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Text of the page (random words):
rogramme has been sustained by a group of artists and cinephiles unbothered by the discomfort of a hip raised by watching a screen over a raked floor or by the unwary appearance of a desktop landscape from an old mac glimpsed in the opening and closing of windows between films in the last month faro has suffered biblical floods perhaps divine punishment for the experiments carried out there it is with artists ministers anarchists parishioners and lisboners that we now wish to share in this dark chamber an experience projected in secret which we call redskyfalls we show now an announcement of what will take place in venice in a few months with a sample of the green cry of this red sky diorama specially prepared for this occasion the piece has been recalibrated for greater seismic sensitivity capturing the low natural subterranean tremors and responding without complicit silences loudly and clearly to the shocks felt in the unceded territories of yemen myanmar sudan ukraine lebanon iran and palestine whenever the sky falls on them redskyfalls alexandre estrela curated by ana baliza ricardo nicolau survey on an s wave portable seismic archive curated by marco bene fondaco marcello venice 09 05 22 11 2026 organisation república portuguesa ministry of culture youth and sport margarida balseiro lopes commissariat directorate general of the arts américo rodrigues director general executive production and communications dgartes catarina correia raquel monteiro sofia isidoro installation generative systems engineering ian duclos sound design miguel abreu ian duclos scientific consultancy laboratory of neurogenetics of locomotion nova medical school moita lab and orger lab champalimaud research portuguese institute of sea and atmosphere ipma project executive production mariana vitale studio and production management patrícia assis communications graphic identity faro communication design ana resende studio web developer joel domingues editorial revision paloma portela translation paloma portela sara de chiara audiovisual recording and editing hugo botelho rodrigues radio voiceover natxo checa audio description for tv gabriel abrantes social media maria mendes press national press beatriz vasconcelos international press close encounters pr nadia fatnassi support and partnerships principal patron edp foundation sponsors galeria travesía cuatro serralves foundation casa são roque rialto6 flad support artworks space collectors central projetores parterre pato em pequim valchromat vision rip institutional partners aicep camões i p partners redcat roy and edna disney calarts theater wattis institute for contemporary arts mali museo de arte de lima galeria zé dos bois faro emily harvey foundation esad cr lida ipleiria embassy of portugal in japan scientific partners ipma nova medical school champalimaud research editorial partners contemporânea electra a batalha wrong wrong communications partners rtp antena 1 antena 2 antena 3 canal180 coffeepaste gerador faro rua s joaquim nr 2 campo de ourique lisboa entrada do lado esquerdo da igreja de santa isabel http www oportolisboa blogspot com em 5 42 pm 0 comentários thursday august 28 2025 compiled by faro for systema marseille 28 31 august palais de carli marseille faro compiled for systema an anthology of un x act natural woodwork with works by mário cesariny marco franco ellie ga sabine grimm joão maria gusmão anne lefebvre john matthews josé maurício musa paradisiaca tomé coelho hans peter bernardino ribeiro antónio manuel saraiva lucia sotnikova ernesto de sousa jul susin anatoli susin franklin vilas boas vincent wolff for as long as people have handled sticks they ve been staring at them and saying that looks like a camel no it s more like a snake or a whale very much like a whale this guessing game relies on pareidolia a psychological phenomenon that allows us to see figures and faces in things and is the foundation of a transhistorical sculptural practice that uncovers wild animals and stick figures in branches logs and roots once the pastime of shepherds and hunters it comes naturally to enthusiasts of all ages hobbyists or experienced artisans and probably to anyone who has experienced boredom in a forest with no wi fi the method of this art form requires a careful observation of the raw material minimal intervention or none at all sometimes you need only a little faith as a simple twist of the wood makes its shape shift sometimes like michelangelo you prune it slightly to remove only what doesn t already belong to the creature inside what emerges isn t carved into the wood but coaxed from it as if the being was always there hiding like a ghost in plain sight a natural ready made waiting in the tension between the matter and the mind guided by the density and resistance of wood fibres the sharp blade of the involuntary artist releases a menagerie of beings in the same wooden space from another angle a coiled