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www razdva net vi veri quam vixi nihil adeptus sum skip to content www razdva net vi veri quam vixi nihil adeptus sum menu home paradox of fiction my universe in eternity before the big bang contact scroll down to content posts posted on 11 1 2026 i was so sure owning dozens of cameras is a beautiful thing but it has its dark side sometimes you simply lose track of which stage of delusional ambition your various projects are in for quite a while i ve had a personal vendetta against adox cms 20 ii it s a film you either worship or curse there is no middle ground my results so far have been a rollercoaster of inconsistency only vaguely hinting at those legendary technical charts promising resolution from another planet but i knew the film had it in it and i was absolutely certain that i had a roll loaded and ready to go an expedition through my own apartment finding a specific film in my household isn t a matter of glancing at a shelf it s a full blown tour of the premises my collection is organically stored everywhere from display cabinets to random corners where cameras are just resting i performed a tactical sweep of dozens of bodies hunting for that one specific canister i wasn t wrong there it was tucked inside my fujica st 901 through the little window on the back that unmistakable canister color and the label promised me a miracle the dial was set to iso 25 the absolute floor for the fujica s auto exposure i knew i was about to dance on the razor s edge of what the film and the machine could handle grey reality and the optical triple threat the weather outside was frankly miserable a sky the color of wet concrete flat light and a biting 12 c not exactly the day for epic landscape photography so i settled for some indoor calisthenics to make this battle with adox more interesting or perhaps just to suffer more i decided to test the souls of three very different lenses helios 44 2 58mm f 2 a lens with a personality so big it doesn t care about mtf charts smc takumar 55mm f 1 8 a mechanical jewel of pure precision vivitar 28mm f 2 5 by kiron a wide angle brawler with a very specific bite the oh no moment i burned through a few of my typically boring compositions and feeling like a total pro retreated to the darkroom loading the tank is pure muscle memory my hands do the work while my brain is already dreaming of the perfect developer temp i didn t expect any surprises because i was so sure but as i was winding the film onto the reel in total darkness my fingertips hit a snag a literal one i felt adhesive tape at the end of the roll the exact tape i use when i m bulk loading metered film into recycled canisters in that split second the cold truth hit me adox cms 20 ii doesn t come in bulk rolls with my messy taping technique my absolute certainty evaporated into the pitch black air inside that world s sharpest film canister was an impostor decision time in the dark i stood there in the dark reel in hand doing frantic mental math in my bulk stash i only have two suspects kodak 5222 double x at iso 250 or kodak pan 2484 a high speed beast that can hit iso 3200 and there i was having exposed the whole thing at iso 25 to add insult to injury i had even used an old metz 45 ct1 flash just to give it some juice while i thought i was being a master of fine grain precision i likely had a roll in the tank that had been nuked with 3 3 ev of overexposure the fancy adotech iv developer went back into the fridge if it was the 2484 the film was toast a solid black strip useful only as a black belt for my camera bag if it was double x there was a slim chance of a rescue mission via a drastic pull process chemical alchemy i skipped the ansco 130 i didn t trust the glycin to hold those screaming highlights rodinal was out too the grain would have looked like gravel i settled on a modern classic 510 pyro extreme dilution 1 200 22 minutes and a chilly 17 c i was praying that the famous pyro stain would act as a safety net for my blown out highlights the result a victory over arrogance when i pulled the film out a massive weight lifted not only were the negatives scannable they were actually good enough for the enlarger my boring photos turned into a testament to just how much abuse a professional cinema stock can take if you know how to apologize to it in the darkroom fujica st901 helios 44 2fujica st901 takumar 55 f1 8fujica st901 takumar 55 f1 8fujica st901 vivitar 28mm kiron fujica st901 vivitar 28mm kiron fujica st901 takumar 55 f1 8 fujica st901 helios 44 2 fujica st901 takumar 55 f1 8 fujica st901 takumar 55 f1 8 fujica st901 vivitar 28mm kiron fujica st901 vivitar 28mm kiron fujica st901 takumar 55 f1 8 shot 1 helios 44 2 that dreamy character remained intact saved by the pyro shots 2 3 smc takumar pure contrast one with the metz one in flat daylight detail for days shot 4 vivitar kiron bounced metz the dynamic range is honestly shocking given the overexposure shot 5 the face off direct flash to the face from 0 5m at iso 25 on iso 250 film instead of a white nuclear blast i got a textured moody portrait shot 6 smc takumar long exposure clean stable and perfect i was sure this whole mess was going in the bin instead i learned that a little chemical luck and the sheer tank like resilience of kodak double x can save you from yourself next time i ll label the damn canister but then again where s the fun in being right all the time mic the fool on the hill 2 posts navigation page 1 page 2 page 55 next page proudly powered by wordpress