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in esplanade theater although it is more or less complete i found that we needed to clean up the last parts of the choreography in terms of spacing and dynamics of the movement the work features a 3 part excerpt of the original work in progress guna guna that was performed in rotterdam in 2005 for the codarts dance unlimited project unearth guna guna was presented by the nafa dance department students at the third space contemporary asian explorations for the da ns festival 2012 at the esplanade recital studio singapore on 26 27 october 2012 unearth guna guna choreographed by aida redza music composer sebastian schatz holland and junita batubara indonesia music rearranged by samwisemusic performed by phua mui ling kenneth tan ting feng muhammad nur afiq bin noorazwa jeslyn yang nianqi geraldine phang kar men matthew goh jia hui winny yap liu peiying agnes lim si qi it was a pleasure working with the wonderful dancers of nafa dance department posted by aida redza at 11 08 2012 no comments email this blogthis share to x share to facebook share to pinterest tulisan oleh intan rafiza http intanrafiza blogspot com 2012 07 pengenalan medium tubuh aida redza html seni dan masyarakat berpunca dari kaitan manusia dan alam sekitarnya manusia dapat mengenali diri melalui karya karya seni dengan menghidupkan getaran dalam sanubarinya petikan dari catalog pameran balai seni lukis negara datuk syed ahmad jamal ketua pengarah 1988 dari petikan diatas kepelbagaian medium untuk menyuarakan pendapat dan ekspresi seni memperlihatkan perbezaan rasa percaya dalam cara penyampaian masing masing walaupun ianya adalah kepada satu tujuan yang sama iaitu memberi dan menyampaikan sesuatu yang ingin dikongsi bertindak balas kepada ruang sekeliling ataupun ianya adalah bertujuan dengan agenda agenda tertentu cara berekspresi dalam seni dengan menggunakan medium atau bahan yang diperlihatkan secara langsung live contohnya sebahagian tubuh suara dan ekspresi telah banyak di gunakan pakai di kalangan pengkarya seni sejak dari dahulu lagi penyaluran idea secara terus dari pengkarya kepada penonton kadang kadang memberi cabaran bantahan dan perbezaan pendapat melalui dialog yang sebegini ini adalah mungkin kerana komunikasi secara terus ini adalah perkara yang paling hampir dan mempunyai kefahaman juga intepertasi dari pelbagai sudut yang berbeza dalam kehidupan contohnya pendapat pengkaryaan yang disalah takfirkan dan dimanipulasi dari sudut kepercayaan dan agama ataupun sensitiviti kaum politik dan juga sudut psikologi itu sendiri malah dari perkara perkara sebegini ianya tidak boleh dijadikan alasan untuk pengkarya seni pertunjukan untuk taboo dan menolak rasa hormat serta bertimbang rasa dalam menghadapi masyarakat seni disinilah kita dapat melihat bagaimana kajian dalam memahami masa dan ruang amat penting tanggungjawab oleh pembuat karya dalam jangkaan tindakbalas dari penonton haruslah di ambilberat dan sejauh mana karya itu akan memberi impak dalam masa terdekat ataupun jangkamasa yang panjang persoalan yang selalu diajukan adalah bagaimana medium dalam seni pertunjukkan performance art ini ingin di ambil sebagai sebahagian nilai value karya seni contohnya penonton boleh mengingati warna warna ekspresi pada kanvas tetapi untuk karya seni apakah idea dan isu itu datang dahulu ataupun aksi yang terjadi pada ketika itu disini ingin saya berkongsi serba sedikit tentang aida redza salah seorang pengkarya seni yang dilihat dalam medium yang berbeza dalam konteks seni visual yang luas walaupun latar belakang displin tarinya adalah formal dari tarian moden dan tradisional melihat gerak tubuhnya di setiap persembahan ada reaksi dan sentuhan tersendiri dan kadangkala berlaku secara spontan menggunakan bahan dan prop yang memberi tanda sign tertentu mimik muka dan suara yang bertindakbalas pada ruang itu sendiri dan ianya penuh dengan emosi dan suara tubuh itu sendiri penglibatan hampir 15 tahun ini digunakan oleh aida sebaik mungkin untuk berkarya secara solo berkumpulan mahupun menjalankan aktiviti bengkel dengan komuniti dan masyarakat kelebihan memahami gerak tubuh melalui tarian mungkin menjadi satu kelebihan buat beliau dan menurut aida juga beliau percaya struktur biologikal seseorang memainkan peranan dan mempengaruhi setiap ekspresi yang cuba disampaikan serta menjadi seorang ibu kepada 2 orang anak dan refleksi kehidupan sebenar banyak menjadi inspirasi kepada aida redza selain daripada itu juga aida redza meletakkan medium seni pertunjukan yang mana tubuh adalah suara yang selalu dilontarkan dalam bertindakbalas memberi pendapat dan harapan antara karya solo seni pertunjukkan beliau yang merespon kepada situasi dan kritikan sosial adalah jadi an solo in vision2020 pada 2007 di copenhagen denmark sculpturer pada 2005 di rotterdam dance art academy feast of fool pada 2004 di denmark stirrings pada 2002 di performing studio pulau pinang aida redza percaya seni itu harus berhubung dan bagaimana medium