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cal instability here we have drawings and pictures which focus on the murder of ken saro wiwa on the front burner are the ecological and socio economic problems in this segment you have works such as ekugbe unity nude protest and smoke from the broken pipe finally we enter the installations period 1995 date which is the period the artist embarked on installations as an art form these works are characterised by the arrangement of different discarded materials to create works of art these installations were essentially to draw attention to importance of protecting our environment works in this category include animals of eve adjene new city iii and voices of silenced voices innovations edit since 1966 as an experimental artist onobrakpeya has discovered innovated and perfected several techniques both in printmaking and relief sculpture that are uniquely nigerian generally printmaking is a fine art process of producing pictures from a plate which the artist has previously created having conceived the idea the artist then creates an image or images on a plate through any of the printmaking techniques the images are then transferred onto a paper or any other surface by printing or embossing method the advantage is that the artist can use one of such plates to produce as many copies of the artwork as required sometimes giving them various colours onobrakpeya has increased the techniques tremendously bronzed lino relief is a collage of used lino blocks with bronze colour patina onobrakpeya developed this relief technique in 1966 as a way of preserving used blocks which in themselves possess sculptural qualities plastocast relief is a painted low relief design that was cast with resin the idea started as an extension of the bronzed lino relief the used plastograph plates like used lino blocks have sculptural low relief effects which make them unique as art works an attempt to retain the original used plates and at the same time give collectors a chance to possesses and share the beauty of the original led onobrakpeya to develop a method of creating other original plates from existing used plates through the use of plaster of paris sometimes small plates with the same or similar themes are arranged together and cast to form a larger picture a further development in plastocast relief is carving directly on abandoned or congealed plaster of paris then applying resin on the cast and pulling out a positive however for a deep engraving on plaster of paris to produce bold relief depends on the nature of the plaster of paris thisis known as plastocast plate it is painted or tinted plastocast plate that becomes a plastocast relief plastograph is a term given by onobrakpeya to describe his deep etching technique that he innovated in 1967 through what he referred to as the hydrochloric acid accident it is an engraving on a low relief surface made of zinc or similar surface material and printed in the intaglio style additive plastograph is another technique that involves making of print images on a sheet of sand paper using glue as a drawing medium this is glued to the sand paper using intensive solar heat ink is then applied to the resultant images by the intaglio inking process any link in excess is wiped off with a dry cloth this is later taken to the press to register the relief already created by the glue on a soaked and semi dried cartridge printing paper finally the registered impressions are painted using pastel oil to achieve the desired forms by the artist metal foil deep etching is a plastograph print in which aluminium foil is used to draw the engraved images the thin foil is cut and placed on an engraved plate and then the embossed sheet is removed turned over and filled with resin to stabilise the relief the resin filled foil is then laminated on plywood or no any other surface onobrakpeya first started experimenting with foils and from the experiments transformed the foils into a print medium in the 1980s he used already printed plates to try out the technique metal foil relief print is a three dimensional metal foil print drawn on a plastocast plate a fairly thick foil is cut and placed over a plate and hand pressed to transfer the shape of the picture on the plate the foil is then removed and filled from behind it is then laminated onto a plywood and coloured in the same way as the metal foil deep etching print process already discussed above note that while the metal foil deep etching print is drawn from plastograph plates the metal foil relief print is hand embossed on a plastograph plate ivorex is a new technique recently developed by onobrakpeya which simulates optical effect of old ivory engraving on bone or elephant tusk the material used however is polymer ibiebe alphabets and ideograms edit ibiebe is a writing style developed by onobrakpeya it features his invented script of ideographic geometric and curvilinear glyphs the designs reflect the artist s knowledge of his