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s de campinas no final do ano regressa à europa deixando várias obras em coleções brasileiras depois retorna a vilna pela última vez encontrando a destruída pela guerra grande exposição individual no folkwang museum em hagen exposição individual na galeria schames de frankfurt muda se para berlim participa da exposição internacional de arte de düsseldorf em dezembro muda se para o brasil com sua primeira esposa margarete decora com pinturas murais o pavilhão de arte moderna de olívia guedes penteado em são paulo expõe na galeria neumann nierendorf de berlim e na galeria neue kunst fides em dresden naturaliza se brasileiro exposição individual à rua barão de itapetininga 50 são paulo exposição individual no palace hotel rio de janeiro volta à europa residindo em paris onde começa a esculpir participa da primeira exposição de arte moderna da spam são paulo realiza o projeto e a decoração do baile uma expedição às matas virgens de spamolândia são paulo participa da exposição internacional de pinturas no carnegie institute pittsburgh dez obras suas são incluídas na exposição de arte degenerada organizada pelos nazistas em munique para desqualificar a arte moderna exposição individual de pinturas e gouaches na galeria renou et colle paris realiza cenários para o balé sonhos de uma noite de verão encenado pela companhia de balé de chinita ullman no teatro municipal de são paulo ruy santos produz o filme o artista e a paisagem sobre a obra de lasar segall exposição retrospectiva no museu nacional de belas artes rio de janeiro é publicado o álbum mangue com textos de jorge de lima mário de andrade e manuel bandeira participa da exposição de arte condenada pelo iii reich na galeria askanazy rio de janeiro exposição individual na associated american artists galleries nova york exposição retrospectiva no museu de arte de são paulo sala especial na i bienal do museu de arte moderna de são paulo é publicado o livro lasar segall de pietro maria bardi sala especial na iii bienal do museu de arte moderna de são paulo o museu nacional de arte moderna de paris inicia os preparativos para uma grande retrospectiva de segall que só se realizaria em 1959 após a morte do artista pubblicato da myra alle 14 04 4 commenti wesley duke lee um dos maiores artistas brasileiros contemporaneos iniciou se nas artes plástica em 1951 nas classes de desenho livre do masp em 1952 vai para os eua quando por aqui a moda ainda era ir para a europa estudar artes gráficas aplicadas na parsons school of design de nova iorque de volta ao brasil em 1955 recebe duas menções honrosas no i salão de propaganda de são paulo a publicidade foi durante muito tempo uma alternativa para endossar o orçamento do artista em 1958 tem a oportunidade de conhecer k plattner pintor italiano radicado em são paulo e com quem além de experimentar técnicas com afresco e têmpera na qualidade de ajudante segue para a europa afim de executar um imenso mural em salzburgo na áustria já em 1960 determinado a trabalhar tempo integral com pintura e desenho instala se definitivamente em são paulo realizando em 1961 sua primeira individual excelente desenhista embora seja um artista que sempre se valeu dos mais diversos meios e ou materiais para se expressar do nanquim à pintura por computador wesley foi um dos impulsionadores do movimento de renovação da arte contemporânea brasileira já em 1964 wesley passava a integrar o movimento internacional phases em 1965 participava e era premiado na viii bienal de tóquio em 1966 ao lado de nelson leirner e geraldo de barros e alguns de seus discípulos também incomodados com a situação do objeto artístico tradicional artigo comercial e mercadoria sem função símbolo de status social fundam a efêmera e ruidosa rex gallery sons já na década de 70 mas também no bojo desta atitude de romper com o circuito artístico vigente wesley após ter seu manifesto publicado na imprensa no qual dizia que de ora em diante exporia somente em museus ou salas públicas retira se do mercado de arte ao longo de uma prolongada ausência de 06 anos retornando a expor em galerias somente em 1976 a obra de wesley foi e continua sendo profundamente marcada por sua necessidade de perceber o inconsciente já que a arte para ele é um contínuo processo de auto conhecimento eu conheci o wesley no fim de 1951 e fomos muito importante um para o outro deixo aqui algo de minhas lembranças daquele tempo foto dele daquela epoca uma carta desenho da argentina e o telegrama que me mandou quando soube que eu ia para o mexico e que nao me casaria com ele nossa amizade durou anos a ultima vez que o vi acho que foi em 1978 sempre tive e tenho muitas saudades dele se ele pudesse ler estas linhas gostaria de dizer lhe quanto foi importante na minha vida espero que esteja bem e continuando o seu trabalho pubblicato da myra alle 04 56 4 commenti marcel janco 1895 1984 janco was born to a jewish family in bucharest painter and architect friend and compatriot of tristan tzara he