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cal roots lay by amaltheia the goat which fed zeus and became a cornu copiae top right asia with a pagoda bottom left africa with a pyramid bottom right america with exotica collection j h hyde paris the symbolism of the continents is often supported by the following characteristics hall 1974 fig 40 1 europe queen of the world with crown and sceptre temple relation to religion arms array horse or bull horn of plenty cornucopia reference to art and science 2 asia flowers jewels odours perfumes from the east palm and camel 3 africa person with black skin coral beats scorpio lion snake head of an elephant 4 america native inhabitant with feather headdress bow and arrow caiman crocodile fig 40 the four parts of the world and its animal symbolism europe with a horse africa with an elephant a camel for asia and a panther like animal for america end of the seventeenth century panneaux d aubusson royal collection j h hyde paris the theme is elaborated in books and plays chew 1962 mentioned in an interesting commentary of that period the tedious allegorical drama of barten holyday titled technogamia or the marriages of the arts 1618 the tetradic thoughts are reduced in this period of the european cultural history to mythological paraphernalia on the f ê tes galantes only the exterior remains of the tetradic world are used the symbols are known but the world in which they originate seems to be forgotten fig 41 fig 41 la guerra d amore a symbolic parade in the seventeenth century representing the continents etching of jacques callot florence 1616 working at the court of the medici the seventeenth century was for many countries in europe despite the continuing struggles in the first half of it a golden age with hitherto unknown material wealth and a feeling of power and command a fourfold division was often demonstrated but in a far more symbolic way than in the twelfth century it was not felt as a basic starting point for a communication for which the two fold way seemed much more appropriate and practical but as a relict of bygone times a living memory used in plays some ten years after the enacting of the la guerra d amore a ballet was performed in paris under the title the dowager of billebahaut the widow of bilbao for the carnaval of 1626 daniel rabel made several drawings of the lost costumes of the personifications of the continents who played in the ballet fig 42 fig 42 africa left and america right costumes used by the ballet of the dowager of billebahaut performed at the carnaval of paris in 1626 pen drawings by daniel rabel louvre museum paris michael maier described in his book symbola aureae mensae 1617 a symbolic peregrinatio to the four corners of the earth the journey begins in europe to america and asia and finally the quest for mercure and the phoenix ends in africa frick 1972 pp 572 ff jung 1953 1968 p 369 around 1800 as the fourfold way of thinking is revitalized the symbolism of the four continents is strongly represented schlegel complained in his cours d histoire universelle 1805 1806 it should be noted that in our time the division in the four parts of the world is overemphasized and used to compare different kind of nations it has gone so far as to apply the division in south north east and west not only to physical but also moralistic entities while the two fold division is so much easier it is better to distinguish only two parts of the world the north and the south anstett 1939 east and west are in schlegel s approach only relative and north and south are fixed it seems like a voice from the past a memory of the years of absolutism when people thought that things were fixed and acted accordingly by the start of the nineteenth century this time was over and the last great cultural change was about to happen schlegel s contemporary f w j von schelling 1775 1854 had strong ties with the tetradic thoughts sometimes with a relapse into numerology he was in his later life influenced by jacob boehme 1575 1624 the german alchemist brown 1977 von schelling considered the four parts of the world and the four directions as a basic division method he applied this scheme to the four elements nitrogen n carbon c hydrogen h and oxygen o by placing them in a quinquennial position with water as an undifferentiated medium in the middle düsing 1988 as a possible source is pointed to a publication of franz von baader 1765 1841 ü ber das pythagor ä ische quadrat in der natur oder die vier weltgegenden tübingen 1798 this reference has not yet been found access to the work of von baader is provided by eugène susini 1967 who edited his correspondence in six volumes between 1943 and 1983 the activities as a mining engineer in schwabing near münich and his political manipulations played a more important part in this correspondence than his philosophical thoughts von baader s main publications were mentioned in a letter from 1819 beytr ä ge zur dinamischen philosophie a begr ü ndung