urhobo heritage rich in symbols and the proverbs they elicit as well as his appreciation of chinese japanese ghanaian and nigerian calligraphy onobrakpeya invented and refined this script called ibiebe from 1978 to 1986 when he revisited in his art ideas linked with traditional religion customs and history ibiebe glyphs aim at encapsulating universal concepts of timeless values the artist clearly delights in the script s forms and visual qualities as well as its power to communicate these ibiebe ideograms which are often abstract also lend themselves to calligraphic painterly and sculptural presentation body of work edit public collections holding his work edit university of lagos library akoka lagos catholic chapel university of ife ile ife st paul s church ebute metta lagos national gallery of modern art national theatre iganmu lagos st john the evangelist church shogunle ikeja museum of african and african american art and antiquities buffalo new york eda lord demarest memorial african art collection university of redlands university of alberta edmonton alberta canada vatican museum rome national museum of african art smithsonian institution in washington d c hvittrask suomi finland eliel saarinen s studio home and exhibition murtala mohammed international airport ikeja leader of victory museum baghdad iraq presidential villa aso rock abuja nigeria national gallery nairobi kenya victoria and albert museum london the metropolitan museum of art minneapolis institute of arts the british museum king mohammed vi collection morocco tate modern london bennett college greensboro north carolina exhibitions edit bruce onobrakpeya the mask and the cross the high museum of art atlanta georgia april 7 july 30 2023 16 book illustrations edit achebe chinua no longer at ease heinemann london babalola adeboye iwe ede yoruba apa kini longmans of nigeria 1961 ekwensi cyprian an african night s entertainment aup lagos 1962 ekwensi cyprian juju rock aup lagos nigerian episcopal conference may your kingdom come geoffery chamman london 1969 nwankwo nkem tales out of school cover illustration aup ibadan onadipe kola sugar girl aup 1964 uwemedimo rosemary akpan and the smugglers aup ibadan 1965 quacoopne t n o west african religion aup ibadan 1969 taiwo oladele the hunter and the hen aup ibadan 1969 haeger barbara africa on her schedule is written a change aup ibadan 1981 onadipe kola magic land of the shadows aup lagos 1970 soyinka and fagunwa a forest of a thousand demons nelson london deliss clementine seven stories about modern art in africa white chapel art gallery london 1985 nzekwu onuora and michael crowder eze goes to school cover illustration aup ibadan 1986 fagunwa daniel orowole forest of a thousand daemons city lights 2013 isbn 9780872866300 dissertations and selected reference materials edit aipoh mary anne u religious themes in bruce onobrakpeya s works an unpublished dissertation presented to the department of fine arts faculty of arts university of ife ile ife nigeria as part of the fulfilment for the degree b a fine arts 1983 53 pages ekeh peter p studies in urhobo culture chapter 26 bruce onobrakpeya his art and international reputation by richard a singletary ph d of singletary gallery african art museum portsmouth virginia usa pp 632 681 urhobo historical society buffalo new york and ikeja lagos nigeria isbn 978 067 769 0 768 pages with index and photo of onobrakpeya fullani giovanni e san paolo nell art contemporanea musei vaticani 1977 page 112 176 faluade gbolahan the art of bruce onobrakpeya unpublished essay submitted to the department of fine arts in partial fulfilment for the award of b a fine art university of ife ile ife nigeria june 1979 59 pages fosu kojo 20th century art of africa zaira nigeria gaskiya corporation ltd 1986 jegede dele trends in contemporary nigerian art a historical analysis unpublished ph d dissertation 1973 mount marshal ward african art the year since 1920 bloomington and london indiana university press 1973 odufejo c m sunday the art of bruce onobrakpeya as i see it in 1975 unpublished hnd thesis yaba college of technology june 1976 88 pages okeke eze emmanuel bruce onobrakpeya a research into the print experiments of a contemporary nigerian artist unpublished bachelor of arts thesis university of nigeria nsukka 1976 92 pages okeke uche art in development a nigerian perspective documentation centre asele institute nimo nigeria and african american cultural centre minneapolis usa 1982 91 pages udoma ekpo udo non naturalistic representation in contemporary nigerian paintings a study of styles and trends an unpublished master of arts dissertation ahmadu bello university zaria 1989 olaosebikan w a cultural and creative arts a source book for teachers ibadan evans brothers nigeria publishers ltd ibadan page 38 60 112 116 oyelola pat everyman s guide to nigerian art nigeria magazine special publication lagos 1976 nigerian artistry written by pat oyelola with foreword by bruce onobrakpeya published