was among the founders of the dadaist movement at cabaret voltaire in zürich in 1922 he returned to romania and worked as an architect and painter in 1941 he left for mandate palestine to escape the nazis in 1953 janco established the ein hod artists village near haifa towards the end of his life he helped found the dada museum in ein hod which bears his name janco died on 21 april 1984 at the age of 89 he was my uncle and here is a letter of his pubblicato da myra alle 00 48 2 commenti venerdì 29 maggio 2009 mark rothko 1903 1970 mark rothko was born in dvinsk his father jacob was a pharmacist and an intellectual who provided his children with a secular and political rather than religious upbringing unlike jews in most cities of czarist russia those in dvinsk had been spared from violent outbreak of anti semitic pogroms however in an environment where jews were often blamed for many of the evils that befell russia rothko s early childhood was plagued with fear fearing that his sons were about to be drafted into the czarist army jacob rothkowitz decided to emigrate from russia to the united states 1 a picture lives by companionship expanding and quickening in the eyes of the sensitive observer it dies by the same token it is therefore a risky and unfeeling act to send it out into the world how often it must be permanently impaired by the eyes of the vulgar and the cruelty of the impotent who would extend the affliction universally 2 i am not an abstract painter i am not interested in the relationship between form and color the only thing i care about is the expression of man s basic emotions tragedy ecstasy destiny 3 certain people always say we should go back to nature i notice they never say we should go forward to nature 4 pictures must be miraculous 5 the progression of a painter s work as it travels in time from point to point will be toward clarity toward the elimination of all obstacles between the painter and the idea and the idea and the observer in the june 13 1943 edition of the new york times rothko together with adolph gottlieb and barnett newman published the following brief manifesto 1 to us art is an adventure into an unknown world which can be explored only by those willing to take the risks 2 this world of imagination is fancy free and violently opposed to common sense 3 it is our function as artists to make the spectator see the world our way not his way 4 we favor the simple expression of the complex thought we are for the large shape because it has the impact of the unequivocal we wish to reassert the picture plane we are for flat forms because they destroy illusion and reveal truth 5 silence is so accurate pubblicato da myra alle 07 23 6 commenti giovedì 28 maggio 2009 saul steinberg saul steinberg was born in romania in 1914 in 1933 after a year studying philosophy at the university of bucharest he enrolled in the politecnico in milan as an architecture student the precision of architectural drafting taught him the potential of a spare two dimensional line to describe a complex three dimensional form during the 1930s steinberg applied this lesson to the cartoons he began publishing in milan for the twice weekly satirical magazine bertoldo the incisive wit of these images would distinguish much of his art by 1940 steinberg s drawings were appearing in life magazine the following year anti jewish racial laws in fascist italy forced him to flee while in santo domingo in 1941 awaiting a us visa he started publishing regularly in the new yorker throughout his long career he used drawing to think about the semantics of art reconfiguring stylistic signs into a new language suited to the fabricated temper of modern life he was the inspector seeing through every false front every pretense sometimes with affection sometimes with irony but always a virtuoso master saul steinberg described carefully the wrought masks of 20th century civilization pubblicato da myra alle 00 59 4 commenti martedì 26 maggio 2009 ben shahn pittore e fotografo ben shahn kovno 12 settembre 1898 new york 14 marzo 1969 nacque in russia verso la fine del xix secolo in seno ad una famiglia di artigiani ebrei che emigrarono con lui negli stati uniti quando egli aveva otto anni conobbe la povertà e la discriminazione e ciò determinò le sue scelte tematiche sono del suo primo periodo i gouaches e le tempere dedicati ai grandi casi giudiziari alle vittime del razzismo e dell intolleranza i cicli sulla condanna di dreyfus e sulle esecuzioni e degli anarchici italo americani sacco e vanzetti cominciò ad affermarsi dopo il 1930 con opere di chiaro impegno sociale ispirandosi al processo di sacco e vanzetti affrontò l atrocità di quei temi con il distacco struggente proprio dell anima russa e con l umorismo gelante che avrebbe legato l atmosfera dell epoca al nome di chaplin partecipe di un gusto primitiveggiante ma radicato in un esperienza affatto personale nella quale si intravvedono echi espressionisti shahn raggiunse nelle sue opere soprattutto dopo il 1935 punte