der ethik an essay on the french revolution contributions to von schelling s journal and a publication titled ü ber die vierzahl des lebens berlin 1818 his fermenta cognitionis was published between 1822 en 1825 and referred to jacob boehme as a source of inspiration anstett jean jacques 1939 cours d histoire universelle 1805 1806 friedrich schlegel these l université de paris imprimerie de trevoux brown robert f 1977 the later philosophy of schelling the influence of boehme on the works of 1809 1805 brucknell university press lewisburg chew samuel c 1961 the allegorical chariot in english literature of the renaissance in meiss millard ed de artibus opuscula xl essays in honor of erwin panofsky vol i new york university press new york 1962 the pilgrimage of life yale university press new haven london lccc 62 8239 düsing klaus ed 1988 schellings und hegels erste absolute metaphysik 1801 1802 zusammenfassende vorlesungsnachschriften von i p v troxler text von troxlers nachschriften der vorlesung schellings vom sommersemester 1801 und der vorlesung hegels vom wintersemester 1801 1802 jürgen dinter verlag für philosophie köln isbn 3 924794 6 5 frick karl r h 1972 michael maier s symbola avreae mensae dvode cim nationvm 1617 facs akademische druck u verlaganstalt graz austria hall james 1974 dictionary of subjects and symbols in art john murray london isbn 0 7195 3103 9 hyde james h 1924 l iconographie des quatre parties du monde dans les tapisseries extrait de la gazette des beaux arts paris 1927 the four parts of the world as represented in old time pageants and ballets apollo a journal of the arts london jung carl g 1953 1968 the spirit mercurius the collected works of c g jung vol 13 bollinger series xx new york routledge kegan paul london susini eugène 1967 lettres inédites de franz von baader presses universitaires de france paris publications de la faculté des lettres et sciences humaines de paris sorbonne serie textes et docu ments tome xvi verrycken amber 1990 de middeleeuwse wereldverkenning dossiers geschiedenis nr 15 acco leuven amersfoort isbn 90 334 221 5 geplaatst in geen categorie tags cesare ripa discovery of america isidore of seville plaats een reactie 10 time and division geplaatst op 1 juli 2013 door quadralectics the fourfold division in time time and division are both abstract entities they have a distinct connection in thoughts and the one can hardly exist without the other both cannot be made visible and only come to live in a comparison moments cannot exist if there are no objects says whitrow 1972 in his book what is time and because the visibility is always specifically related to the observer every observer has basically his own time frame and time and division find their identity in a division model so for instance the period between the sunrise and sunset is called a day with a certain duration which can be divided in hours minutes etc in classical times the day was divided in twelve hours and twelve hours night if the sun reached the highest point in the daytime it was six o clock rather than twelve o clock nowadays hagen 1981 time becomes meaningful in a comparison with the sun the same holds for the division boundaries can be drawn but they only become significant if they have taken part in a comparison with something else time and division are the abstract quantities of the first quadrant ruled by the invisible invisibility the holy aspect of creation the fourfold division of a twenty four hours day results in the time units of morning afternoon evening and night michelangelo has sculptured this division at the tomb of giuliano de medici in the medici chapel in florence panofsky 1939 67 elsen 1985 suggested that the representation of the morning might have been a model for rodin s thinker the new day as a fresh beginning has been a source of inspiration in poetry the image is used in connection with light and a renewed visibility the morning holds the promise of a new start the motif has also been used in a literally sense as a source or spring the four rivers of the garden of eden play a symbolic role here fig 43 the new day as a source of inspiration left an illustration of twonderboek of david joris 1542 inspired by the opening of psalm 45 my heart is inditing a good matter in boheemen 1986 right der morgen the morning etching of philipp otto runge 1805 in hofstätter 1965 twonderboek of david joris dated 1542 depicted a face above a heart floating on water fig 43 left five fountain like streams flow from the mouth of the head four return to the earth and one disseminates as rain the dutch caption says een zeer goede reden berst mij ter herten uit a good reason flows from my heart these words are the opening lines of psalm 45 in the holy bible now reading in the authorized king james version as my heart is inditing a good matter i speak of the things which i have made touching the king my tongue is the pen of a ready writer this same symbolism of a spring can also be found in the work of philipp