viper doubles as a seahorse a jaguar transforms into a salamander a rabbit duck conundrum lurks in every figure things perhaps unseen even by carver these carved branches confess a deep learnt survival skill that once helped humans scan for threats camouflaged in the background like the leopard s spots dissolving in shadow a python weaved in bamboo trees or a platypus emerging from wherever the platypus emerges from this ancient art pra c tice is after all an exercise in recognition a training in ambiguous perception to keep us sharp for a hide and seek game nature s longest running play an anthology of un x act natural wood work gathers prime examples of this art form objects and photographs alike serving as sculptural mediums for a matter of the mind with this collection we hope to revive a human skill that helped our species trick its own mind to overcome the fear of an uncertain natural world and ready our imagination for the digital wildness ahead faro marseille august 2025 this exhibition would not be possible without the precious help of the artists and lenders we would like to thank isabel alves john mathews family museu e monumentos de portugal e p e arquivo de documentação fotográfica perve galeria casa da liberdade mário cesariny ciajg centro internacional de arte josé de guimarães oficina em 6 22 am 0 comentários friday july 4 2025 scroll down for english numa noite de verão da filho único o faro apresenta o nascimento de um ratão bem americano com retratos regionais por martim avillez bárbara fonte alexandre estrela gabriel abrantes e acompanhamento musical de violeta azevedo borja caro ian duclos desde 1934 que a disney exporta para os cantos do mundo as histórias de um pato irresponsável e preguiçoso que espera um dia herdar de um tio milionário uma fortuna ganha à custa da exploração desenfreada do planeta enquanto as crianças deste resto do mundo a sul se reviam nas patetices do pato as americanas veneravam um todo poderoso rato modelo reduzido de um adulto ponderado filho só de pai o menino rato era o paladino da simpatia e da lei justo e imparcial voluntarioso e altruísta profeta pacífico e agente por vezes armado regulador dos conflitos mundiais este ratão emancipado da corrida do rato comum era o derradeiro guardião dos interesses de um clube bem americano em 1971 durante a revolução socialista chilena de salvador allende ariel dorfman e armand mattelart publicaram como ler o pato donald um ensaio que desmascarava as personagens fofinhas da disney enquanto agentes infiltrados ao serviço da propaganda ideológica norte americana dois anos mais tarde com o apoio secreto dos estados unidos dá se o golpe militar de pinochet que obriga os autores ao exílio o livro entretanto traduzido em várias línguas foi proibido e queimado durante 17 anos de regime um sinal claro do incómodo que este manual de descolonização provocava ao revelar o esqueleto imperialista escondido no rasgo da boca do rato estava um esgar predatório animal e na sua luva branca o punho de ferro do capitalismo hoje num mundo de patos bravos é mais difícil vender o benfazejo clube americano com as garras afiadas à mostra o ratão pode finalmente tirar a máscara a ilustração acima foi feita a partir de uma gravura de martim avillez de 1973 esta sessão t eve o generoso apoio dos artistas envolvidos das galerias ratton e francisco fino de gwenn thomas e joana avillez e ste evento não está afilia do com a walt disney productions e t odos os materiais são usados sem a sua autorizaçã o on a filho único s summer night faro presents the birth of an all american rat w ith regional portraits by martim avillez bárbara fonte alexandre estrela gabriel abrantes a nd musical accompaniment by violeta azevedo borja caro ian duclos since 1934 disney has exported to the far corners of the world the stories of an irresponsible and lazy duck who hopes one day to inherit from a millionaire uncle a fortune earned at the expense of the planet s unbridled exploitation while children in this south end of the world saw themselves in the duck s duckery american children revered an almighty rat a reduced model of a thoughtful adult his father s son the boy rat was the paladin of kindness and law just and impartial determined and altruistic a peaceful prophet and at times an armed agent regulating global conflicts the big rat emancipated from the commoners rat race was the ultimate guardian of an all american club in 1971 during salvador allende s socialist revolution in chile ariel dorfman and armand mattelart published how to read donald duck an essay that unmasked disney s cuddly characters as covert agents in the service of u s ideological propaganda two years later with secret support from the united states pinochet s military coup forced the authors into exile the book meanwhile translated into several languages was banned and burned for 17 years during the dictatorship a clear evidence of the discomfort this decolonial manual provoked by exposing the imperialist skeleton hidden in