di notevole lirismo e sofferta umanità interessante è anche la sua produzione di manifesti pubblicitari per le organizzazioni sindacali americane nei disegni rivela spesso un amara e pungente ironia il suo modo di raccontare per immagini è caratterizzato da una grande apertura ed è proprio nella libertà della narrazione che si manifesta la profonda conoscenza dei problemi e dei rapporti di classe pubblicato da myra alle 00 22 3 commenti lunedì 25 maggio 2009 camille pissarro lettera al figlio lucien my dear lucien remember that i have the temperament of a peasant i am melancholy harsh and savage in my works it is only in the long run that i can expect to please and then only those who have a grain of indulgence but the eye of the passerby is too hasty and sees only the surface whoever is in a hurry will not stop for me there is not more time for amusements you are right education is what is necessary see then how stupid the bourgeoisie the real bourgeoisie have become step by step they go lower and lower in a word they are losing all notion of beauty they are mistaken about everything where there is something to admire they shout it down they disapprove where there are stupid sentimentalities from which you want to turn with disgust they jump with joy or swoon everything they have admired for the last fifty years is now forgotten old fashioned ridiculous they are like the falling rolling rock which we must ceaselessly roll back in order to escape being crushed jacob camille pissarro saint thomas 10 luglio 1830 parigi 13 novembre 1903 è stato un pittore francese tra i maggiori esponenti dell impressionismo nacque nelle antille danesi da famiglia ebrea nel 1861 diventa amico di paul cézanne e guillaumin nel 1861 e nel 1863 viene rifiutato al salon per questo decide di esporre al salon des refusés come molti altri pittori è un assiduo frequentatore del café guerbois il locale di batignolles dove si tengono accese discussioni sull arte la sua pittura è impressionista nel senso che egli sente la mobilità della luce e degli effetti cromatici sebbene dipinga en plein air medita e studia a lungo organizzando gli oggetti rappresentati così da dar loro pur senza contorni definiti una solidità che influenzerà lo stesso cézanne per il suo carattere aperto e conciliante il suo aspetto simile ad un profeta con la lunga barba bianca e gli incoraggiamenti che sapeva infondere nei giovani artisti fu lui infatti a scoprire il genio di van gogh venne visto da tutti gli impressionisti come l anima che seppe mantenere unito il gruppo per tanti anni pubblicato da myra alle 01 10 3 commenti domenica 24 maggio 2009 jacob kahn 1884 1983 an old and famous artist when younger he abandoned the religion with which he grew up in order to pursue his artwork he is fully and completely an artist he is temperamental and feels no moral attachments to anything but art and sees a great purpose in producing art and artists i sculpt and paint to give permanence to my feelings about how terrible this world truly is nothing is real to me except my own feelings as i seem them all around me in my sculptures and paintings there was passion in the time of the abstract expressionism now there is greed and chaos if the chaos were hot i could create in it but this cold is cold with the touch of money pubblicato da myra alle 02 16 4 commenti sabato 23 maggio 2009 chaim potok galleries glittered like department stores a carnival of sorts art as mardi gras the ordinary was king popularism shallowness doubt cynicism the century was exhausted chaim potok painter and writer pubblicato da myra alle 03 01 1 commento venerdì 22 maggio 2009 la dannata insonnia mi spinge dentro di un nero abisso mi arrampico su muri invisibili gridi sordi muti mi raggiungano all improvviso cado nel sonno e mi sveglio pubblicato da myra alle 00 58 2 commenti mercoledì 20 maggio 2009 ci sono momenti ore giorni quando tutto è possibile desiderio passione paura ricordi formano un labirinto dove ci perdiamo dove poi ci ritroviamo per perderci un alta volta una trappola di febbrile delirio pubblicato da myra alle 07 20 4 commenti lunedì 18 maggio 2009 libro publicado en 1985 portada y contra portada pubblicato da myra alle 00 05 5 commenti domenica 17 maggio 2009 collages para quem nao entende italiano pubblicato da myra alle 01 41 9 commenti sabato 16 maggio 2009 en la plantacion de cocos de pablo te vi arrastrar hierbas cielo arbustos sol mi vida y la tuya el mundo entero dentro de la mata y entre los cocos caidos amor quien sabe alguna culebra nos miraba nirvana pubblicato da myra alle 01 23 3 commenti giovedì 14 maggio 2009 critica de arte a merced y servicio de la sociedad de consumo criticos de arte artistas frustrados necesitan del creador como muletas para caminar en el mundo del arte consumidores de arte que necesitam aprobacion y consagracion de los senores criticos para poder conocer reconocer y entonces consumir el arte basta historiadores del arte si pub...
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