by mosuro publishers 2010 spring christopher anganza afrika african art now lawrence king 2008 pp 246 251 sikpi gregory kofi history of contemporary nigerian art unpublished bachelor of arts degree thesis faculty of arts university of lagos july 1988 wahlman maude contemporary african art chicago 1974 rolf brockmann gerd hotter szene lago reise in eine afrikanische kultermetropole trickster verlag 1994 walker james the black experience in canada published by the ontario education communications authority 1979 page 80 willet frank african art thames and hudson london 1971 vernicem kelly nigerian artist a who s who and bibliography published janet l stanley for the national museum of african art branch smithsonian institution libraries washington d c by hans zell london 1993 stanley janet l arts of africa an annotated bibliography volume i ii african studies association press atlanta 1992 1993 kennedy jean new currents ancient rivers contemporary african artists in a generation of change smithsonian institution press washington d c usa1992 hans d orville leadership for africa edited 1995 editor duncan clarke african art random house new york picton john image and form prints drawings and sculpture from southern africa and nigeria school of african and oriental studies soas university of london 1997 revue noire nigeria african contemporary art no 30 1998 jean loup pivin editorial james shoaf turner the dictionary of art macmillan publishers limited 1996 editor paul chike dike pat oyelola the zaria art society a new consciousness national gallery of art 1998 nzegwu nkiru contemporary textures multidimensionality in nigerian art issa 1999 catherine king views of difference different views of art yale university press new haven london in association with the open university 1999 sidney littlefield kasfir contemporary african art thames hudson london new york 1999 ishola lemomu kunle bruce onobrakpeya 1990 2000 unpublished dissertation for the award of the bachelor of arts degree lagoke akintola university ogbomosho 2001 pamela mc clusky and robert faris thompson art from africa long steps never broke a back seattle art museum and princeton university press 2002 martha g anderson and philip m peek ways of the rivers arts and environment of the niger delta ucla fowler museum of natural history los angeles 2002 richard singletary bruce onobrakpeya usa 2002 barbara plankensteiner benin kings and rituals court arts from nigeria 2007 jewels of nomadic images with essays by peju laiwola ekpo udo udoma and olu amoda published by ovuomaroro 2009 john godwin and gillian hopwood the architecture of demas nwoko farafina lagos 2009 masks of flaming arrows edited by dele jegede with essays by david opkako and gani odutokun 5 continents italy 2013 dozie igweze the story teller of agbarha otor bruce onobrakpeya s visual tales hourglass gallery 2016 films and documentaries edit kindreds spirits contemporary nigerian artists smithsonian world washington d c usa the magic of nigeria produced by delka polystar directed by ola balogun lagos nigeria recalling the future art by joanna grabski produced and directed by claudine pommier executive producer cheikh tidiane n diaye arts in action society vancouver canada 2002 the harmattan workshop experience the journey so far film and documentary on 10 years the agbarha otor harmattan workshop experience produced and directed by onobrakpeya 2009 redhot produced by communication for change directed by sandra obiago june 2011 lagos nigeria references edit stanley janet winter 2011 bruce onobrakpeya and the harmattan workshop artistic experimentation in the niger delta pdf african arts 44 4 22 35 doi 10 1162 afar 2011 44 4 22 issn 0001 9933 s2cid 57571775 bruce onobrakpeya modern african art archived from the original on 29 january 2008 retrieved 22 may 2011 nationalgallery of modern art lagos nigeria vacation archived from the original on 26 november 2010 retrieved 22 may 2011 bruce onobrakpeya dedicated exhibition artportal archived from the original on 4 august 2019 retrieved 12 october 2017 1 2 grillo pavilion honors bruce onobrakpeya vanguard lagos nigeria 10 march 2010 retrieved 24 april 2024 robert barde april 1978 bruce onobrakpeya pdf the best of africa archived from the original pdf on 24 march 2012 retrieved 22 may 2011 1 2 3 biography of bruce onobrakpeya african success archived from the original on 13 june 2010 retrieved 22 may 2011 1 2 richard a singletary 2005 bruce onobrakpeya his art and international reputation studies in urhobo culture urhobo historical society p 632 isbn 978 067 769 0 1 2 bruce onobrakpeya pendulum art gallery archived from the original on 5 october 2011 retrieved 22 may 2011 bruce onobrakpeya urhobo historical society archived from the original on 8 november 2021 retrieved 3 may 2022 about us bruce onobrakpeya foundation archived from the original on 12 august 2011 retrieved 22 may 2011 gitti salami visona monica blackmun eds 2013 a companion to modern african art united ...