the rat s smile lied a predatory scowl and beneath his white glove was the iron fist of capitalism today in a world of dirty rats it s harder to sell the do gooder american club with gloves off and sharp claws in plain sight the big rat can finally drop his mask the illustration above is based on a 1973 engraving by martim avillez this session was made possible by the generous support of the contributing artists ratton and francisco fino galleries gwenn thomas and joana avillez t his event is not affiliated with walt disney productions and all materials are used without their consent em 12 08 am 0 comentários thursday july 25 2024 dream fm ˌef ˈem dream frequency modulator for wakeful nights seeding dreams and nightmares alike with constance dejong delia derbyshire pati hill and rené bertholo dreams are no longer our own borrowed nonsense infiltrates our slumbering minds metal fillings in our teeth act as antennas for radio waves outside inside all around external frequencies whisper the brain how can you record a dream in which you can t name even one thing that s happening it s just like the moon black black white today those same facts are sent into the space of much repetition one third of the day in sleep two thirds daydreaming the way out is left right is somewhere ahead of you green yellow orange one two three not overlapping i simply seem to have turned on the day i think it s bound to disturb our sleeping arrangements yesterday s podcast in the air back to sleep back to that place called the mystery of our double existence in the dark saturday s 44 mins constance dejong this feels like 2 03 2017 18 originally broadcast on a re engineered vintage radio or performed live bedside 3 46 2020 sound excerpt of an installation delia derbyshire falling 8 03 landscape 6 30 1963 two of five movements from dreams composed for inventions for radio directed by barry bermange broadcast on bbc radio 1964 and 1975 pati hill dreams 10 15 1977 selection from dreams objects moments read by herself on an episode of audience produced by don mowatt with sound effects by james reed broadcast on cbc stereo 1978 rené bertholo intermission 5 33 computer animation of a drawing by rené bertholo leitura o livro das transformações 1979 triggered by áfrica aqui composed for makina 1988 1999 the original drawing is displayed at cine galeria this session is made possible by the efforts of dedicated caretakers at the delia derbyshire archive at the university of manchester the pati hill collection at the arcadia university in philadelphia and paulo vinhas who rescued rené bertholo s idle makina as for the living we d like to thank constance dejong for generously accepting our invitation to gabrielle giattino from bureau gallery in new york for the unconditional support and to ellie ga for being a conduit of enthusiasm we thank borja caro for the soft machine building for this session and extend our thoughts to those who have contributed with works and working hands to put up this cycle at the end of a short lived summer we would like to thank filho único for daring us to join them in high frequency and to those who did free admission limited to room capacity left entrance of igreja de santa isabel campo de ourique lisboa faro rua s joaquim nr 2 campo de ourique lisboa entrada do lado esquerdo da igreja de santa isabel em 4 29 pm 0 comentários thursday july 18 2024 on filho único s summer night faro presents the boredom loop featuring works by ernest gusella copper giloth miguel soares catherine biocca amy lockhart animal charm bill etra and louise ledeen session introduced by maria joão falcão includes a special looploop by von calhau after copenhagen and new york now in lisbon the boredom loop a screening programme for a seated audience that challenges the norm by embracing the conventional this programme follows your usual screening routine where one piece rolls in after another and mixes it with the dull comfort of predictability it features eight short time based pieces that we love and have seen over and over again but never found a chance to show so here what s new the line up of the pieces is set by opening a specially designed chance book ️ at random this book also determines that one of the pieces will play again and again between all the others the perfect sandwich of new and more of the same o the innate pleasure of boredom favorite harmful side effects e gusella depois de copenhaga e nova iorque agora em lisboa the boredom loop o ciclo do tédio um programa para um ecrã e um público sentado que desafia a norma com o convencional este programa segue a rotina habitual de um screening onde uma peça se segue à outra e mistura a com o conforto monótono da previsibilidade mostramos oito peças curtas que adoramos e já vimos muitas vezes mas nunca tivemos oportunidade de mostrar então o que há de novo aqui o alinhamento das peças é feito a partir de um livro de permutações ️ especial que abrimos aleatoriamente este livro determina também que uma das peças s...