seni pertunjukkan ini dapat berfungsi dalam memberi dan menerima informasi antara projek bersifat kemasyarakatan yang beliau telah hasilkan adalah river art project 2011 untuk seni pertunjukkan ini aida redza telah bekerjasama dengan beberapa pengkarya visual yang lain seperti lisa foo dan hilyati ramli dalam menjayakannya karya karya lisa foo yang menggunakan bahan buangan plastik dalam susunan seni instalasi di sekitar sungai melaka bertindakbalas dengan seni pertunjukkan aida redza dan hilyati ramli dalam persepsi hubungan manusia dengan alam selain daripada itu juga kolaborasi seni pertunjukkan bersama pengkarya yang lain dalam seni pertunjukkan stamp over bersama amir zanorin memperlihatkan bagaimana 2 perkarya membawa satu mesej yang sama iaitu tentang isu dan cabaran kumpulan migrasi dalam menyesuaikan diri melalui budaya baru struktur sosial dan nilai nilai kehidupan seni pertunjukkan yang memakan masa ber durasi panjang ini melibatkan orang sekeliling dan ruang yang di pilih adalah di hadapan pejabat imegresen di copenhagen denmark melalui seni pertunjukkan ini pengkarya jelas membawa isu dan memilih ruang yang mana informasi dan mesej tepat disampaikan dalam berhubungan dengan penonton yang tepat dalam memahami dan merespon idea dari pengkarya dalam persoalan keupayaan seniman yang menggunakan medium seni pertunjukkan ini adalah antara cabaran yang perlu di tangani dalam menghasilkan karya hubungan karya pengkarya dan sekitarnya adalah memainkan peranan karya yang disampaikan jangkaan tindakbalas sebelum sewaktu dan selepas aksi seni pertunjukkan juga perlu diambil kira dalam melihat sejauh mana pemikiran kritis dapat di kongsi dengan penonton dan masyarakat saya melihat kepelbagaian dan menyokong kebebasan melontarkan pandangan yang bersifat positif ini sebagai satu inisiatif sistem demokrasi yang kita cuba dipraktikkan dalam membentuk sebuah negara yang menuju kearah pertumbuhan kebudayaan dan tamadun manusia antara kita sedar ataupun tidak pemikiran manusia dan praktiknya yang bersifat organik dan sentiasa tumbuh dalam pembaharuan dan ianya memerlukan ruang dan sekeliling yang dapat menyokong pertumbuhan pemikiran dan daya praktik ini supaya ianya dapat memberi kesan yang sempurna pada masa yang akan datang salut kepada rakan rakan seni pertunjukkan yang lain juga ekspresi tubuh kalian tanpa ada nilai yang boleh dipegang tapi akan diingat di kepala sampai mati posted by aida redza at 11 08 2012 2 comments email this blogthis share to x share to facebook share to pinterest newer posts older posts home subscribe to posts atom feast of fools a solo performance at dasarts netherlands aidance bismillaahir rahmaanir rahiim insyaallah may my works and personal stories i share in trust with you on my blog inspire and empower you to guide lead and raise your family children and friends to continue making dance your life and life a dance as a passionate art to fulfill your physical emotional and spiritual journey towards enlightenment wellness and peace http www youtube com user shaktidancesalone feature watch http www youtube com user aidaredza view pics info of aida at related sites subject and check out my blogger friends http www kit dk 2012 09 blindspot html http www youtube com user shaktidancesalone http crawfurd dk photos blindspot php http thelightshow09 blogspot com http capturingpenang blogspot com 2010 08 moving play html http angshoot multiply com photos album 70 opera_pasar http ombakombak blogspot com http mazlinnordin blogspot com 2010 12 siapa physical movers html http kotaipenang wordpress com http storminabox blogspot com http jambatan blogspot com http lfss create blogspot com http www emmagem com 2009 04 28 the light show 09 http aidance wisdom blogspot com about me aida redza penang copenhagen denmark malaysia aida is one of the most intense and controversial dancer from malaysia her performances both in local and international has been varied but always bearing aida s unmistakable stamp of dream play resistance and revolution her teaching focuses on the 3r method of performance technique and creative strategy for learning appreciating and commenting living in everyday existence and environment through new dance play and storytelling she developed expedition open cage expedisi buka sangkar research project at codarts to create urbanshaman on the move a dream trilogy the research inspired her to promote dance with hope for inclusion and open to all that will contribute to healing harmony and health she is motivated by collaborative process as a moving collaboratorium with a changing band of interdisciplinary friends connecting between home inner self and the world mapping out images of life in shifting context questioning identity culture power territoriality preferring site specifics she creates new dance installed with and for the local community of the sites as her creative voice to stir change view my complete profile blog archive 2007 12 04 22 04 29 1 04 29 05 06 1 05 06 05 13 2 05 20 05 27 1 06 