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zentao music d l keur and forrest w lineberry playing power driven flute and switched on acoustic guitar just a flute and a guitar power driven flute and switched on acoustic guitar just a flute and a guitar i quit playing for decades my last big formal gig being a world expo the political requirements were way too steep to continue i m a wall flower in high end social gatherings preferring to carry on a discussion with the chair or the drapes rather than with that glittering person who just walked up to congratulate me and ask all sorts of personal questions classical music patrons and their need to know s make me squirm and look longingly for the exit forrest struggled for years trying to find other rock musicians willing to commit themselves to excellence well rock musician is mostly synonymous with in it for the sex booze drugs and fame then suddenly sometime in the last few years forrest turned around and realized that he had a good dedicated musician right there in the house a captive session musician who had no escape never mind that she was trained in classical concert flute and piano so he began arranging pieces for us and with effort got me somewhat familiar with electronica somewhat i m still struggling with foot switching and remembering that the flute acts like an antenna sometimes especially with distortion patches when all is said and done we re not just some flute tooting along with a guitar we really don t do boring and that s all because of original custom arrangements and an audio vision of what the piece should sound like all accomplished by our use of electronics which can turn the guitar into anything from a harpsichord to a petulant child and the flute into a saxophone screaming electric guitar an organ or a chorus our goal is to make each piece uniquely listenable even considering that we re just a flute and a guitar making the music happen d l keur dawn https www zentaomusic com audio1 nothingelsematters mp3 performance videos goodbye brick in the wall arranged by forrest w lineberry and performed by him and me the dog is our good boy laddie whom i have pictured elsewhere on this site kansas carry on wayward son the cats you catch a glimpse of here and there in our kansas carry on wayward son performance are one or the other of our furballs specifically asthmatic alecia at the end black hole sun my husband forrest s arrangement of black hole sun by soundgarden s chris cornell for electrified flute and guitar our tribute to chris cornell performed as a memorial for his untimely death living in the past again my husband forrest s arrangement for electrified flute and guitar says forrest you can t have a flute in the band and not play some jethro tull it just wouldn t be right here s one of several in our repertoire our arrangement of living in the past for electrified flute and acoustic guitar i use my pog2 for the opening bass line the rest is just straight guitar dawn uses flanger and echo on the flute for the opening theme the rest is just a lot of breath and attitude to get that ian anderson tone audio videos all forrest w lineberry arrangements nothing else matters in memory of elizabeth reed hold your head up the dog breath variations beth living in the past siciliano carry on wayward son goodbye brick in the wall oye como va black hole sun liner notes forrest s musical background a heavy metal rocker from the start forrest teethed on kiss judas priest acdc and the like he wanted to grow up to be a rock star but born into poverty in a remote logging village in north idaho the best he got was playing trumpet in the school band he learned to read music and blow whole notes footballs as he calls them gifted his first guitar in his mid teens forrest found in it an instrument for which he had a natural affinity lesson one and his first and only guitar teacher asked if he already played guitar and didn t believe him when he said no the only instructor in town that man abruptly left with no warning after forrest s second lesson and that was the end of any formal guitar training forrest turned to guitar player magazine and trial and error inspired by the likes of joe satriani steve vai frank zappa and al di meola he worked the fingerboard he read everything he could find listened to records and tapes yes vinyl 8 track cassette and cd and worked things out with a drummer friend and got good very good then he turned to studying theory and ultimately to studying the old masters analyzing the scores and notation from bach and mozart to mahler and stravinsky meticulous hands mark his technique his fretting impeccable his picking delicately accurate then there s his ear with nigh on perfect pitch couple it all with an uncanny grasp of music that bespeaks old mastery and it s like he was born already knowing the theory the harmonies the constructs that makes music happen d l keur forrest s instruments and gear yamaha a3r tbl limited edition guitar innumerable strat and custom built electric guitars along with amps by mesa boogie randal and d addario exp16 strings dunlop primetone standard 1 5mm sculpted plectra smooth digitech rp1000 effects unit with electro harmonix pog2 through stomp loop backun beta and ridenour clarinets in his off time visit forrest on his guitar fwlineberry com website or investigate his book scale patterns for guitar 134 melodic sequences for mastering the guitar fretboard part of his playing guitar series it s available in print and ebook dawn s musical background dawn started playing piano at age eight flute at age eleven at age thirteen she was playing first chair flute in the chicago youth symphony orchestra and also was picked to attend the summer music institute at western illinois university also at age thirteen she was invited to train under scholarship in both piano and flute at the american conservatory of music in chicago il where she was privileged to private tutelage under the conservatory s premier instructors in both flute and in piano subsequently studying for years under richard hahn the top world ranked flutist second only to rampal she was invited to play in europe she was also selected to sit in on a two week stint of improv sessions with carlos santana and his group dawn s played with symphonies large and small in new york and elsewhere as well as playing in chamber groups that featured the first chair string woodwind and horn players from the bangor symphony orchestra the philadelphia philharmonic and other notable symphonies she was soloist at two bach festivals with top harpsichordists played with a much revered concert pianist and was invited to play at a world expo she also performed with several summer groups that toured including both woodwind and woodwind horn ensembles quartets quintets and chamber orchestras throughout dawn taught select students passing on the extraordinary richard hahn s techniques and knowledge but she stopped playing professionally and in fact stopped playing for several decades now dawn only performs classically on very select occasions but does regularly perform with her husband forrest playing amplified digitally enhanced electrified flute often in styles that challenge her traditionally trained boundaries dawn s instruments and gear dawn plays a gemeinhardt a yamaha an azumi flute with an altus headstock and since july 1 2017 a return to haynes historically her favored instrument she uses an akg c555l headset microphone usually plugged in with a mpavl micro mic phantom adapter for 9 52 volt also from akg rather than with the wireless transceiver unless they re playing out somewhere her floor units for effects was her choice of the digitech rp1000 which forrest then decided to use too and she went with forrest s find of the pog2 for headphones it s the forrest recommended sony mdr7506 professional large diaphragm headphone dawn also owns an upright grand and a spinet along with a yamaha digital grand if you want to know more about dawn you can visit her on dlkeur com if you want to learn about flute playing from a professional s perspective get her book dawn s flute notes practical advice for flute players from practice room to stage 2015 2021 d l keur and or f w lineberry all rights reserved