herself through a sliding glass door we ve gotten the point madness is loud and impulsive crashing through rationality at a moment s notice we need your help to stay independent subscribe today to support salon s progressive journalism yet the film remains seductive despite its near constant cacophonous antagonism without lawrence this amiability would be out the window as quickly as grace she s singularly gifted with the ability to oppose the film s garish elements with a flicker of her eyes or a cracked half smile that furtively suggests grace is still somewhere in there trying her hardest not to be swallowed by a shadow self watching lawrence work is a marvel at times she ll let her body go slack hanging down toward the floor while still standing up as if her figure is a magnet being pulled toward the earth s core her exhaustion is elemental something outside of her control advertisement grace is stoic yet broken forcing the viewer to consider ramsay s portrait of rural madness places where it s easy to lose your mind if you don t keep proper watch of it with more goodwill than it ultimately deserves the barrenness and isolation of the landscape are reflected in lawrence s performance which is why her earthly physicality is so well matched for the film she s one with the ground she s walking crawling and writhing on grace is a woman of the earth a force of nature in the most literal sense and while spacek pattinson and nolte all turn in fine performances in an aggravating if intentionally so film no one burns as brightly as lawrence left to her own devices by a pandering script she alone draws the line where loneliness ends and freedom begins keeping die my love from plunging completely into its self made inferno read more about this season s best and worst screen performances bugonia finds radical power in listening the smashing machine is a futile fight for perfection after the hunt is a slippery study of our desire to wield power advertisement by coleman spilde by more from related topics commentary die my love jennifer lawrence lynne ramsay movies robert pattinson related articles advertisement advertisement home about staff contact privacy terms of service archive go ad free 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