10 06 17 2 06 17 06 24 2 07 22 07 29 1 07 29 08 05 1 10 14 10 21 1 2008 3 05 11 05 18 1 08 10 08 17 1 11 09 11 16 1 2009 8 01 25 02 01 1 02 01 02 08 1 08 02 08 09 1 08 30 09 06 1 09 27 10 04 2 10 04 10 11 1 10 11 10 18 1 2010 3 08 08 08 15 2 12 26 01 02 1 2011 4 01 02 01 09 3 06 05 06 12 1 2012 10 01 01 01 08 1 07 22 07 29 2 11 04 11 11 7 tulisan oleh intan rafiza guna guna revisited throwback shakti dances street moves unearth guna guna part 3 rehearsal at the third sp unearth guna guna part 2 rehearsal at the third sp unearth guna guna part 1 rehearsal at the third sp 2014 2 01 26 02 02 1 09 14 09 21 1 2015 2 01 04 01 11 1 09 13 09 20 1 2016 1 10 23 10 30 1 2017 1 02 26 03 05 1 2019 1 05 19 05 26 1 2020 1 07 12 07 19 1 urbanshaman on the move 2004 2005 jadi jadian codarts aida 2003 2006 aida redza a shakti dances alone and on the move on expeditions that brings the body landscape urban action and the state of being in the moment suspended between stage and living breathing becoming one with nature and the divine that inspires me and when tasting belacan can make me fly and studying creatures can make me snort it is all about passion and joy of creating a glimpse of a revolution http www youtube com user shaktidancesalone cili and belacan asia europe young choreographer forum in berlin after cili and belacan asia europe young choreographers forum in berlin aidance feast of fools solo work 2004 dasarts amsterdam where is aida redza today aida redza from 2009 onwards will be 9 months of the year in penang malaysia and staying 3 months in copenhagen with her patner husband rasmus kaltoft and son marjaan syauqi redza kaltoft as the director of totalproduktion at http www totalproduktion dk rasmus is a pillar of support in her life and creative endeavours maya ellora syauquina her eldest daughter who is living in malaysia with her father aida s ex husband is one out of the many children all over the world suffering from being separated unwillingly away from their mother or father due to the misuse of power by insecure parents and by those insisting to fight for full custody and rights over their child by discriminating the conduct and maternal paternal qualities and more against the mother or father a situation such as this will only end with the child becoming the victim when either party cannot resolve their hurt conflict mistrust and fears just like a war it is never ending one bomb leads to another terror in a vicious cycle aida s two cents worth in opinion and concerns by accepting forgiving starting over and looking past the blames conflicts and mistakes parents can realize the love the joy and the passion they use to share and the blessings they had receive from above to witness carry and deliver the birth of a pure creation into the world during the period of the couples union they have to accept responsibility for the choices and decisions that they took together before during and after marriage including the reasons for their differences and struggles leading to the cause and effect of departure and separation it is important for the emotional mental and spiritual well being of the child that the parents are able to continue as friends and not in hate and anger as enemies pretending and in denial that their stand is for the best interest and welfare of the child would only end up with the child retaliating against both in the near future and there are many cases such as that all over the world being in copenhagen without maya is difficult just as it is for maya without her mother especially when denied the rights to share and be a part of her extended family as she is prohibited from coming to copenhagen to visit aida hopes that the situation will change as acceptance to changes are signs for a healthy living but on the positive side aida prays hard for the best solution so that is where aida has been for the past years standing firm and strong with a foot on earth and the other reaching towards heaven being the best mother for her children and a soul companion to her husband and on the side where is aida as the malaysian artist today she is looking forward to her 40 s and living quietly in joy between family and her mission to help others through dance and moving on towards the next phase of her expedition opencage expedisi buka sangkar 2009 research in the beginning of 2009 she worked to assist gunild park symes s norden danse teater at the workshop lecture on dance for the camera at københavn teknik skole and supporting gunild at rehearsals while ndt works with alex and chris from the royal danish ballet in march ombak ombak artsstudio and aida was seen presenting fly jentayu fly at the women international day 2009 at gurney plaza penang from april june 09 aida with suppport from bold penang conducted dad dream a dream a creative arts project for young people with different needs at disted college in collaboration with priscilla ho a children play therapist in may 09 aida worked collaboratively with a team of outst...