otto runge 1777 1810 at the beginning of the nineteenth century this german salesman developed into a painter of a new religiosity die neue individualistische religiosit ä t hütt 1986 first in dresden 1801 and later in hamburg 1804 the theme of the tageszeiten as an expression of werden und vergehen was central in his thoughts in 1803 he made sketches and completed in 1805 a copper etching of the morning fig 43 right the fountains are shaped into flowers and a new day burgeoning from the earth in 1808 just before his premature dead on the age of thirty three due to tuberculosis he painted an oil painting of the same motif der morgen kleine fassung 109 x 85 5 cm fig 44 the full cycle could not be completed due to his death in 1810 fig 44 oil painting of der kleine morgen 109 x 85 5 cm by otto runge 1808 hamburger kunsthalle the fourfold division of the day is moralized in a seventeenth century etching of abraham bach die vier zeiten dess tages fig 45 morning afternoon evening and night are depicted in four illustrations of the holy family with josef maria and the child jesus as leading figures in a rural and homely setting fig 45 the four times of the day morning afternoon evening and night a woodcut by abraham bach around 1670 germanisches nationalmuseum nürnberg the fourfold division of a twenty four hours day is relatively little used by artists the distinction between the twofold division in day and night and the fourfold classification in morning afternoon evening and night is a matter of time consciousness this fundamental psychological human quality is important behavior motivation and emotion are strongly intertwined with the time perspective of individuals lewin 1942 winnubst 1975 a short time perspective is related according to frank 1939 to an impulsive naive and consumptive behavior while a long time perspective is correlated with preparatory and instrumental behavior aiming at control over the environment the time perspective is essentially a matter of choice with regards to the fundamental region in division thinking a lower partitional approach black and white thinking results in a short time perspective while a higher partitional way the fourfold way of thinking gives a longer time perspective oppositional thinking is characterized by easy made and quick switches while a consciousness of multiple parts requires more time to change this connection between time perspective and division thinking has never been made in psychology as far as i know and deserves a further elaboration a whole new four fold context of human existence could be described leaving freud s two fold gender based approach to psychological behavior as a historical relict the association of day and night with good and evil is very old and can be seen as a monument of two fold thinking in the north european saga world as captured in the works of the icelander snorri sturluson 1179 1241 the figure of odin is the messenger of the light and the good opposite ymer the representative of the night odin kills ymer and from his blood springs a race of giants of which loki is the most prolific loki personifies the bad habits and the weakness and is assisted by the wolf fenris who has to eat the sun the light as the medium of the day allows the observation of physical reality the visible visibility this quality is often rated as positive the human being is in control the night on the other hand makes observance difficult darkness is a form of invisible invisibility which can only be appreciated on a spiritual level it can evoke from a material point of view a sense of fear and is for that reason regarded as negative the antithesis between day and night as a two fold element is part of the four fold way of thinking rosenberg 1961 pointed to an illustration of the four birds of the day fighting with the bird of the night the owl the illustration is used in the dialogus creaturarum fig 46 this popular work was published in gouda in 1480 and had several reprints the first english edition of 1511 was reissued in 1816 in london by joseph haslewood as the dialogus of creatures moralized fig 46 the owl is attacked by four birds of the day a woodcut from the dialogus creaturarum gouda 1480 this motif is commonly explained as strife between the good represented by the four birds of the day and evil portrayed by the bird of the night the owl the little used symbolism and its explanation can be seen in a four fold context as a derivative of the visualization of concordance or harmony between the one and the many as birds coming from four directions albrecht dürer applied the same motif between 1509 and 1511 in a woodcut which was printed in nürnberg rosenberg 1961 fig 47 fig 47 the owl fighting with other birds woodcut from albrecht dürer nürnberg 1509 1511 four birds attack a central seated frightened owl from four directions the traditional explanation in a two fold frame of mind is a confrontation of the good the four birds and the evil the owl there are reaso...